A lot has been said about Ohio. Most of it is disparaging and unflattering. If you are to believe all the memes you’ve read about the state and its residents, you likely have an image of a mountainless area filled to the brim with slovenly, bored, and uneducated farmers. That’s if you even believe the state exists at all. We won’t stand for this slander as we’re pretty sure at least one of our writers grew up in Dayton. To set the record straight, here are a handful of bands that call Ohio home when they aren’t on tour or living in a different state altogether.
Guided By Voices
Former school teacher and current ‘genius,’ Robert Pollard, has reportedly written over 1,600 songs. At least 500 of those went to his lo-fi project, Guided By Voices. It’s rumored that a minimum of 22 of the latter are actually listenable. It’s said that if you click the heels of your Chuck Taylor’s three times while repeating ‘I Am A Scientist’ you will be transported to a dive bar in Dayton, Ohio. There, a forty-something guy in a flannel with a neck tattoo will buy you a shot, but only if you can name three GBV songs that aren’t ‘Teenage FBI,’ and no: you can’t use ‘I Am A Scientist’ again.
Devo
What’s that you were saying about Ohio never producing anything cool or memorable, you smug asshole? That’s what I thought. Famed New Wave heroes, Devo, were founded by Kent State University students in Akron. The varied political leanings of the Midwestern swing state they call home likely provided fertile inspirational ground for the satirical social commentary that permeates their discography. Muses aside, Devo stands to this day as one of the state’s finest exports, second only to sweet corn.
Brainiac
Dayton may be the ‘Birthplace of Aviation,’ but no one really cares about that anymore. Arguably more exciting is the fact that Dayton is the birthplace of Brainiac (or 3RAN1AC if you want to be a dick about it). Before their five-year run was cut tragically short by the untimely death of lead singer, Tim Taylor, they pushed the envelope on nearly every subgenre of punk and hardcore in existence. The band’s out-of-control sound has been cited to have influenced countless bands including, but not limited to; Nine Inch Nails, The Mars Volta, The Blood Brothers, and somehow even Muse (when they were good, we assume).
The Dopamines
Cincinnati is a mecca of energetic punk music, and none represents this fact more than the Dopamines. A band so renowned that even Mikey Erg moonlights as their second guitarist from time to time. Armed with extremely catchy hooks, power-chord anthems, and chant-along choruses, their output matches their namesake to a tee. One listen will immediately whisk you away to a sweaty basement on a college campus as you chug Rheingeist and scream your lungs out until some asshole cop shuts down the show and ruins your night.
The Breeders
Everyone loves Pixies, but studied listeners know that Dayton resident Kim Deal’s The Breeders are the better band. Started initially as a side project while Deal devoted the majority of her time slinging bass and vocals for Pixies, The Breeders quickly rose to a prominence worthy of matching the latter’s. Incorporating Deal’s twin sister Kelley as well as a revolving door of players featuring members of Fear, Slint, and The Perfect Disaster, the band essentially serves as a ‘90s alt-rock supergroup depending on the era you are perusing. Kurt Cobain once listed ‘Pod’ as one of his favorite albums, and he was right to do so. That shit rips.
Defiance, Ohio
Florida has their Against Me! and Ohio has their Defiance, Ohio. Initially formed as a three-piece in Columbus, and stealing their name from a small town in the northern part of the state, the group quickly became legends in the folk-punk scene. Their DIY ethic and anti-capitalistic lyrical themes were so strongly incorporated, the band famously found themselves having to explain their actions after deciding to allow famed indie label, No Idea Records, to release their second album ‘The Great Depression.’ That’s right, not only does Ohio actually exist, but its folk-punk scene also runs on clout.
Cloud Nothings
Started as one in a lengthy series of fake bands created by Cleveland local, wunderkind, and lead singer/songwriter Dylan Baldi, Cloud Nothings quickly rose to prominence by infusing elements of indie and pop-punk with the sounds of their home city’s hardcore scene. Combined, those influences craft a heavy as fuck sound without sacrificing that sweet Midwestern charm their home state is known for. Imagine the Strokes as a post-hardcore band that for some reason was tasked with performing a gig at the Gates of Hell, and you’ll be in the ballpark.
Dead Boys
Among the first wave of punk acts to emerge in the late ‘70s, Dead Boys from Cleveland made their mark as one of the most chaotic and violent groups of the fledgling genre. Not unlike the multitude of Ohio residents who have never left their hometowns, the original iteration of the band would ultimately fall apart after releasing only two albums. An event equating to an unfortunate waste of a mountain of potential. Still their influence and legacy lives on, spawning sporadic reunions as a fresh lineup has been teasing new music since 2017.
Lung
Have you ever wondered what System Of A Down would sound like if they consisted of just a cello player and a drummer? Quit dreaming and listen to Cincinnati’s very own Lung. Performing as just a two-piece, the band manages to craft a lush and chaotic sound thanks to Kate Wakefield’s shredding effects-driven cello and operatic voice. Drummer Daisy Caplan holds down the fort with thudding dramatic beats. Together they make a racket so righteous you’d think they were from a respectable state.
The Afghan Whigs
Hailing from Cincinnati, The Afghan Whigs hold the honor of being the second-ever non-PNW-based band to be signed to Sub Pop Records. How’s that for boring old Ohio? The band blends elements of grunge, R&B, and punk to form a vehicle for lead singer Greg Dulli dark and professorial lyrics. That’s not to say you need an English Degree from UC to understand their output, but they are certainly not for casual listeners like our standard uneducated readers.
Nine Inch Nails
Genre-bending pioneers and horndog legends Nine Inch Nails originated as the brainchild of Cleveland’s Trent Reznor. Despite Ohio’s legacy of agricultural innovation, Nine Inch Nails is largely responsible for popularizing and propelling Industrial Rock into the mainstream, though you would be apt to not mention that in front of Reznor or a farmer. The next time you listen to ‘Closer’ alone in your car like a depraved psychopath, consider how truly challenging it must have been for Trent to overcome such instilled Midwestern reservation to deliver the sex jam of the century.
Mushroomhead
A full two years before the masked metal band Slipknot emerged, Mushroomhead was already ahead of the curve regarding their costumed concept. In fact, the commonalities between the bands coupled with the suspected plagiarism committed by Slipknot lead to a chaotic feud that erupted in a violent 1999 tour-stop in Mushroomhead’s hometown of Cleveland, OH. As Slipknot took the stage, a horde of angry concertgoers began pelting the band with anything they could get their hands on, including (allegedly) a padlock that struck bassist Paul Dedrick Gray square in the face. All of this is apparently water under the bridge as each band claims fandom of the other, but one thing remains clear: Don’t fuck with Cleveland or you’ll get the padlock.
All Dogs
Columbus’s All Dogs formed as a bit of a supergroup featuring members of local legends, Delay, Saintseneca, and Slaughter Beach, Dog. Their sugary hooks mixed with their vulnerable lyricism made their debut album, ‘Kicking Every Day,’ an instant hit among those yearning for the next pop-punk explosion. While the band would essentially disappear for eight years after that review, rumblings in their camp have suggested a comeback may be on the horizon.
The National
You don’t have to be a divorced middle-aged Dad to thoroughly enjoy The National, but it helps. Though technically formed in Brooklyn, New York circa 1999, the original lineup of the band was comprised entirely of members that claim Cincinnati as their home base. Since Brooklyn already has enough bands, we likely won’t get too much pushback here by rightfully claiming them for the Buckeye State. With captivating lyrics and delicately produced backbeats, The National remains one of the most revered contemporary alt-rock bands among very sad Midwesterners, and likely will for years to come.
Hawthorne Heights
This one is probably pretty obvious considering their massively popular and genre-defying single “Ohio Is For Lovers.” While Hawthorne Heights in no way invented or pioneered Midwestern Emo, we want to give Ohio a win here and fill our comment section with inflammatory retorts, so we’ll just go ahead and say it: Emo music did not exist until Hawthorne Heights released ‘The Silence In Black In White,’ making Ohio not just the birthplace for modern Emo, but the entire genre as a whole.
An oldie isn’t always a goodie, but even “bad” AFI is good without quotes. We know, we gaffed and AFI’s 1995 debut studio record “Answer That and Stay Fashionable” should be the number one ranked LP here, actually we can’t even make it through this sentence without unsuccessfully asking our mom for permission to do so, gasping, laughing, falling down, and turning ill. While your favorite release is completely contingent on where you were in your respective life when you discovered the band, this album is a good intro to your friend and mine about a band with an expansive catalog, but that’s about it.
Northern California’s AFI formed in 1991 and subsequently released four albums in the 1990s. In a predictable manner to us and a possibly unpredictable one to you, the first three records to come out are the first three to be mentioned in this piece; this fact that is an opinion will likely make you close your eyes and open your mouth, but honestly you should lower your head and take it in the body. However, this entry is actually their third full-length and the next one to be featured is their second, showing you, the avid reader, that we put some intricate and delicate thought into this here list. You’re welcome; the devil loves you. Anyway, to add salt for your wounds, the best part about this one is the fantastic LP that directly followed it in 1999. More on that punk classic later!
AFI’s 1996’s LP “Very Proud of Ya” is the band’s sophomore release, and as a wake-up call to all of you misguided and bitter Despair Faction members, it’s their best effort of the first three records; yep. While it admittedly has way too many songs, in fact, the most tracks on any of the band’s total albums, the longest tune clocks at at two-minutes and forty-five seconds, so if you’re not a fan of a particular entry, advances in modern technology would permit you to either skip or cruise control through it. Basically 1995-1997 were adolescent years for the group, and they finally hit their adult stride on the self-titled EP that came out one year later, but as you know, that is not technically an album, so if you’re looking for its ranking here, think again, pleeb. To close this trilogy that isn’t as good as “The Godfather” trilogy, but arguably better than part three, “Very Proud of Ya” is the last album from the band that wasn’t truly consistent from its nascent start to its bitter end.
Self-titled records are often a combination or an inkling of a valiant return to form, a strategic back-to-basics vibe, and, to be quite frank, the lack of a good name suggestion for an album. While you can decide in the comments which of these AFI’s 2017 LP actually is or isn’t, and we know that you dumb kids actually will, one thing’s for sure, the blood on this record literally runs thick, and there is a plethora of sonic influences over the course of its fourteen tracks. That is definitely not a bad thing, but the other seven records just did it better. We’re gonna end this section with an Easter Egg from the extremely serious and rarely comedic group known as A Fire Inside: AFI has a song on “The BLOOD Album” called “Above the Bridge” and Red Hot Chili Peppers have a song called “Under The Bridge” on their blockbuster “BLOOD Sugar Sex Magik” record. Woah! California!
In an effort to showcase a huge case of low-hanging and possibly spoiled fruit, Drowning Pool did it first in their megahit butt-rock single twenty years before 2021’s AFI record “Bodies,” but this most recent album effort from the band with three letters as its band name is the first of two one-word albums starting with the letter “B” to be sequentially listed here. Speaking of the letter “B,” one more five-word album from the band to be mentioned later also starts with “B” and it is a bodacious entry at that! Back to “Bodies,” this record is the group’s shortest album of their career to be released after 1997, and truly, truly leaves the listener wanting more, which is good or bad depending on who is writing an album ranking article for your twisted tongues. We’ll check out your blog later and subsequently toast to the band’s next eleven LPs!
Gil Norton produced several rad and sonically perfect LPs for Foo Fighters, Jimmy Eat World, Pixies, Echo & the Bunnymen, and many, many more bands that even your anxious and bitter punk rock hearts secretly and not-so-secretly love. Gil sat behind the boards for 2013’s “Burials,” and along with the number two entry in this article is one of the more underrated AFI albums in their expansive catalog, and it won’t likely start a deep slow panic to admit that the record is definitely the most unappreciated one to be listed thus far. Wild! Last words of the runaway: “Burials” is as dark as its album title suggests, and so, so much catchier than most bands could ever hope to be in or around the scene. Our hope for forgiveness dies.
Here’s a true summer shudder to all of you fools about a cold (love-like) Winter album title: You’re so right, this one should at the very least be a medal winner in the golden #1, silver #2, or bronze #3 slot in this piece, but we’re not apologizing as your negative comments light a fire inside. Sorry not sorry: Number five is what it is and we’re the final word on a piece that we write. Yep. Still, 2016’s “Decemberunderground” really rips, and it likely introduced many to the four-piece known as AFI; much respect. It’s also badass that this record topped the album charts, and it’s even cooler that seventeen years after the album came out, “Miss Murder” STILL gets constant radio love to the masses. Simply a look can break your heart.
Ranks 11-9 are the band’s first three albums from the 90s, and 8-5 are all from this century, so how did we do so far? Answer that and… yeah, no. 1999’s “Black Sails in the Sunset” is the last album of the 20th century to be mentioned in this piece, and the songs still truly hold up today! Who knew? Bad Religion certainly doesn’t hold a monopoly on chanting, and AFI opens this record up by discussing our album rankings in this article by shouting, “Through our bleeding we are four! Through our bleeding we are four!” At a glance, this hilarious joke references its fourth slot position, and the actual number of people in the raucous and revered rock-and-roll band AFI. Say the titles of tracks 2-4 on this record out loud three times fast and jump down to the next section!
AFI kicked off this century with “The Art of Drowning” on September 19, 2000, and the punk world hasn’t been the same in the best way since. This LP is the band’s last album to be solely released on Dexter “The singer and the guitarist for The Offspring and a licensed pilot who has a doctorate in molecular biology and who wrote ‘Original Prankster’ in case you forgot” Holland’s Nitro Records before inking a deal with the now-defunct DreamWorks Records, which eventually folded into Geffen Records and later merged into the Interscope Geffen A&M Records group. That’s a mouthful of greetings and goodbyes. Two albums before the group’s eventual #1 slot on Billboard (and #5 slot over here), this record is their first to chart in the top 200, providing the charts with an initiation for the lost souls. SMILE!
This may ruffle some feathers, rather, this may (and this is foreshadowing to the #1 spot below) modify various makeshift wings, but we don’t do this for your (crash) love; we solely do it for your bitter non-beautiful comments, dorks. As we mentioned and alluded to in the handy-dandy “Burials” section a mere four positions above, 2009’s “Crash Love” may just be AFI’s most underrated album, and your anger on this position proves said opinion as fact. SACRILEGE! If this truly offends you, just medicate, and then you will say, “Okay, I feel better now.” Anyway, “Crash Love” is the band’s last album since “The Art of Drowning” to have less than three singles, which successfully proved that the fourpiece’s label ended transmission and gave up on this one way too soon, which is a shame given how flawless it is. If you had a chance to see AFI open for Green Day on this record’s (and GD’s also underrated “21st Century Breakdown” LP’s) cycle, throw your arms into the sky!
This time imperfect: We know that millions of diehard AFI fans will flock to read these rankings, but even hardcore and misguided ‘90s AFI indie label fans have to legally admit that this major-label debut is the band’s most superior album front-to-back. You can’t be mad at this placement, but you will be! Come. On. Now. The band’s eventual platinum-selling and perfect sans any filler LP “Sing the Sorrow” hit stores/MTV/radio/random cool supermarkets and head shops in March of 2003, and successfully found a way to unite both a plethora of old and new fans of the group, being FAR from a great disappointment. This celluloid dream is extremely rare when bands make a jump to the big leagues, and you’ve gotta give the band mad props for doing so.
