Ah, summer. Many people may deem October as the spooky month but there’s something mystically carnal about the warm season. Something that makes you want to take your clothes off and run through the woods under a full moon. So here are 10 freak folk bangers to play this summer that will make you want to take part in ritual sacrifice.
Jessica Pratt “Bushel Hyde”
Featuring the first witchy-voiced human on this list, “Bushel Hyde” by Jessica Pratt is a serene tune about a lost realm. Listening to Pratt’s ghostly voice delicately sing “Words mean more than they did before in that other place” will be sure to have you translating an ancient tongue in a cave somewhere forbidden.
Julia Brown “I Wanna Be A Witch”
Comprised of Teen Suicide alums, the obscure and now defunct band, Julia Brown seemed to often sing about the occult. “I Wanna Be A Witch” is a song about wanting to get high with your lover in your bedroom during a rainstorm and one can only imagine the closet shrines and blood oaths that would ensue.
Animal Collective “Leaf House”
By the band that practically invented the genre, “Leaf House” by Animal Collective will leave you in a trance. A song about a long-forgotten house and the creatures that could inhabit it if only things were different, its ritualistic melodies will have you searching for your new familiar.
Timber Timbre “Demon Host”
An eerie folk tale disguised as a simple tune, “Demon Host” by Timber Timbre will chill you to your core. A song about a person grappling with the existence of what we cannot see, this track will surely be a hit at your solstice seance.
Best Friends Forever “Ghost Song”
Perhaps the most freak punk leaning of this list, “Ghost Song” is a song by the fairly unknown Best Friends Forever about falling deeply, madly and lustfully in love with a specter. It features the exquisite phrase, “ghost baby daddy,” I mean what else is there to say?
Alex G “Poison Root”
A song rich with banjos and fiddles, “Poison Root” by Alex G is hypnotizing yet simple story-wise. You find a poison root deep in a wood, put it in your tea and voila! Now you know everything.
Joanna Sternberg “You Have Something Special”
From rising indie folk darling, Joanna Sternberg, “You Have Something Special” is a song about pushing back against those who’ve done you harm. A simple piano tune set to some heart wrenching lyrics, you won’t be able to get this one out of your head as you snip the pigtail off your enemy and skip home to start that revenge curse.
Modest Mouse “Dancehall”
The most chaotic on the list, “Dancehall” by Modest Mouse is sure to be a hit during any summertime bacchanalia. High energy and guttural, this song will leave you craving the food and mirth of the fairy realm while you pirouette through the night.
Attic Abasement “A Werewolf”
Haunting and minimalist, “A Werewolf” by Attic Abasement is a song about succumbing to the beast within. With lyrics that include “Try to tear it into the day and we could colonize the night” this track will have you howling at the moon.
Joanna Newsom “Peach Plum Pear”
The coup de grace by the queen of the genre herself, “Peach, Plum, Pear” by Joanna Newsom has it all. Is it the slightly out of tune harpsichord or the layered vocals that resemble a children’s chorus? Or perhaps the imagery of sweet stone fruit matched with galloping at sunset? Either way, “Peach, Plum, Pear” will make your bloodletting ceremony the event of the summer and the talk of the coven for years to come.

Neckbeard-y hot take incoming: This is the least Cave In sounding Cave In album. How many times have you seen this story? Band known for a certain sound gets signed to major label, releases a too-polished, overly-produced album that does not appeal to wider middle America audience while simultaneously alienating their core fans. “But… but… isn’t this their most popular album?” Yes, and “The Phantom Menace” was the highest-grossing movie of all time until “Avatar” came out and those are both terrible.
This is a mixed bag of unfinished demos that possibly never got to be refined due to the sudden death of bassist Caleb Scofield. There are still great moments here though, some with an understandably somber tone. On “Shake My Blood” the band’s love of Failure is put on full display. Given time this could’ve been one of their best releases.
Ok, let’s start with the good news. Cave In are still active and put out an album in 2022, Nate Newton from Converge, Jesuit, and Doomriders amongst others is now playing bass and doing the screaming vocals, the first two songs are absolute ragers. Things start to get a little hit-or-miss afterward though. It’s tough to put on our finger on it but something just feels off in some of these songs. You know like when the cast of an old TV show does some hamfisted reunion and you can just tell everyone is just tired and maybe a little strung out? It’s kinda like that.
After their brief stint on major label RCA, Cave In spent a year or so licking their wounds from the experience and returned to their home on Hydra Head and to a sound closer to what many fans remembered. They rediscovered the heavier metalcore sound mixed with the spacey operatic elements while dialing up the experimental weirdness a bit. Most bands after their big-time record deal falls apart typically break off to do self-indulgent solo projects or even worse, form a “supergroup.” Luckily they were able to course-correct here though and avoid the cringey burnout phase.
Not included in the ranking since it isn’t a studio album but a collection of their first hardcore-era 7”s and various songs from compilations with a revolving door of vocalists. Most of these songs were written while the band was still in high school which is astonishing when you think about how most high school bands sound like the inside of a Guitar Center on some kind of “play all of our instruments at once” day.
For many die-hard followers of Cave In, this was their least favorite release on first listen. But just like how George Costanza was able to get a woman to be interested in him by repeatedly dropping a little earworm “Cuh-STAN-za,” this started to grow on people also. (Seinfeld references are still relevant, right?) They went to a weirdo realm on this but kept that shit heavy. Stephen Brodsky takes a bit of a backseat on vocals here and lets Scofield’s screams do the heavy (pun intended) lifting.
A year prior to “Jupiter” Cave In released the “Creative Eclipses” EP which teased out a new direction the band was heading in musically. “Jupiter” picks up right where “Eclipses” left off and yes, the mosh parts and the screaming were gone but what was left was something entirely new. And much like its namesake Jupiter, the album feels like a massive presence with weight that draws you into its orbit of celestial violence and beauty. (Dear reader, please submit the last line of this blurb to the fine folks who hand out the Pulitzer Prize, they are going to shit themselves.)
We’re ending this ranking with their first album which probably seems like we’re just being lazy in our writing but (need joke here). After burning through a few frontmen, the group became a four-piece and Brodsky took over vocal duties on both singing and screaming for the first and only time. Not many in the mathy metalcore genre of the time could’ve pulled off an ambitious 8-minute epic space odyssey like “The End of Our Rope is a Noose” without it being a catastro-fucking-phe but Cave In sure did it.
Dokken “Breaking the Chains”
Slayer “Show No Mercy”
Metallica “Kill Em’ All”
Saxon “Power and the Glory”
Dio “Holy Diver”
Accept “Balls to the Wall”
Raven “All for One”
Battleaxe “Burn This Town”
Mercyful Fate “Melissa”
Motörhead “Another Perfect Day”
Iron Maiden “Piece of Mind”
Torch “S/T”
Trance “Power Infusion”
Exciter “Heavy Metal Maniac”
Thin Lizzy “Thunder and Lightning”
Savatage “Sirens”
Satan “Court in the Act”
Grim Reaper “See You in Hell”
Tank “This Means War”
Ashbury “Endless Skies”
Warlord “Deliver Us” EP