What do Gob, Billy Talent, Alexisonfire, and Marianas Trench have in common with each other, other than the fact that they are all overtly Canadian bands that play guitars sometimes? Well, all four acts are FAR bigger in their native land, the Great White North, than they are here stateside, proving once and for eh that Americans are idiots, you and me included. Back to the “Big Four” of Canada according to literally no one: We decided to rank all of Gob’s six studio albums from worst to best below, and spoiler alert, two are tied in the middle positions, you won’t agree with a single ranking, “play it again” track, or what we chose to place in the “skip it” section, and your opinions regarding all of the above are incorrect even IF you agree with us.
6. Apt. 13 (2014)
This may sound cold, as we really wanted to rank this one higher than the bottom slot, but after much reflection, love, light, and prayers to the main man upstairs, Barry “Arthur Herbert Fonzarelli” Zuckercorn, we couldn’t do so in good conscience. We’ve said it before and we’ll say it again ad nauseam, it’s tough for a band with a revered and expansive catalog like Gob to consistently put out hit after hit after hit after hit. So, “Apt. 13” is go-od, but not gr-eh-at, so it legally has to start this piece, and we see no counter argument for such unless we do. Still, any Gob release is an enjoyable romp, making it the same as it ever was, so “Apt. 13” is better than some band’s best LPs. We think that the long gap between this one and its predecessor “Muertos Vivos” didn’t help its cause.
Play it again: “Radio Hell”
Skip it: Most of it is good but not great, so take your pick
5. Too Late… No Friends (1995)
Since we just semi-brutally dissected the band’s newest LP “Apt. 13,” let’s get to their oldest right this very moment, Gob’s cult favorite debut LP “Too Late… No Friends.” This record is definitely fun AF for kids of all ages with dirty mouths and minds, but the songs don’t translate as well from a songwriting and production standpoint in 2023 as they likely did in the mid-90s. To put it bluntly, all vocals and instruments got so much better for the next five, but this record’s charm is what got it ranked just above the dreaded lowest position here at number six. Also, you know you’re in for quite a treat when your album’s longest song clocks in at two minutes and seventeen seconds and is called “Asshole TV,” and that the second longest is named after WWF, not WWE’s, Goldust’s slimy savvy vixen seductive smokeshow valet Marlena.
Play it again: “Soda”
Skip it: There are slightly more good songs here than on “Apt. 13,” but take your pick again
4. The World According to Gob (2000)
Slots three and four here in this piece could be swapped depending on the day, but on this very day, Ellin beats Sleepyhead by a small yet winning margin; that’s just the way that it is, morons with 144 problems. Gob’s third LP “The World According to Gob” not only features their own band name in its title, but as of today, certainly yesterday, and likely tomorrow, is their best selling effort, Juno, yes Juno nominated, and officially certified Gold in Canada. Also, as you may or may not know, “I Hear You Calling” is likely Gob’s biggest hit in Canada and “hit” stateside, so you can listen to it twice: once here, and once on its follow-up “Foot in Mouth Disease.” In closing, “The World According To Gob” has the band’s coolest cover art.
Play it again: “I Hear You Calling”
Skip it: “ExShuffle”
3. Foot in Mouth Disease (2003)
After a fun, fun, fun release via Arista Records, then-home to peers who never took off called Wakefield, (freaking) OutKast, nu-metal sludgers with a heart of gold and stone known as Adema, and KIDZ BOP superstar GG Allin, called “F.U. EP” shortly after “The World According To Gob” hit stores, the four-piece released their fourth studio album “Foot In Mouth Disease.” and said record is WAY too slept on for its own good. We wish that the world was more according to Gob than other mid pop-punk acts that did better domestically during the early-aughts, and we are not specifically singling anyone out in print, so you can surmise who we are referring to in your bones, cold feet, this evil world, and boring lives. We’re forever fed up with the music industry, but don’t worry, we won’t cut ourselves whilst we are in deep thought about spoiled lemon-aid.
Play it again: “Oh! Ellin”
Skip it: “Bully”
2. How Far Shallow Takes You (1998)
This is a non-shallow substantive, yet bite-sized Jordans Morning Crisp Wild About Berries cereal box commentary regarding Gob’s last ‘90s release: “How Far Shallow Takes You” is easily one of the most enjoyable melodic punk rock albums of all time, and “236 E. Broadway,” a track covered perfectly by Silverstein on “Short Songs,” might be the best opening track to ANY late-90s rock record; we’re the self-appointed leaders of musical authority, so we will forever stand, deliver, bury your past, and paint it, black. Ok? Cool! Also, “How Far Shallow Takes You,” for lack of a better term, took the band to their biggest heights at the time, and certainly caused “suits” to take notice, and Nettwerk Management proved such by re-releasing the then-Fearless Records, err, release. Together things happen all the time, so please assist in letting love reign o’er me, you, all we are, and Crown Royal.
Play it again: “236 E. Broadway”
Skip it: “Together”
1. Muertos Vivos (2007)
Why isn’t number #5, #4, or #2 in the gold medal slot in this stupid bad take article ranking all of Gob’s studio albums? Well we have two words for you that apply to every season: You’re wrong. Wake up, face the ashes, get a new prescription to pain medication, and check out this “no skip” slept upon Gob release right this very moment. Still feel nothing, banshees? Pity. “Muertos Vivos” is Gob at their angry best, and said emotion is translated perfectly in musical form here. This album is the literal dawning of the age of Aquarius, the living dead declaring war on cemeteries, Ash Wednesday, and your least favorite family member, likely named Tula. In conclusion, the band’s moms may be concerned with what Gob became, but we love their 2007 headstrong, heavy, huggable, and hellish vibe.
Play it again: All of it so we can bring it to the foreground
Skip it: None of it so you embitter us in a sour manner

Monarch says that when he first met Dr. Girlfriend she looked like Saffron from Republica. This is accurate in her flashbacks as the name Queen Etherea. The exact dates of these flashbacks are unknown, but it hints at when Queen Elizabeth secretly retook control of England’s Republic
In The Forecast Manufacturer, The Monarch and 21 are wearing wetsuits which he claims make him look like they’re in the Cult Of Personality music video. It kind of looks like that enough since the singer is wearing a bright colored onesie. Can you think of any cults that center around “personality” or perhaps “personality tests”? We are not allowed to say as they fund this website, but much like the episode, they control the weather.
In “Assisted Suicide,” 21 completely butchers “Don’t You Want Me” by The Human League with a completely different rhythm than the actual one. Or did he? What he sang was the real rhythm of the song that only the elites are allowed to know about. This will also likely be the only reference to New Wave or ’80s music on this list.
While goofing off in a mech suit, Pete White sings the song “Robots” by Kraftwerk. We as Americans are not slacking off in real life due to an electronic music classic, or so the Germans have us believe.
Two of Dr. Z’s evil friends include Shrill Spectre and Scarry Nilsson. Shrill Spectre attacks with a Wall of Sound and a huge guess here, probably also likes trying to shoot people. Harry Nilsson wrote “The Point,” which takes place in a society that refuses to believe that nothing can exist without a point. Harry Nilsson was a discordian agent that Venture Bros wants you to think is equal to murderers like Spectre.
Brock loves Led Zeppelin. He references Led Zeppelin all the time in the show until the end of season 2 when he gets a tattoo of Icarus without wings. Whatever the show was trying to tell us, they were letting us know that they were flying too close to the sun on that one and got their wings clipped.
Dr. Z has a Clueless-style fantasy of going on a shopping montage and dressing Guild Agent S-464 to look like Prince Charming-era Adam Ant. Adam Ant is secretly in control of all future fashion trends and has the ones for the next 30 years planned out.
To cover up the fact that he has six eyes, Jared wears an ’80s headband that welcomes him to be compared to the band Loverboy and Mark Knopfler from Dire Straits by bullies. Mark Knopfler is also who The Monarch is supposed to be when he’s playing party games in “Home Is Where The Hate Is.” Both The Monarch and Jared are awkwardly tall. Dire Straits is most famous these days for containing arguably the first CGI in television. The tall people are responsible for the evil replacement of CGI with practical effects in movies.
Dr. Dugong protects himself and the cuttlefish with Mr. Roboto from the Styx music video. Styx is known for being lame music. They want you to think manatees and cuttlefish are lame to avoid people from seeing what is really hiding in the ocean.
In Rusty’s dorm room, he has knock-off posters for bands such as Pink Floyd and Yes but strangely just straight up the poster for the album “You” by Gong. You is the final part of the “Radio Gnome Invisible” trilogy and VB is telling You that it’s the only thing that is true.
Colonel Gentleman’s full name is Colonel Horace Gentleman, a reference to the nickname Horace Gentlemen for the bass player for the Specials. Colonel Gentlemen is full of Sean Connery references, so this is the secret wink that Sean Connery is actually the bass player for the Specials.
Did you know that the creators of the show also release Christmas songs every year? Some include joke versions of “Fairytale In New York” by The Pogues, “Hard Candy Christmas” by Dolly Parton, and “A Spaceman Came Travelling” by Chris De Burgh. These aren’t even in the show, this is extra homework needed to be done. They are likely released as a part of a blood pact deal with Santa and the consumerist leaders.
While at the altar for The Monarch’s wedding, Dr. Venture quotes lines from “Jessie’s Girl” by Rick Springfield. Oddly enough, the song was originally going to be called “Gary’s Girl” but Springfield decided to change it. Gary(21) is in love with The Monarch’s wife not unlike Dr. Venture. Isn’t that a fun fact? Where was I going with this one?
Captain Sunshine is a Superman parallel with the power of sunshine. Though unconfirmed, this is likely a reference to the Donovan song “Sunshine Superman.” His sidekick meanwhile, is probably-not-by-coincidence the same name as the song “Wonderboy” by the Kinks. If you play both songs at the same time, you will find where exactly on the sun the real president lives.
When an Andy Warhol-themed group of villains take over Doctor Venture’s building, the Andy Warhol-like Wes Warhammer recreates the scene from Oliver Stone’s “The Doors” biopic in which Crispen Glover plays Andy Warhol. Crispen Glover actually does have a phone that lets him speak to God.
Council of 13 members Red Mantle and Dragoon are heavily implied to be Buddy Holly and the Big Bopper sewn together. This is based off the truth that the day the music died was actually not the literal death of music but rather the sewing together of genres. The Big Bopper claims he invented hip hop so by being sewn together they represent the creation of Nu Metal in the late 1950s.
Watch or Ward apparently has too many Yaz albums. Yaz, or Yazoo as the people who think their British call them, only released two albums so the others are just the same songs as compilations and remixes. Or so the nonelite are to believe. Yazoo has created multiple albums only billionaires are allowed to know about.
In “20 Years To Midnight,” Doctor Venture shouts out the name of the South African Chorus group Ladysmith Black Mambazo as an exclamation. Later on in the episode The Pirate Captain shouts out Jesus Jones as if an exclamation as well, but then is revealed he was remembering one of his favorite bands. You can connect the dots from there.
When King Gorilla is emaciated from falling ill, The Monarch compares how he looks in his clothes to David Byrnes wearing the giant suit in “Stop Making Sense.” This is because David Byrnes is the real Koko The Gorilla and there’s no real explanation why.
While explaining the birds and the bees to Dean, Doctor Venture somehow uses the music video to “Here I Go Again” to help explain things. Specifically about how the singer left his wife for the model in the music video leading to what Rusty and Brock both believe was the band’s downfall. Tawny Kitaen did cause Whitesnake’s downfall but because she was the one who worked with the Illuminati to destroy all hair metal with grunge.





