Every Cannibal Corpse Album Ranked Worst to Best

Heavy metal and parental outrage, name a more iconic duo. From the early days of rock n roll satanic panic, and even congressional hearings, metal was the focus of concerned parents and power-hungry church officials who just loooovvve to rag on that good time rock and/or roll without doing any inner reflection.

This was never more apparent than it was when Cannibal Corpse hit the scene in the ’90s, delivering the musical equivalent of slasher movies, and by opening hearts and minds (sometimes literally), which could have potentially allowed these concerned commoners a chance to do some inner reflection. Their music was gritty, fast, lyrics that make you skin crawl (if you could understand them), and album art that took the moralistic concern to the federal level, there was no denying that these guys could turn and remove heads.

But beneath the controversy lies one of the most consistent, if somewhat predictable death metal bands of all time. When your band is led by your BASSIST (Og bass shredder Alex Webster), you just know these guys are damn good. And that, if noting else requires our dear reflection through a broken mirror, on to the exact ranking of these albums.

16. A Skeletal Domain (2014)

Cannibal Corpse’s 2014 release, while containing all the fixings that one expects from the Buffalo Boys, sounds like they just “winged” it, with recycled riffs, unimaginative song titles, and relatively tame artwork. But since every band who has been around for 20 plus years is entitled to one album that doesn’t quite hit the mark, we can say with confidence that this one hits with force.

Play It Again: “Sadistic Embodiment”
Skip It: “Funeral Cremation”

 

 

15. Torture (2012)

Second to last on our list is Cannibal’s relatively tame outing with “Torture”. While still forceful, it lacks the pzazz of prior releases, and while passable, is noticeably lacking in any torturous elements. But 2012 was supposed to be the end of the world, so maybe the cannibal dudes just felt like having a good time unhinged from the gore and more that made them a household heavy metal name.

Play It Again: “Scourge of the Iron”
Skip It: “As Deep as the Knife Will Go”

 

 

12/13/14. Gallery of Suicide (1998), Bloodthirst (1999), Gore Obsessed (2002)

Ranking Cannibal Corpse albums is a task of Herculean might and Socratic intellect, and since we at The Hard Times possess only the liquor appetite and strength of Zeus’s arguably favourite son, we choose brute force for this one. Cudgeled together, and roughly stitched together in honor of our Cannibal overlords, these albums contain the cannibal assault, and when smashed together, probably sound good, but we need to clean the blood off our hand from the attempt to merge three CDs together. Plus, we kinda think all the bodies on the cover would look cool sewn together. METAL!

Play It Again: “I Will Kill You”
Skip It: “Drowning in Viscera”

11. Red Before Black (2017)

The final album with Pat O’Brien is running red hot with riffs, blood drips, and frets of fire, barbed wire and murder conspired. Like “The Simpsons” and Nostrodamus before them, these godly gashers may have predicted the incendiary future that awaited them following the album’s release.

Play It Again: “Code of the Slashers”
Skip It: “Only One Will Die” (Lacks Ambition)

 

 

 

10. Chaos Horrific (2023)

While Many Bands suffer from Mid Career Murder due to running on fumes and general discord, there was no such event in the Cannibal Corpse timeline, or even multiverse. What was instead delivered, was a delightfully devilish album, as legit as every prior entry, confirming them as the true Overlords of Violence.

Play it Again: “Summoning the Sacrifice”
Skip It: “Drain You Empty” (no room for negative spirits)

 

 

9. Evisceration Plague (2009)

Cannibal’s attempt to cash in on the then roving and raving zombie craze of the 2000s, not to be confused with “Return of the Living Dead: Rave to the Grave.” The result is something between the shambling corpses of “The Walking Dead” and the ragers of Danny Boyle’s gold standard for zombie movies, “28 Days Later.” And just like that Cannibal Corpse stayed relevant into the 21st century, even if their sound was unchanged from its perfect recipe for carnage.

Play It Again: “To Decompose” (oh we wish)
Skip It: “Carrion Sculpted Entity”

8. Vile (1996)

First album with the adorably brutal teddy bear George “CorpseGrinder” Fisher, after the departure of Cookie Monster impersonator/Future Muppet Chris Barnes. The Band made the conscious, informed and democratic decision to up the ante, tuning their guitars all the way down to B for Brutal (well B flat if you’re a humorless nerd), perfectly setting the stage for later Cannibalism.

Play It Again: “Mummified In Barbed Wire”
Skip It: “Disfigured”

 

7. Violence Unimagined (2021)

Just from the title itself, you just know this album is going to be unimaginably good, especially after guitarist Pat O’Brien took on some violence of his own, just as unimaginable. While he doesn’t appear on this album, professional death metal bad ass Erik Rutan not only enters, but fills the void left by one of the most brutal guitarists outside of Dethklok. URG!

Play It Again: “Necrogenic Ressurection”
Skip It: “Murderous Rampage”

 

6. Eaten Back to Life (1990)

Ol’Dirty Bastard’s favorite Cannibal Corpse since it’s so raw, the debut Cannibal release revealed to the world the delicious recipe for carnage, with their most decipherable lyrics of all time. While the ingredients may have needed some tweaking, the raw delicious nature of the debut gave all who listened a bloodlust for more.

Play It Again: “Shredded Humans”
Skip It: “Put them to Death”

 

 

 

5. Kill (2006)

With its one-word title, back to basic production courtesy of future guitarist Erik Rutan, and less elaborate song titles, this album proved that the boys didn’t need elaborate high concept Saw-type torture chambers. Just a good ole machete, some cracked skulls and sadistically creative urge to KILL was all the band will ever need.

Play it Again: “Murder Worship”
Skip it: “Necrosadistic Warning”

 

 

 

4. The Wretched Spawn (2004)

A clear attempt at inciting even more violence in the masses, this wretched spawn commemorated 15 years of gore with more. So brutal in fact that Corpsegrinder almost had to change his name to Corpse Combine, and hospital admissions rose 2000% when millions of aspiring guitarists tried and failed to cover “Frantic Disembowelment” (fun fact the band only played it live once). Well, be the change you want to see in the world.

Play it Again: “Frantic Disembowelment”
Skip It: “Nothing Left to Mutilate” (not with that spirit)

3. Butchered at Birth (1991)

Stripping (no pun intended) away much of the thrash influences of the first album, with more emphasis on chaos, noise and raw (pun most certainly intended) aggression, Butchered helped Cannibal carve their way into the blooming death metal scene, and into our hearts, by way of precision slices and a hard cudgel courtesy of these crusty tunes

Play It Again: “Rancid Amputation”
Skip It: “Meathook Sodomy” (No Kink Shaming)

 

 

2. The Bleeding (1994)

Following the decision to swap Roberts, Cannibal Corpse replaced guitarist Bob Rusay with the decidedly more brutal Rob Barrett (his last name is even a gun company), Cannibal re-entered the studio and like a loaded gun, provided us with not just more explosive, but more technical riffs and one of the last great performances from Chis Barnes before he traded carnage for conspiracy theories. Now that’s how you follow up one of the best Death Metal albums of all time!

Play it again: “Fucked With a Knife”
Skip it: “She Was Asking For It” (in a post #metoo world, that’s a no fly)

1. Tomb of the Mutilated (1992)

Possibly the most beloved and dare we say beautiful death metal album of all time? The opening notes of “Hammer Smashed Face” count as legal permission to “open this pit up”, regardless of location. This album even got the band an opportunity to cameo in “Ace Ventura” (which has surprisingly become one of the less problematic elements of this film), proving death metal could be fun for the entire family, lest a lunatic not knowing left from right gets them in his sights.

Play it Again: “Hammer Smashed Face”
Skip it: “Necropedophile”

We Revisit the Top 30 ’90s Kid Snacks in an Attempt To Feel Something, Anything

Life is great and all, but after 30 years or so of it, a certain apathetic malaise starts to set in. The day-to-day grind starts to feel stale and endlessly repetitive. Things that once got big reactions out of you like going on a roller coaster, beginning or ending relationships, or hearing that a loved one passed away just don’t hit the same, or really at all.

Okay, maybe it’s not just aging. Maybe we’re going through something.

Suffice to say we’ve been pretty down in the dumps lately, and we decided to combine our two favorite go-to band-aids to combat the problem—nostalgia, and binging on junk food.

We used the resources afforded to us, including a company credit card and a research team, to go and hunt down edible servings of our favorite childhood snacks just to feel something, anything. That’s what complacent, numb, self-centered pieces of crap we’ve become. This better work because Christ alive, where do you go from here?

30. Yoo-hoo

Not only do we feel nothing drinking Yoo-hoo, we taste almost nothing too. Is this the Mandella Effect? There is no way we could have given a shit about this chocolate drink at any age if it’s tasted this way the whole time.

29. Lunchables

Does indigestion count as a feeling? If so Lunchables gave us all the feels. It didn’t bring us joy or remind us of a time when the world seemed full of wonder and possibility, but we’re pretty sure we won’t be shitting for a week so hey, that’s something.

28. Trix Yogurt

You think you can trix me into thinking healthy food is a treat by putting a fucking bunny rabbit on it and loading it with food coloring? Didn’t work then, doesn’t work now.

27. Handi-snacks

Sure it’s basically just a dollop of cheez-wiz and some club crackers with a shitty plastic stick for spreading, but these things were a staple of our childhood. We were pretty confident that with one bite we would be whisked away to that feeling of getting home from school, grabbing one from the pantry, and watching Simpsons reruns while Mom cooked dinner. The actual result? Shitty cheese-wiz on a shitty cracker in a cold, shitty world. Next snack.

26. TMNT Ice Cream

To be fair we didn’t have high expectations from this one to begin with. Even as a kid, these things were vaguely disappointing when you opened them. 30 years in the freezer at Kraoszers has not done Raphael any favors. His mask and skin have basically faded into the same greyish color. We chipped a tooth on one of the gumball eyes, and we’re still too depressed to do anything about it. Definitely not a #nostalgiawin here.

25. Push Pops

It’s just a Ring Pop with more steps. Let’s try Ring Pop.

24. Ring Pop

Tastes boring, and way more opulent than anything we feel like we deserve to wear. Next fucking snack.

23. Fruit By The Foot

Turns out it’s gonna take a lot more than three feet of high fructose corn syrup to fill the void we’re feeling. Remember just unspooling one of these and squeezing it into a big glob and just eating that? We did that to the whole box and can’t even feel the appropriate shame, let alone the shade of joy from times gone by.

22. Fruit Barrels

Come on fruit barrels, take us back to field day in 4th grade when we went up against the teachers in tug of war and Mr. Heisner totally bit it and slipped in the mud and we won and cheered! Nope? Just gonna give us immediate heartburn huh? That’s fair.

21. Royal Dansk Butter Cookies

We remember there being a tin of these at every family function and had high hopes that a little paper tray or two of these mostly butter, rock sugar-encrusted treats would fill us with a sensation of familial warmth. Other than a slight fascination with the fact that we just ate 3000 calories worth of Royal Dansk Butter Cookies, we feel nothing.

20. Cheez Balls

Not sure how these made the list to be honest, we’ve been mindlessly eating cheese balls pretty much non-stop since middle school. Let’s go ahead and see if this particular batch somehow shakes us out of this existential funk. Nope.

19. Creme Savers

They were like Life Savers, only creamier, in case you’re insane. While they were discontinued for years, they re-emerged back in 2021 because it turns out a lot of people are in fact insane. We’re not really nostalgic for Creme Savers and don’t really see the appeal. We were hoping maybe the reason they inspired such a demand was that they secretly contained a bunch of dopamine or something, but no. Just hard, creamy sugar.

18. Viennetta

Growing up we had this pseudo ice cream cake every time our parents dragged us to dinner at Grandma’s, we think to trick us into looking forward to it. While eating it would certainly help you sit through dated racism and stories about how your town used to be all orange groves, it doesn’t bring us joy.

17. Capri-Sun

There was a time when puncturing an ice-cool Capri Sun and sucking the bag flat felt bodacious, tubular, and radical. We can remember the way the refreshing sugar rush made us feel like liquid Terminator X-game people like in the commercials. We would kill to be that susceptible to marketing again.

16. Kool-Aid Bursts

Narrowly beating out Capri Sun on our list is another nostalgic beverage, Kool-Aid Bursts. We put them a notch above Capri Sun for no particular reason as everything is pretty much the same and life has no meaning.

Guitarist Kicked Out of Punk Band for Using Words Like “Arpeggio”

SPRINGFIELD, Ill. — Guitarist Leo “Injustice” Murphy was recently ejected from his former band, skate-punk outfit Lincoln’s Foreskin, over an incident where his use of technical musical language incensed his bandmates. 

“Yeah, it’s all just the most heinous fucking kind of insipid bullshit,” said Murphy while destroying his books on music theory. “Sure, I can talk like a goddamn baby and say ‘the thing where you play out the notes of a chord one at a time,’ but why would I? We have a word for it. I think people take the wonders of language for granted, and I can’t get behind it. I think we should use all the various tools for self-expression that we have at our disposal. Plus, it’s not even that fancy of a word. It fucking sucks that I’m losing the income from playing shows, too. Now I’m stuck trying to offload weak Ketamine on community college students to make a few extra bucks.”

Lincoln’s Foreskin drummer Marie Yang gave her side of the story regarding Murphy’s departure.

“Look, if I wanted to be talked down to, I’d start a band with my dickhole brother. If you want me to speed up, just tell me to speed up,” said Yang while sulkily hitting her vape near a dumpster behind a Chili’s. “You want me to slow down, tell me to slow down. Leo was actually pretty hateful about that one. I’m not some music grad, I’m just in a punk band, and I wanna talk like I’m in a punk band. Say loud, say quiet, don’t make some shit up. Fucking pretentious asshole.”

Kelly Loeb, a violist with the Chicago Philharmonic, provided some expert insight from the perspective of an actual bonafide musician.

 “I’m not totally sure I actually understand what the problem is here, but I’ll do my best. So, yeah, an arpeggio is a deconstructed chord. You play the individual notes that would make up the chord in sequence, instead of simultaneously. It’s very common in guitar music; I can’t think of any reason it would cause so much trouble in some shitty local rock band,” said Loeb apprehensively. “I hope this helps, but like I said, I’m not really sure I understand your question or why you’re so intent on bothering me about an idiot I’ve never met.”

At press time, when asked for comment, Murphy simply said that he “still won’t play fucking mathcore.”

Photo by Richard Bannow.

I’m My Own Biggest Critic, And I Fuckin’ Rock!

Look, I totally understand that once I release my music, it’s subject to scrutiny. But before you pass judgment, just know that my songs have already survived the toughest of gauntlets… me. Nobody is more critical of me than me, and because I also happen to be an authority on good music, my opinion has transformed from subjective to objective. So now, I can objectively say that I might just be the best goddamn musician this world has ever known.

I know what you’re thinking… Every musician thinks that their music is the best music. And you’re right. It’s sad. Think about it. There can only be one “best,” so how can thousands of losers think they’re even close to approaching peak greatness? Every time I hear some idiot’s new song, I think, “Well, that definitely needs more time in the oven.” There might be a good riff or a decent lyric, but they clearly didn’t master composition like me. If they’re seriously okay with releasing a rough draft, then they shouldn’t be “composing” music in the first place.

And I’m not just some judgmental jerk who craps on everyone else’s work. I also hold myself to music’s overall standard of greatness. I just happen to be killing it. What can I say? I cracked the code on what makes a great song, then I checked all the boxes. It wasn’t easy. If it was easy, any tool could do it. It took me two whole weeks of constant rewrites, tone auditions, and painstaking tweaks in Pro Tools till I was finally ready to release a new song.

After that grueling fortnight of damaging self-talk from my practically demonic inner critic, my confidence definitely took a hit. I’m a lot more humble these days. But after giving the new song another spin, I think it was all totally worth it.

Don’t let its lack of streams fool you. We all know that the best music isn’t appreciated until years after the artist dies. And the algorithm just favors people who pump out content. It’s all a numbers game. Everyone else can crap out those half-cooked collections of words and notes they call songs to get their dopamine fixes, but I’ve been toiling away, achieving perfection. So there you have it. Knowing what you know now, if you listen to my new song and have the slightest bit of judgment, I can objectively say that you clearly just don’t know what good music even is!

Punk Sews Slightly Larger Patch Over Canceled Band’s Logo

BALTIMORE — Local punk Ricky Turnbull disavowed disgraced pop punk band Finisher’s Medal by covering their once-prominent patch on his jacket with a slightly larger one bearing a less problematic band’s logo, sources preparing a defamation lawsuit report.

“Look, the allegations against Finisher’s Medal are horrifying, but I stand by my handiwork,” Turnbull said while bandaging his fingers. “I’m not taking a seam ripper to that shit. I don’t even have a seam ripper. My local Michael’s hasn’t had them in stock for weeks and I’m not caving to the fascists at Hobby Lobby. Supporting the local scene is always the best move, especially when a band’s name alone has enough characters to cover my old patch. We’re all just trying to survive out here.”

Turnbull’s roommate Mike Weathers, on the other hand, criticized the cover-up as performative and poorly stitched.

“Ricky technically still wears his Finisher’s Medal patch, so he never actually turned on them,” Weathers said while taking a seam ripper to another canceled band’s merchandise. “Mark my words, as soon as those assholes win their defamation suit, his new patch is going to fall right off if it hasn’t already. I’m not buying his excuses about the seam ripper either. True punks don’t buy seam rippers. We shoplift them from Hobby Lobby the way God intended.”

Guitarist and merch expert Sophie Wilson, who sold Turbull his conveniently-sized new patch, encourages more bands to release larger patches for fans in need of cover-ups.

“Studies of my sales show that whenever a band gets canceled, I make money,” Wilson said while counting dollar bills. “We rake in even more cash when it’s cold out and people have no choice but to wear their jackets to shows. It can be hard to choose between dying of frostbite or having an awkward conversation about how you’re wearing a canceled band’s patch, but buying a brand new patch from me will fix that. Well, not a Brand New patch. My band is called Mary Shelley Duvall and we’ve never done anything wrong.”

At press time, sources spotted Turnbull scouring merch tables for an even larger patch after learning members of Mary Shelley Duvall allegedly went to Starbucks in secret.

Photo by Mac McCarthy.

Ten Songs We’re Listening To This Week That Aren’t Nearly As Exciting As Ludacris’ Guest Spot In Usher’s Halftime Show

The Super Bowl is over, the confetti has been swept up, and you have nothing left to look forward to in this unforgiving winter. You might be considering drastic measures like reading to alleviate your boredom and depression. We’ll be the first to say it, reading is the lamest and least productive way to spend your time. Why stare at a book when you can do literally anything else?

What if we told you there was a form of media that offers the benefits of consuming the written word without the chore of using your imagination or eyes? No, it’s not magic. It’s music, and there is an endless supply of it on the internet. Here’s just a sampling of some of our new favorites to listen to while scrolling mindlessly on our phones and refusing to expand our vocabularies and brain strength.

IDLES “Hall & Oates”

IDLES finally released their highly anticipated fifth album ‘TANGK.’ Featuring production from Nigel Godrich, Kenney Beats, and the band’s guitarist Mark Bowen, the record expands even further on the sonic exploration that defined their previous effort ‘CRAWLER.’ There are some seriously somber and vibey moments throughout the entire record, making the band’s standard high-octane flair punch even harder when it rears its head. Hyper-speed garage rocker and album highlight ‘Hall & Oates,’ for example, sounds even more raucous than it already is when slotted right after lead single ‘Grace’ – which ICYMI now has a deep-faked Chris Martin lip-syncing to the lyrics in its new video. It’s these chaotic moments of sequencing that make the record a gut-wrenching rollercoaster that is sure to translate well in their already batshit live sets.

Dick Valentine “Island of Pigs”

When Electric Six’s fearless leader, Tyler Spencer, isn’t belting out the horniest dance-rock anthems you’ve ever heard, he’s working diligently on his ever-expanding solo discography under the name of Dick Valentine. His eleventh album, ‘Do You Notice?’ quietly dropped at the beginning of the month, and it is filled with the high caliber ear-worm gems you would expect at this point in his storied career. The thumping bass and bombastic riffage of his more notable projects has been replaced with jangly guitars and a bit more vulnerable lyricism, especially on album highlight ‘Island of Pigs,’ but the intensity has not diminished a single iota. While Spencer’s solo material might not make you want to put the kids to bed quite like an Electric Six joint, it will still get you moving, or at very least, bobbing your head just a bit.

Sheer Mag “Eat It and Beat It”

In case you missed it, Philadelphia’s garage-punk legends Sheer Mag inked a deal with Third Man Records last year and have steadily been teasing their upcoming third album ‘Playing Favorites.’ The fourth and presumably final lead single for the record, ‘Eat It and Beat It’ harkens to their seventies-inspired hard rock roots, with the band likening it to a call to arms for the next generation of aspiring rockers. This is easy to believe with the arrangement, packed wall to riffs and dirty as shit production. The straightforward and fun anthem only briefly meanders to drop into a brief ‘what the fuck was that?’ psych section before barreling right back into the hook. With Sheer Mag proclaiming this track to be the handbook for all future guitar heroes and fist pumpers, then the new legion of incoming degenerates will have quite the cohesive blueprint to follow.

Hot Water Music “Burn Forever” & “Menace”

Gainesville, Florida’s post-hardcore legends Hot Water Music are celebrating their 30th year of existence with the announcement of their tenth album ‘Vows.’ It is set to be a star-studded event featuring members of Turnstile, Thrice and the Interrupters just to name a few. In addition to the new record, the band will also be embarking on an anniversary tour with Quicksand, which has prompted several PTO requests from our staff. As if this wasn’t enough to give everyone a collective heart attack, two new singles, ‘Burn Forever’ and ‘Menace,’ have also been thrust upon the public. Both are absolute shit-kickers that will make you consider upping your blood pressure medication before copping tickets to your town’s show this spring.

METZ “99” and “Entwined (Street Light Buzz)”

It’s been four long years, but METZ is back, baby! Toronto’s experimental punk outfit just announced their fifth album ‘Up On Gravity’ hill with the release of two excellent and wide-ranging singles ‘99’ and ‘Entwined (Street Light Buzz).’ No strangers to covering large expanses of sonic ground, both tracks feature the band exploring far corners of punk terrain. ‘Entwined’ explores tight angular riffs while bordering on math and psych-rock, all the while cradling a lyrical theme of human connection. Conversely, ‘99,’ a song about late-stage capitalist greed builds on droning noise guitar before exploding into a glam-technicolor chorus. Remember those demos you recorded on your last acid trip? These tracks are what those would have sounded like if they were even a little listenable.

HANABIE. “O・TA・KUラブリー伝説”

Our Managing Editor has been on a pretty big Japanese metal-core kick lately. As a result, the writers’ room has been subjected to hours upon hours of the self-proclaimed “Harajuku-core” outfit HANABIE. Don’t get us wrong, it’s sick as fuck and their latest single ‘O・TA・KUラブリー伝説’ is a certified banger. It’s just that she insists on playing it at full ear-splitting volume on nearly every speaker in the building. It’s becoming a productivity issue, and every time we ask her to turn it down she starts cleaning a gun or sharpening one of the many blades in her office. This normally wouldn’t intimidate us, but she makes direct eye contact the entire time and refuses to blink until we turn away.

HEALTH “Be Quiet And Drive (Far Away)” (Deftones Cover)

LA industrial-rock trio HEALTH – who have in the past collaborated with Deftones’ Chico Moreno – just released a dreamy-as-fuck cover of the seminal ‘Be Quiet And Drive (Far Away).’ While the blissful shoegaze-meets-metal elements of the original remain largely intact, the walls of fuzz guitar are replaced with swirling synth pads and heavily processed electro-drums. While a bit of chugging guitar makes an appearance, it’s barely audible until about two-thirds of the way through the otherworldly rendition. One of our most stoned staffers has been jamming on this one pretty frequently after his afternoon ‘walks’ and we can’t say we blame him.

Ted Leo and the Pharmacists “The One Who Got Us Out”

Believe it or not, but Ted Leo and the Pharmacists’ breakthrough and highly influential album, ‘Shake the Sheets,’ is turning twenty years old this year. It’s one of those records that you likely refer to as ‘timeless’ to further ignore the fact that you were much younger, hopeful, and agile in 2004. To mark the occasion, Ted Leo will be taking his Pharmacists – both figurative and hopefully literal – out for a few dates across the country where they will play the album in its entirety. This means you won’t need to ruin the show for everyone around you by constantly screaming ‘PLAY THE ONE WHO GOT US OUT.’ We doubt you won’t still do it, though. We all know how quickly your patience and attention span runs dry these days.

Because we know you’re too despondent to do it yourself, we’ve compiled these and several other questionable tunes into a playlist for you. It’s literally the least we could do. Click here to like, follow, and trick your friends into thinking you’re a tastemaker in the world of punk, indie, hardcore and metal.

Help! I Stole This Catalytic Converter but I’m Not Even Sure What It Does

Rent was due and I needed cash fast. What was I to do? Doordashing doesn’t get me much, neither does driving for a ride-share service. If I was going to avoid eviction, I knew I would have to turn to a life of crime.

Shoplifting wouldn’t get me anywhere, and holding up a bank felt like too extreme of a measure, so I decided to get into the catalytic converter game. There’s been enough memes about them online lately. There’s gotta be a high demand.

I went outside and started hunting the part down. I was shocked to find a catalytic converter in every single car on my block, even on MY car! I may drive a beater but clearly, it’s got some hidden gems. And crumbs between the seats. And a loud rumbling sound coming from the engine. That’s got nothing to do with me removing the catalytic converter though since all my neighbor’s cars are having the same issue. There must be something in the air.

Okay, so, I have a bunch of catalytic converters. Great. Now what, whats the next step? What does a catalytic converter even do? Does anyone know? I’d call my buddy who knows a bit about cars to ask what he thinks but that wouldn’t end well. Suddenly, it’d be all about how I’m “too old to be doing this” and need to just “get a real job” and “Wait, did you steal my catalytic converter too?” and on and on.

I put in the description for the Facebook Marketplace listing that they all “convert catalytics very well.” I’d hoped that would be convincing enough. Only a few messages have rolled in about them—all from my neighbors. People keep asking me if the part is CARB-compliant. What does gluten have to do with this? I’m pretty sure if you put bread in it, you’ll die or something. I don’t know, that’s at least how it’d work with an exhaust pipe. They’re basically the same.

I never would’ve gotten into this if I knew how much people would expect me to know about cars. Oh, well. At least if it doesn’t sell I could find a way to turn it into a bong—I know people wouldn’t ask as many questions about that before buying it.

Pervert at Burlesque Show Doesn’t Have All Day

BLOOMINGTON, Ind. — Local sexual deviant Glen O’Roarke wished the performers at the Cabaret Tease Burlesque Show would hurry up and get naked already because he didn’t have all day, confirmed much more patient sources.

“What’s a guy gotta do to see some full-frontal up in this joint?” said O’Roarke as he impatiently tapped his wristwatch at the dancers. “I’m only checking this place out because my normal peeler bar asked/told me not to come around anymore because of my ‘vibe,’ but I’ve already been here milking this beer for 40 minutes and so far all I’ve seen are frilly knickers, some side boob, and a bunch of long comedy skits. If I had known these chicks would be such prudes I would have just gone to Victoria’s Secret to leer at the mannequins for free.”

Performer Honey Vixen described the unruly customer.

“What kind of moron’s never heard of a burlesque show?” stated Vixen. “Everyone should know we’re not that kind of a club. We offer a unique one-of-a-kind entertainment experience, we’re not here just to flash you so you can get off. But this weirdo really freaked everyone out, obnoxiously chanting to see more skin and getting upset when he couldn’t get a lap dance. We tried to ignore him, but after he made it rain on one of the girls our bouncer Beretta Royale had no choice but to throw him out and teach him a lesson.”

Psychologist Dr. Chris Sampson explained that it’s not uncommon for perverts to misjudge their surroundings and make people uncomfortable.

“Society has a long history of trying to coexist with degenerates,” Dr. Sampson stated. “For as long as human civilization has been around, there has always been a group of dirty men skeeving everyone out. These people spend so much time in houses of ill-repute that they get a warped sense of reality and expect nudity everywhere. Ignoring them is tricky because it can have the opposite effect, so I recommend removing them as quickly as possible and if that doesn’t work a can of mace will.”

At press time, the club was able to continue the show uninterrupted while O’Roarke was finally able to get satisfaction after getting kicked in the balls by the bouncer, which was apparently one of his many sick kinks.

Oh No: I Was Visited by the Ghost of Johnny Ramone Last Night and He Was Wearing a MAGA Hat

Last night, I was visited by a punk rock god by the name of Johnny Ramone. Well, not exactly visited by him in person, because his physical body has been dead for 20 years now, but it was certainly his ghost. And although being a huge Ramones fan all my life, it turned out to be one of the most disappointing moments of my entire existence. Disappointing because on top of Johnny’s trademark mop-top sat a bright red MAGA hat.

They say not to meet your idols, but no one ever said you shouldn’t meet your dead idol’s ghost. I’ve learned that fact the hard way.

Now, I know I shouldn’t be totally shocked that Johnny would be a Trumper. I mean, look at how much he loved George W. Bush before he passed away. “God Bless George Bush?” of course if he were around, or his ghost were around, he’d mostly likely become the punk voice of the MAGA cult. But having him in ghost form visit me unannounced and saying “Stop the steal” in that thick Brooklyn accent makes me question if I ever want to listen to “Road to Ruin” ever again!

This hat ordeal was really only the beginning. He kept going on about how Trump is a “Victim of a modern day witch hunt,” and “Let’s go Brandon” at whatever chance he got. I wanted to talk to him about I don’t know…the early CBGB days or what it was like working with Phil Specter or something. But nope, he seemed like he couldn’t even hear me. You know how difficult it is to have an apparition of your idol show up in your apartment spouting right wing nonsense while wearing a MAGA hat and a Mickey Mouse t-shirt? I really wish Dee Dee would have shown up instead.

This whole experience has opened my eyes to something I never even thought of before. Something that I probably should have considered decades ago. And that is I should probably slow down on sniffing glue in my bed at night before falling asleep.

Hardcore Frontman Midway Through Rambling, Philosophical Monologue Informs Audience That All of Venue’s Doors and Windows Have Been Locked From the Outside

TYLER, Texas. — Local hardcore band Crate Full of Saws recently alarmed audience members when, in the middle of an unfocused and seemingly endless speech, the band’s frontman communicated that all of the venue’s means of egress had been firmly locked from the outside, suddenly very nervous sources confirmed.

“He was going on and on about unity and how we are all of the same blood and a couple people went to step outside for a smoke and that’s when we were told there was no escape. I really can’t believe I’m trapped listening to this low-rent philosophy lecture right now,” said showgoer Teresa Chandler while frantically checking latches. “I don’t even know who this band is, but for the past twenty minutes I’ve been forced to listen to this weird diatribe, he’s actually pulled up a PowerPoint presentation about the importance of loyalty. This should be considered illegal detainment.

Crate Full of Saws frontman Steve “The Prophet” Howard took a brief break from his ongoing remarks to remark on said remarks.

“I’m just trying to keep it real out here! I believe that a positive mental attitude is the most important part of better living,” began Howard before obviously losing this thread as his eyes glazed over. “I also believe that the Gulf of Tonkin was an inside job by the Disney corporation, women voters are the reason that the moon landing wasn’t faked, and that Sigmund Freud didn’t die, he just got really sleepy. So I’ve been trying to tie all that into this spiel as well.”

Local Fire Marshal Peter Stiller expressed his disapproval for locking people inside a building under any circumstances.

“I’ve seen this happen too many times. Some new hardcore band realizes they only have 10 minutes of material for a 20-minute set so the frontman is tasked with lecturing everyone. But imprisoning people while ranting about the scene is a bad idea, this venue already has two strikes against it,” stated Stiller. “I’m shutting this crap down, if they want they can finish up their little conspiracy seminar in the parking lot, but I’m guessing by the way everyone is all bolting for the doors that that’s probably a nonstarter.”

At press time, Crate Full of Saws had cornered the show’s promoter and claimed that Howard’s speech put them long over their set time and they should get paid double.