My Chemical Romance proved to the world just how far an oversexed MySpace profile could take you in this world. Sex it up right and you’ll play shows sold out stadiums, look cool in a marching band uniform and have access to all of the eyeliner you could ever possibly eat. MCR did what we all should have been focusing on while instead, we curated our Top 8. Here’s our definitive ranking of every My Chemical Romance album.
4. I Brought You My Bullets, You Brought Me Your Love (2002)
Let’s just get this one out of the way awhile. “I Brought You My Bullets, You Brought Me Your Love” is a fine album. For a first record it is quite strong and all the other things you’re supposed to say about a good band that’s still developing. My only real complaint… it smells. Like the actual CD that I had as a kid, it was stinky. I don’t know what the hell that was about and MCR, if you’re reading this (yeah, you’re reading this), I’m glad you were able to avoid that literal disc stench for future releases. Christ, that CD really did smell like Jersey.
Play on repeat: “Skylines and Turnstiles”
Skip it: “Our Lady of Sorrows”
3. Danger Days: True Lives of the Fabulous Killjoys (2010)
What is it with really successful punk bands that feel they need to change up their image or style and so they do and it works really well and then for the next thing they do after that they pretty much do the same fucking shtick over again. I get that growth is hard but c’mon! Wasn’t this exactly what you were just trying to avoid? Probably the dumbest part is that we all buy into it all the same. Like we have some sort of cultural amnesia that just takes us over and we stand, dumbfounded with mouth agape just ready to be fed whatever the next compliance-induced morsel the producers decided to drop down on us. Anyways, what was I talking about? Oh yeah, “Killjoys” is pretty good.
Play on repeat: “Bulletproof Heart”
Skip it: “DESTROYA”
2. Three Cheers For Sweet Revenge (2004)
“Three Cheers For Sweet Revenge” sounds the way riding the bus in middle school feels, but in a good way. This album is the equivalent of finally being cool enough to sit all the way in the back row where the bus driver can’t see you and getting to do some over-the-clothes hand stuff with the grade-up girl who is way too hot for you. Hooray for public school negligence!
Play on repeat: “Thank You For the Venom”
Skip it: “Interlude”
1. The Black Parade (2006)
Once in a generation an album comes around that completely redefines our cultural appreciation of music. For the life of me I have no idea what that record would be for 2000s emo kids, but “The Black Parade” kicks a whole lot of ass so screw it, let’s say this is it.
I don’t know what to compare it to, so let me take another big swing and say, uh, “Freewheelin’.” There you go. “The Black Parade” is “Freewheelin’” for a smattering of baggy Hot Topic pants clad millennials.
You know what, I don’t actually hate that analogy.
Play on repeat: “Welcome To the Black Parade”
Skip it: Do I really have to pick something to skip? I do? Fuck. Fine, I guess “Disenchanted” doesn’t kick that much ass. Nah, it actually does. Whatever, I’m done now.












The latest Against Me! album, Shape Shift with Me, is a solid addition to the band’s catalog, but it suffers from an issue that many other alternative bands’ albums suffer from in their later years. They know their sound and their audience so well that newer releases often sound like a fanfic version of their own band.”Shape Shift with Me” has some great moments but this record feels pretty paint-by-numbers. But what do I know? I’ve only been listening to them since before you were born.
Okay, let’s get this out of the way. Yes, this is probably their most critically and commercially successful release and, yes, this is probably the album that got you into the band. Unfortunately, this is a weak album in the context of AM!’s entire discography. It’s mostly mid-tempo songs that sound like a mix of punk and butt rock, which we’ll just call “Buttflap Rock.” The screams were dialed back to yells and the songs are structured and arranged in conventional ways that fail to showcase the best of what Against Me! has to offer. Or maybe I’m just still mad they signed to a major label.
This record shows a direct bridge between two distinct eras of Against Me!’s sound. Prior to 2005, the band’s songs tended to have an unconventional, almost freeform structure. Another aspect of their signature sound was having two rhythm guitars playing different parts overtop one another. “Searching for a Former Clarity” captures the band as they were shifting to a more conventional sound. Still better than New Wave though.
Lyrically, this album brings back the gut-wrenching honesty that made early Against Me! records draw in such a devoted fanbase. While recent AM! records spoke mostly on external topics like politics and the music industry, Transgender Dysphoria Blues is a return to form in digging deep inside oneself to pull out gems of brutal honesty and self-reflection. Plus, the band was no longer on a major label so it was okay for me to like it.
The songs on this record were rushed. As a result, you have the accidental masterpiece that is The Eternal Cowboy. The songs are fast, loud, and short yet their structure is closer to jazz or prog rock at times. The album flows so well. The whole is absolutely greater than the sum of its parts. Also, check out their demo recording of this album. Ironically, if we were ranking that version, my “play it again” song would be Unsubstantiated Rumors Are Good Enough for Me to Base My Life Upon.
When it comes to this band’s ability to write more conventional music, White Crosses is far and away the best AM! release to date. The leads are memorable and catchy, the lyrics and vocals are compelling, and the polished production matches the music perfectly. Lyrically, Against Me! produced some of their best scream-along songs in almost a decade on this record. It was so good I was able to forgive that it came out on Sire Records.
If it were up to me, all of these EPs (along with “Vivida Vis!” and the “Against Me!” demo) would be tied for number one. However, the very strict guidelines that make up The Hard Times rankings system clearly dictate that all EPs, live albums, demos, and any bootleg recordings I made are ineligible for consideration. But go listen to these albums.
From start to finish, “Reinventing Axl Rose” hits you with one iconic scream-along song after another. This transcendent punk album was lightyears ahead of its time. Plus, it’s the band’s only full-length release featuring Dustin Fridkin on bass and backing vocals. The way Dustin and Laura’s voices combine is indescribable and, even though the band released some great stuff after his departure, the loss of Dustin’s voice took away a lot of the power of Against Me!’s vocals. To me, this record is Against Me! at their best. And by that I mean I like that they were on No Idea Records at the time.











