We all know that the classic Parker Brothers board game Monopoly can bring out the worst in people. Friendships, relationships, and even familial bonds have ended on Park Place. With its potential to turn good people bad, imagine what effect it could have on the most despicable people to ever live.
We’ve compiled a list of some of the most deranged serial killers of all time and ranked them by how absolutely insufferable they would be playing Monopoly.
And it should go without saying, but this list mentions the violent crimes of all these killers, if you are sensitive to that material then we have a Seinfeld list that might be more up your alley.
50. Charles Manson
Technically Charlie is an honorary serial killer since we have no proof he actually killed anyone, but come on, he’s Manson, he’s in the conversation. He ranks last because frankly of all the deplorable people on this list, he’s your best shot at having a good time. He wouldn’t follow the rules of Monopoly or any rules for that matter, but he’s entertaining, he has acid and you might even get a Brian Wilson story or two.
49. John Wayne Gacy, The Killer Clown
He’s one of the worst of the worst people to ever live for sure, but he’s also an entertainer. He could probably be halfway pleasant through an evening of Monopoly if he were so inclined, just throw him some KFC and he should behave,
48. Rodney Alcala, The Dating Game Killer
Creepy, opinionated, and responsible for the deaths of anywhere from 10-130 people, Rodney’s a bad guy, but we have actually seen him play a game before, and although he was so weird off camera the contestant refused to go through with the date, he was charming enough to win.
47. Elizabeth Bathory
There’s just enough spooky horse girl in us to think meeting Elizabeth Bathory would be pretty cool.
46. Edmund Kemper, The Co-Ed Killer
Kemper’s crimes are insanely gruesome, culminating in the murder, decapitation, and corpse humiliation of his own mother, but at least he’s honest. He called the police to confess his crimes, and when they didn’t believe him he called them back to say “No, seriously, come arrest me.” He would probably make the best banker out of anyone on the list.
45. Jack The Ripper
We have no idea who Jack The Ripper was so honestly there’s no telling how annoying he would be at Monopoly, but you could probably write a cool song about it.
44. David Berkowitz, The Son Of Sam
Cons: After a schizophrenic episode he murdered a bunch of people at the behest of his dog, whom he believed to be the avatar of an ancient god.
Pros: He has a dog!
43. Aileen Wuornos
There are so few female American serial killers that it feels messed up to call the most prolific one “annoying.”
42. Jeffrey Dahmer, The Milwaukee Cannibal
Between ‘90s nostalgia and the fact that he’s a total hunk, we wouldn’t say no to a game of Monopoly with Dahmer.
41. Paul John Knowles, The Casanova Killer
Another handsome charmer, as long as you don’t follow him passed GO to a second location you should be okay playing Monopoly with The Casanova Killer. Keep in mind he did go out wrestling a cop for his gun, so you might wanna just let him win.
40. Jack Unterweger
Okay, we’re just gonna say it, this guy is interesting! Born in Australia he committed murders in four different countries in the ‘60s and ‘70s. He got busted for one in Austria in ‘74 and went to prison, where he started a writing career. The Austrian literary elite loved his writing so much that they petitioned to have him released, and it worked! He went on to become a playwright for a while before getting bored and going back to murdering. Anyway, he must have a million stories, and game night seems like a perfect chance to hear some.
39. Carl Panzram
If you’ve read any of his writing, you know that a board game night with Carl Panzram wouldn’t be all that different from a board game night with any given grindcore frontman. That still sounds annoying, but not without a certain kitsch appeal.
38. Beverley Allitt
She killed a bunch of babies as a hospital nurse, so if she pulls that “Pay Hospital Bill” card with the Monopoly guy holding twin newborns shit could hit the fan fast.
37. Albert Desalvo, The Boston Strangler
Forget the fact that he killed 13 women in 2 years, the fact that he’s from Boston is all you need to know to be sure Albert Desalvo would be annoying to play Monopoly with or even be around.
36. Moses Sithole, The ABC Killer
He committed a series of brutal rapes and murders while managing a shell organization dedicated to fighting child abuse. Anyone capable of that level of cognitive dissonance is for sure going to try cheating at a child’s board game.
35. Harold Shipman, Dr. Death
It can be highly irritating to play a kid’s game with an educated professional. They often can’t accept the fact that their perceived intellectual superiority doesn’t equate to winning, and can lash out. They aren’t all like that of course, but this one killed 250 people, so he’s probably like that.
34. Kenneth Bianchi, The Hillside Strangler
A failed cop who targeted New York sex workers in the ‘50s and is still alive. Can’t wait to hear his politics on game night.
33. Wayne Williams
An aspiring music producer and alleged child mass murderer. We could tolerate a game night with one or the other but not both.
32. Ed Gein, The Butcher Of Plainfield
He would have zero interest in the game and would try to segue the whole evening into a crafts night. He won’t be dissuaded when you tell him you don’t have any craft materials on hand either… you ARE the craft materials!
31. Samuel Little
Little’s got the most confirmed kills out of any serial killer in U.S. history, so you know he’s a big competition freak.
30. Ottis Toole
Ottis may or may not be a serial killer. He was the accomplice of Henry Lee Lucas and corroborated a lot of his confessions, many of which were proven to be lies. It’s never fun playing a board game with a liar, but he’s a good friend, and that has to count for something.

Despite being punch drunk from their round in the major label ring, the band’s sophomore outing still delivers a few good swings in the peppy lead single “Hyperspace,” the moody “Bacardi” and the 6/8 time dirge of “Firecracker.” Overall though, “The Proximity Effect” comes off as a bit uneven and overlong. Supposedly Elektra Records was so unhappy with this one that they didn’t even release it in the States, which is some serious schoolyard bully shit. Maybe (absolutely) Ian MacKaye had a point all along.
This is the one with the song everybody knows. More than aptly produced by the legendary Ric Ocasek, the band’s debut LP boasts some great performances, particularly from the rock solid rhythm section of bassist Daniel Lorca and drummer Ira Elliot. The “low” in “High/Low” comes in the form of vocalist Matthew Caws’ often childish and obtuse lyrics. “I can see, the things she does for me. I’m living in a treehouse.” Huh?
This can technically be considered a studio album in that it was indeed recorded in a studio, but the songs are all covers, so we’ll only mention it honorably. The band made it a point here to perform every track in a very Nada Surf style, to varying results. Something gets lost in the sauce with their flat arrangements of Depeche Mode’s “Enjoy the Silence” and the Moody Blues’ “Question,” but they land a bullseye with an excellent take on “Love and Anger” by Kate Bush. Maybe wedding band isn’t in the cards as a retirement plan for these guys, but that’s okay, we have Me First and the Gimme Gimmes for that.
Nada Surf is the type of band that you wouldn’t blame for mellowing out with age, but maybe they went a little TOO mellow with their 2020 outing. It’s cool though, because this dropped literally a month before Covid hit, and we needed a little something to take the edge off our “Tiger King” binge. Caws even gives us a fun nod to “Popular” on the bridge of “Something I Should Do” with a stream-of-consciousness spoken word rant about… farms and social media?
Around this time, the band decided to level up their street cred and invite Guided By Voices guitarist Doug Gillard into the fold as the fourth wheel, and the results are every bit as awesome as you’d expect. Selections such as the driving title track and “New Bird” feature a nice extra bite in the guitar section, while “Out of the Dark” and “Victory’s Yours” provide all those warm, fuzzy, flannel sheets on the first morning of fall feels that you’ve come to rely on this band for.
The band’s first release with Gillard on second guitar and the fuzz gets cranked up to 11 on selections like the “Clear Eye, Clouded Mind” and “Looking Through,” evoking the youthful energy of “High/Low” while “When I Was Young” and “Teenage Dreams” balance it all out through a wizened middle age gaze. This is the record you might be able to sneak on when you’re with your punk friends and not get beat up for it.
In a perfect world where all is good and just, Nada Surf would be best remembered for “Always Love,” the impossibly perfect lead single that earned the band a much-deserved second wind of popularity in the mid-aughts. But much like those pictures of you in your Marilyn Manson phase, the sins of the ‘90s can never be fully washed clean. Anyway, the rest of this album is damn near perfect too, except for “Blankest Year,” a strange anemic hoe-down in which Caws unconvincingly proclaims “ahh fuck it, I’m gonna have a party.” It’s almost like hearing a priest drop an F-bomb in his sermon. It feels a little uncouth and embarrassing.
It’s no surprise that the band often leans heavily on this record in their live sets. These 11 tracks were written for the sold-out rooms and festival main stages they rightfully earned. The chords are big and sparkly and the hooks are sharp on standout tracks like “Beautiful Beat” and the post-emo crowd favorite “Weightless.” This album should be issued to every burgeoning indie band as an example of how to be radio-friendly without coming off as totally cringe.
Synopsis: A history-loving influencer (Emma Stone) stumbles upon a series of love letters from the past and becomes obsessed with finding their author (Matthew McConaughey) in a TikTok-worthy time-travel adventure that will have you at the edge of your 18-45 year-old demographic seat, celebrating diversity.
Synopsis: A bunch of bumbling ghost hunters (Seth Rogen, Kristen Wiig, Jonah Hill) accidentally unleash a gaggle of mischievous spirits in a haunted mansion, creating hilarious Snapchat-worthy chaos, all while exploring the cerebral and moody side of the supernatural and promoting diversity.
Synopsis: A world-famous shrink (Meryl Streep) gets caught in a web of deception when her patient (Cate Blanchett) confesses to a murder that may or may not have happened. Is it all just a viral TikTok prank gone wrong, with a little something for Daddy’s fascination with the multiverse and a nod to diversity?
Synopsis: A charismatic space pirate (Chris Hemsworth) recruits a diverse crew (Zendaya, John Boyega, and Zoe Saldana) for an epic heist in the galactic underworld, all while flexing their interstellar swagger, plus a little something for the boys who love action-packed adventures and laser karate, and a commitment to diversity.
Synopsis: Melody (voiced by Ansel Elgort), a young musician, stumbles upon a magical music box that brings his compositions to life. However, he must decide between fame and the enchanting world he’s discovered within the music box, leading to a heartwarming journey of self-discovery and the power of music. Zoomers, experience a musical adventure that will resonate with your generation and become part of the financially lucrative fandom of Pixar’s enchanting tales!
Synopsis: A lone survivor (Tom Hanks) must navigate a post-apocalyptic wasteland, seeking fellow Zoomers and the ultimate viral comeback in a world gone viral (in a different sense), exploring themes of isolation and a lack of sexuality, all while promoting diversity.
Synopsis: Two rival undercover agents (Ryan Reynolds, Charlize Theron) must join forces to stop an international terrorist threat, complete with TikTok disguises, SnapMap espionage, and Instagram-worthy showdowns, all while keeping you at the edge of your 18-45-year-old demographic seat and celebrating diversity, daddy.
Synopsis: Middle-aged Charlotte (Scarlett Johansson) and Bob (Bill Murray) reunite in Tokyo for an Insta-worthy journey to reconnect and reflect on life’s #Adulting struggles, with a little something for daddy’s nostalgia and cerebral reflection, and a commitment to diversity.
Synopsis: A young Zoomer (Emma Watson) discovers her magical heritage and embarks on an Insta-fabulous quest with a wise wizard (Ian McKellen) to reclaim her kingdom and become a true #Queen, delving into themes of destiny and the multiverse, all while celebrating diversity.
Synopsis: A retired cop (Liam Neeson) takes law and justice into his own hands when his daughter (Emily Blunt) gets caught in a real-life drama filled with Reddit-worthy twists, with a little something for the boys who love vigilante action and suspense, and a commitment to diversity.
Synopsis: A genius physicist (Natalie Portman) communicates with her future self (Rachel McAdams) in a trippy TikTok trend, leading to mind-blowing, time-bending consequences, all while exploring the cerebral and moody side of time travel, with a commitment to diversity.
Synopsis: A hardcore detective (Idris Elba) investigates bizarre murders in a dystopian city, exposing conspiracy theories that will leave Zoomers with goosebumps and cryptic emoji messages, and a little something for the boys who love mystery and suspense, and a commitment to diversity.
Synopsis: A hashtag-trending father (Brad Pitt) and son (Timothée Chalamet) bond through their shared love for art, mending old wounds and inspiring a new generation of #FamilyGoals, all while exploring the cerebral and moody side of family dynamics, and promoting diversity.
Synopsis: A young explorer (Lily James) stumbles upon a hidden island with magical creatures and falls in love with a merman (Harry Styles) in an enchanting Insta-story romance, complete with laser karate, and a celebration of diversity.
Synopsis: A trendy librarian (Cate Blanchett) uncovers a mysterious journal that lets her witness historical events IRL, leading to an epic YouTube-worthy quest for answers, all while exploring the cerebral and moody side of time travel, and promoting diversity.
This album seems to be a bit of a regression from the earlier Bad Brains material. The punk’s a bit harder, but it’s also… sloppier, somehow. The anger feels like it’s been replaced by spleen-venting. And, of course, we should talk about the elephant in the room that is “Don’t Blow Bubbles,” a song that has had a really problematic legacy of homophobia, suggesting that if you “don’t blow bubbles” and “don’t blow spikes,” AIDS would not exist. To the Bad Brains’ credit, in the years since the song came out, the band has distanced itself from the song, and re-releases of the album do not feature it. That being said, even with “Don’t Blow Bubbles” out of the mix, there’s still something less than enchanting about this album when listened to alongside its predecessors. It’s not the worst thing ever, but it does feel an underwhelming shout from the late 1980s. Not unlike the presidency of George H.W. Bush.
After bouncing around different frontmen throughout the late-’80s and early-’90s, Bad Brains reclaimed original vocalist H.R. for this rocking, rap-inflected mid-90s album. And the result, much like a haircut from a coked-out barber, is sadly uneven. Now don’t get me wrong. You have to respect Bad Brains for playing around with style. After almost twenty years of existence, the willingness to play with different genres and styles (hip-hop specifically) is commendable. Better that than be the musical equivalent of the adults who only eat pasta and Chipotle for every meal. But it doesn’t save “God of Love” from its cardinal sin. It’s honestly just kind of boring. From the start, on songs like “Cool Mountaineer” you almost get the sense their hearts aren’t in it. The rap on songs like “Justice Keepers” is as nosy and intrusive as a Human Resources representative and the energy is lethargic throughout.
“Quickness” and “God of Love” are really the only two Bad Brains albums I can’t, in good conscience, recommend. But for newcomers, there’s something tricky in “I & I Survived.” That’s not to say it’s a bad album. It’s not. It is, however, an album without a lead vocalist. Israel Joseph I was long gone and H.R. had split yet again, leaving the band down to a nearly all-instrumental core trio in Darryl Jenifer, Earl Hudon and Dr. Know. The three come together to create a slow-going reggae and ska-based album. With that in mind, it’s difficult not to see Jenifer (on bass) as the hero of this album, but really the group plays perfectly together, with Jenifer and Dr. Know doing most of the arrangements for both the new and covered songs (“I & I Survive” and “Gene Machine” both appear here.) This album is perfect for when you just need to chill out, maybe relax, study, and, certainly not do schedule-one narcotics to.
Ah, the ‘90s. The very end of history has been attained. And so has a brand new frontman for Bad Brains in the form of Israel Joseph I. With Joseph, the band took on another new sound. The screaming, wailing hardcore disruption of H.R. had been replaced with steady grooving, funk-infused hard-rock. On the surface, “Rise” is not dramatically different from a lot of other ‘90s rock albums. It’s just a bit better. Songs like “Love is the Answer” retain the band’s reggae spirit, while “Free” and “Hair” create an accessible new kind of rock sound for the band, and songs like “Coming in Numbers” and “Miss Freedom” harken back to the punk roots. This album is perfect for slipping back into a ‘90s frame of mind. Perfect for counting down the return of “King of the Hill,” “Frasier” and most likely, hantavirus.
Thirty years and eight albums since the original “Bad Brains,” “Into the Future” marks a kind of synthesis of everything the band had been playing with up to that point. The punk is abrasive, the funk is infectious, the guitar is utterly phenomenal, the bass and drums are delicious, the vocals are spot on. The “boyfriend” seems nice and the girls seem to have eaten their spaghetti and meatballs. The whole album has an ambitious playfulness to it, with song titles like “Popcorn” and “Rub a Dub Love.” A definite recommend. The fact that it’s this low on the list just shows that when this group is good, they’re very good.
A true comeback album for the ages. H.R., Daryl Jenifer, Dr. Know, and Earl Hudson are back in the studio together (under the eye of the Beastie Boys’ MCA) and the album sounds incredible. “Build a Nation” has drive, focus, thematic consistency, and energy for days. Like a research paper written by a teenage Ritalin addict. “Build a Nation” focuses heavily on the spiritual themes that the Bad Brains have been playing with since the beginning. Songs like “Jah People Make the World Go Round” and “Give Thanks and Praises” both abound with electric holiness in an incredibly catchy way. But the album also harkens back to the group’s early days with songs like “Let There Be Angels (Just Like You)” and “In the Beginning.”
If the self-titled debut is staticky, hissing and insane, “Rock For Light” is… well, it’s those things too. Of course. But it’s just a little bit less. It’s a bit calmer. A bit more polished. There’s a little bit more reggae on here and redone covers of the band’s earlier songs that, while a bit more tidy and engineered, still manage to hit pretty hard. This album also touches more prominently on the band’s Rastafarian background with songs like “I and I Survive” and “The Meek” both taking on a more reggae-heavy sound and delving directly into social concerns.
An influence on acts like Sublime and Rage Against the Machine, there are many interesting things about the third Bad Brains album. Not the least of which is that the title track was covered by Jeff Buckley, thus bridging the gap between hardcore punk fans and people who think that poetry counts as foreplay. “I Against I” also shows something new for the band. There’s a proto-’90s groove on tracks like “Re-Ignition” and “House of Suffering” that adds a hookiness that wasn’t there on the first two albums, and full-blown pop-rock tendencies on “She’s Calling You” and “Secret 77,” which is either great or terrible depending on what kind of punk you are.
The Alpha. The Omega. The absolute GOAT. Whether you’ve listened to any Bad Brains before today or you’re just clicking on this article out of a sense of bored curiosity, you’ve definitely seen the iconic “lightning striking the capitol building” cover art before. This album is nearly perfect. There’s a lot of excellent stuff on here with songs like “Attitude” and “F.V.K. (Fearless Vampire Killers)” feeling like a raging punk tornado, while more reggae-inflected songs like “Jah Calling” harken back to the band’s Rastafarian-roots. Mostly though, the songs are fast, they’re angry, and often H.R.’s antagonistic falsetto blends the lyrics into pure banshee-like wailing. Like a smoothie made of barbed wire. (