My name is Mark Brooks, father of four, owner of Brooks Construction Fencing Rental Co., and, sorry liberals, a proud functioning illiterate.
Teacher after teacher tried to get me to read growing up, and every one of them wound up either going crazy or resigning in disgrace. Why? Because I just plain didn’t want to. I knew what I wanted to do with my life, and I knew I didn’t need to know how to read to get there. They don’t write books on how to inherit your dad’s well-connected construction fence rental company, it just happens.
The one thing that almost got me to budge was the Goosebumps book series. They were insanely popular growing up, and every few months when the Scholastic Book Fair came through, picking up the latest one was a huge status symbol. They became all the other kids would talk about during lunch. It was a shameless push by Big Words to make reading seem cool, but I have to admit it almost worked on me. Ultimately however, you didn’t actually need to read the books to get that free Pizza Hut, and Mortal Kombat 2 had just come out, so I was a hard pass on learning to read.
Do I regret my decision? Absolutely not. You don’t need to know what a check says to cash it, and since my dad’s company practically runs itself, cashing checks is about all I do. Still, I gotta give credit where credit is due. Here are the top 30 Goosebumps novels that very nearly inspired me to read.
30. THE ABOMINABLE SNOWMAN OF PASADENA
Coming in last is this latter-day R.L. Stine entry. A snowman in Pasadena? I don’t need to read to know that makes absolutely no sense.
29. HOW I LEARNED TO FLY
This one actually got me closer than any book on the list to wishing I could read, but once a friend told me the book didn’t actually teach you how to fly I couldn’t possibly care less. The picture on the cover isn’t even cool, what’s the point?
28. GHOST CAMP
I don’t need to know how to read to know that something called “Ghost Camp” is a lazy, derivative rehash of well-worn horror tropes not worth going through all the trouble of learning the difference between consonants and vowels.
27. WEREWOLF SKIN
Pretty cool cover art, but when you think about it, the skin is like the least scary part of the werewolf. It’s the fur, fangs, and claws that do all the heavy lifting fear-wise. Pretty astute breakdown from an illiterate huh? Alexa, add thinky face emoji.
26. WHY I’M AFRAID OF BEES
Hmm, maybe because they sting? Wow, look at that, I solved the case! And all without reading a single word ever in my life. It’s almost like Mrs. Hoopler was wrong and wasted her time trying to “get through” to me.
25. CALLING ALL CREEPS
It’s got a bunch of rad dinosaurs on the cover, which was pretty cool in the zeitgeist at the time, but thankfully Jim Henson came out with a little TV show called “Dinosaurs” so kids like me didn’t need to read to enjoy them. That man did so much for children!
24. THE CURSE OF THE MUMMY’S TOMB
Honestly, there are way cooler-looking mummies on other Goosebumps books. Swing and a miss as usual Scholastic.
23. REVENGE OF THE LAWN GNOMES
As a boy my father would sometimes bring me to job sites and help take down fencing, to build character. He assured me that this was just for appearances because poors liked that kind of thing, and I didn’t really need to do anything. Still, I hated it, because sometimes we would be working at people’s homes, and there would be lawn gnomes. Who were they? Why did they look so smug, what did they want?! I thought if I knew how to read this book could give me some insight, but then Dad got me a new BMX and I forgot all about it.
22. THE WEREWOLF OF FEVER SWAMP
I do love werewolves, but you know how it is. You sit down to learn to read and it’s all “conjugate this” and “pluralize that” and aaaah, it’s just a mess. Thank god for generational wealth.
21. A NIGHT IN TERROR TOWER
From what I gleaned during lunchroom chatter, this one’s about two boys who visit the Tower of Terror. As a lifelong Disney season pass holder I firmly say “Big deal.”
20. YOU CAN’T SCARE ME!
Put it back on the shelf as soon as my friend Tommy read the title for me. If the book was boasting that it COULD scare me, that would be something, but this? Man, why does anyone learn to read?
19. A SHOCKER ON SHOCK STREET
The giant ant on the cover is badass, but I know a dumb title when I hear it. “Shock Street?” Really R.L. Stine? I don’t want to tell you how to do your job, because you are an author and I am a well-to-do functioning illiterate, but you can do better.
18. PIANO LESSONS CAN BE MURDER
This one had me intrigued. My mother insisted that I take piano lessons and I hated them. I thought that maybe armed with the knowledge in this book’s pages I could make the case that piano lessons were dangerous, and she would stop making me go. Luckily, she became clinically depressed before any of that happened, and stopped taking me.
17. THE HEADLESS GHOST
Double threat! Ghosts are scary, headless dudes are scary, a headless ghost?! Super scary. At least that was my initial thought. Then, as I approached the Scholastic checkout, I couldn’t help but think “Is this overkill?” A headless ghost is sort of a hat on a hat. Or, rather, a lack of hat on a lack of head? I don’t know, either way, nothing worth learning an entire written language for.
16. BE CAREFUL WHAT YOU WISH FOR
It’s like how Mrs. Hoopler wished I would start learning to read, and I never did. See? You don’t need to be literate to understand metaphors.
There was clearly a longing for another Soundgarden LP after their fifth/underrated LP “Down on the Upside,” and “King Animal,” the band’s first album in SIXTEEN years, wasn’t exactly sweet like that godawful MTV show featuring miscreant teenagers and even worse parents, but it’s always saccharine to hear Soundgarden. Also, another note worth mentioning is that this record debuted at number five on the Billboard 200, proving our hypothesis that we tested in a lab with our own blood all over the Canoga Park lab’s hamster feces-stained floor.
Whether you know it or not, Soundgarden are punk as fook, and their debut LP “Ultramega OK” came out on the rockin’ Easter of 1998 via Milo Aukerman of Bad Brains’ SST Records. Also, the band has mad Seattle cred because their prior EPs “Screaming Life” and “Fopp” were released via the legendary Sub Pop Records, former home to Foo Fighters, No Use For A Name, and Lady Gaga. Admittedly, the band wasn’t happy with how this record sounded production-wise, and publicly disavowed and disparaged the studio album on multiple occasions. Still, it’s not THAT bad, friends, but it obviously would’ve been ranked higher here if another producer sat behind the boards! In a clever way to showcase that the band was, uh, clever, track three is called “665,” and track five is called “667,” showcasing an obvious Satanic gap in the “Beyond the Wheel” position.
What’s weird about this incredible album is that it both deserves to be ranked higher AND lower at the same damn time; woah, Nelly! That is the beautifully clean, and not epically dusty paradox about Soundgarden, and their last ‘90s record “Down on the Upside” is pretty much all killer no filler front to back, up and down, side and on, and most importantly, tighter, tighter, pretty, and a rhinoceros that is a pacifist and doesn’t kill anyone in its way. Also, three of this album’s four singles are pretty unparalleled 20th-century rock songs in “Pretty Noose,” “Burden in My Hand,” and the epic AF “Blow Up the Outside World,” which is a top five single for the band, and don’t @ us if you disagree… Actually, please do in the comments.
Soundgarden’s sophomore LP/debut major label release “Louder Than Love,” which was released via A&M Records, former home to Bryan Adams, Sheryl Crow, Extreme, and Masked Intruder, rocks so much quieter than hate, and is the last SG studio album listed here with a “skip it” track. The band certainly ended the ‘80s in style with this one, and foreshadowed a new wave of popular music in the ‘90s that quickly killed Winger and Stewart Stevenson dead. In addition, the album’s cover art helped form a simple aesthetic in the ‘90s that highlighted sincere and badass rock in the Pacific Northwest. It must also be said that Terry Date, who later epically produced classic albums from Mother Love Bone, Deftones, Handsome, and Ugly, absolutely (out)shines here.
1991 was one of the most reverential/historic years for rock music since 1969, as Nirvana released “Nevermind,” Pearl Jam came out with “Ten,” Red Hot Chili Peppers finally put California on the map with “Blood Sugar Sex Magik,” and Keith Sweat released the metal album that ended all metal albums known as “Keep It Comin’.” While Soundgarden’s third LP “Badmotorfinger” had far less of an influence on popular culture than the others we listed above, it was truly a grower, and not a shower, and gets a lot of attention in rooms more than a thousand years wide and on top ten lists in inferior publications to this day. That says a lot about the staying power of “Badmotorfinger” and the combination of three words into one, which happened again for the band in 1994… And now we’re almost through, which started out “super,” and eventually became “known”!
“Black Hole Sun” is one of the weirdest songs by far to infect MTV, radio, high school gymnasiums, and your ratty cousin in Idaho’s boombox with one working speaker in the best way. Like its predecessor in 1991, Soundgarden picked a hell of a year to release their most superior LP “Superunknown,” and a wave of rock peers in different worlds like Weezer, The Offspring, Green Day, and Boyz II Men all came out with the albums that they are most known for in 1994. “Superunknown” stormed the gates of BIllboard with a number one spot on their top 200, and no one really complained about that, and Michael Beinhorn certainly didn’t, but YOU will. To close this tragically, it is forever haunting that this album closed with a song called “Like Suicide.” Our thoughts are always with the Cornell family, but not with Andy Bernard. Let him drown.
