CHICAGO — Long-running nu-metal band Disturbed surprised fans by announcing that the opener for their upcoming North America tour will be a 45 minute presentation about the “dangers of wokeness,” disheartened but unsurprised sources report.
“Our agent really wanted us to have a band open, but this is way more important,” said frontman David Draiman. “A lot of people threw their name in the hat to be our speaker, but none of their beliefs align 100% with mine, so I’ll be giving the presentation myself every night. I’m a freethinker who isn’t influenced by talking heads on the right or left. That being said, while I think both sides are bad, the woke left is most critical of things that I like, and I cannot keep quiet about the imminent danger they pose. I think the fans will get a lot out of it.”
Disturbed’s fanbase expressed mixed feelings about the announcement, and some have pointed out that this isn’t the first time Draiman has attempted to launch a speaking career during a live performance.
“He did basically the same thing when I saw them in 2018,” said fan Mark Carver while scrolling through his camera roll for video evidence. “Diesel Shot was supposed to open, but they were sick or something, so when I saw David come out on stage I was hoping Disturbed was going to play an extra long set. Then he just started talking about how much he loves the free market and hates Roger Waters, but then at one point he also said that he’s more liberal than conservative? It really killed my buzz. I always try to come early and support the opener, but I’ll be rolling up to this tour late.”
Former Trapt frontman Chris Taylor Brown was disappointed in the lineup change for different reasons.
“I’ve known the Disturbed guys for years, so when I heard they were going on tour I asked them if there was anything I could do, ‘cuz I’ve been out of work for a long time,” said Brown. “They said no, which, ok, fine, but then I found out that David is giving this little speech every night and it’s like, come on, I would have been perfect for that. Music didn’t work out for me, and he knows that I’ve been trying to launch my speaking career since Cameo ran dry. You find out who your true friends are, I guess.”
At press time, Draiman was aggressively emailing all thirty-nine news outlets he spoke to an unwanted advance copy of the presentation.







Devo’s 7th studio album was their first without drummer Alan “the human metronome” Myers, and folks, he dodged a bullet. The spud boys tried to get butts out to the dance floor with this bland techno-pop, but frankly I’d rather sign mine up to test rat traps on. Musically, this proves their de-evolution theory, though! Maybe that was the point?
The last album they released before calling it quits for the majority of the 90s. And, it was a well-earned respite, because these guys sound tired. One big redeeming aspect of this one was the Devo “uniform” for this era was straight-up leisure suits, and c’mon, that’s pretty funny.
Stuff you’ll find on “Shout”: the dinkiest synth trumpet sound you ever heard, Mark Mothersbaugh sounding like Sting sometimes for some reason, and a pretty solid Hendrix cover. Luckily, this sounds as though it’s likely what Paul Reubens heard and enjoyed enough to hire Mothersbaugh to score Pee-Wee’s Playhouse. Imagine if that position had gone to Hans Zimmer??!
Devo’s big comeback record doesn’t disappoint. A solid record that sincerely doesn’t sound at all like music made by dudes approaching their 70s. Hell, for all we know they ARE robots!
Now we’re talkin’! The follow up to their most popular album found them actively seeking to reject their newfound post “Whip It” fame and firmly digging their heels back into being uncool and proud of it. Also, it’s the one with the plastic pompadours.
Hell yeah. In a sea of bangers, gotta give a special shout-out to “Smart Patrol/Mr. DNA” for containing one of Bob Mothersbaugh’s career-best guitar solos. Heck, the same song’s even one of Mark’s best synth solos. Dang, should this be ranked higher??
A potentially controversial rank position, but I’m ready to defend myself. I’m talking physically, too. Even if it boiled down to fisticuffs, I think I’d be able to hold my own… we Devo freaks aren’t an especially buff bunch, but we do fight very dirty. Anyway, this album rules.
Between Whip It, Girl U Want, and the introduction of the now-iconic Energy Dome look, this album may be the “obvious” one… but bread is an obvious food, and it’s still absolutely delicious.
Any one of these songs could, and should, replace the Star Spangled Banner as our National Anthem.