RENO, Nev. – Fans of Santana feat. Rob Thomas were overjoyed to learn the duo is reuniting for a one-song, 50-state tour, playing their lone chart-busting single “Smooth” in its entirety after a 24-year hiatus, multiple sources close to the artists confirmed.
“I’m super stoked to rejoin my numero uno hombre and give fans a segundo helping of ‘Smooth,’” Thomas commented from the road, inexplicably slipping in and out of Spanish. “When Carlos telefonoed me about getting the crew back together, he didn’t say a damn word; he just played me that sweet, sweet opening lick and I screamed ‘Sign me up baby’ into my cordless phone. We decided pretty quickly that we didn’t have any other songs worthy of playing on this tour so it’s just going to be ‘Smooth.’ Every night. Because man, it’s a hot one!”
Jeff Clum, President of the Santana feat. Rob Thomas Fan Club, was ecstatic over the historic comeback.
“Best 4:52 of my life. I remember my parents used to get so mad at me because I would run up our phone bill from calling Total Request Live every day to demand they play the song,” Clum said after the kickoff show in Gary, Indiana. “Witnessing Santana feat. Rob Thomas lay down that Spanish Harlem Mona Lisa sweetness live was a religious experience. I speak for all the ‘Smoothies’ out there who paid $250 to see one song, that this isn’t just a tour; it’s a tour de force. You can’t put the power of ‘Smooth’ into words. The music speaks for itself. And in two languages!”
Internet music critic Anthony Fantano attacked and applauded the reunion.
“‘Smooth’ is a one-note, A&R circle jerk of phoned-in adult contemporary cliches laced with lackluster Latin groove rock, co-conspired by a guitarist well past his prime and a singer who never reached it,” Fantano said. “As a song, and as a human with ears, I give it a light zero. But as a reunion show? This is a strong fucking 10! No opener. No encore. Just one and done, baby. Every band take note: nobody wants to hear your new shit. Or your old shit. Just play your hit and get back on the bus. Thanks to Santana feat. Rob Thomas, the show was over before my sciatica kicked in or some jagoff iced me. Terrible music, terrific performance.”
At press time, Thomas was inexplicably replaced mid-song by pro skateboarder and current Black Flag singer Mike Vallely.
First off: This album is really, really good front-to-back. Second off/the dark side: We can’t rank ‘em all last, first, or even fifth, as there are no ties here, and no crying in baseball. Sorry. 2018’s “Simulation Theory” and its subsequent grandiose tour both feature a lot of diversity, positive ‘80s throwbacks that musically shout out “Tron,” general rockage that would make Tom Morello smile, and catchy-ass melodies for the most bitter of bitter bitter bitters. Still, this album had and has the least amount of replay value of the bunch. If you disagree, and we know that at least some or all you will, get up and fight, just not anyone that you’re stronger than. Fun footnote: Once you make it through the full record, dig down, and check out the alternate reality, UCLA Bruin Marching Band, and even acoustic gospel version of these eleven songs; no pressure.
Even though the title track of this potentially overlooked album in the age of oversaturation echoes the now canceled svengali/cult leader/fashion icon/author Marilyn Manson’s biggest hit “A Beautiful Mind,” “Will of the People,” Muse’s most recent and ridiculously, ridiculously diverse full-length album, is NOT their worst album by a one shot. Fact? Opinion! It’s slightly better than its predecessor, and a tad bit worse than the band’s debut. Fact? Liberation! Anyway, two of Muse’s best song titles, and it must be said on record, not best songs, are featured here: the dark like the day “You Make Me Feel Like It’s Halloween,” and the light like the night “We Are Fucking Fucked.” The album cover showcasing both an homage to “Planet of the Apes” and a bastardized version of Mount Rushmore would make a good t-shirt at the La Brea Tar Pits gift shop as well.
Prove yourself: “Showbiz” haters will say that it sounds exactly like Radiohead, especially the band’s earlier, more rocking, and less hipster-y stuff, and its lovers will likely say exactly the same, but will still have an affinity for it… Despite being partially optimistic and in limbo, what a freaking let down with no surprises! Still, regardless of whether you’re in lust, faith, or dreams with Muse’s lone studio album from Prince’s favorite year AND last century, you can’t deny that it’s their first one! Well, you can, and many of you plebs will, but you shouldn’t. There’s something in the water (does not compute) and we’re not optimistic. Back to 1999’s “Showbiz”: Musicians and “musicians” reading here, just check out the intro from the tune in our “play it again” section; it’s nasty in a WWF way and not in a spoiled and crusty one.
Panic station in the form of a caps-lock inquiry sans grammar: “HOW DID THIS ALBUM GET RANKED HIGHER THAN SHOWBIZ WTF AM I DUMB WA WA WA?” To that, we respond with normal syntax because we have at least a second-grade reading ability and/or a bachelor’s degree in English from an accredited university that we didn’t get into because of our parents’ connections: Make your own damn list, animals. Another opinion worth mentioning that may inspire violence on your end: “Survival,” the band’s song from the fucking Olympics, is the band’s catchiest and most aurally pleasing single, and you can find it at track number five on 2012’s “The 2nd Law.” We will hopefully not perish on that hill. While haters will say that Muse made a shitty EDM album, true fans know that the band blends genres better than most, and that this album is stadium worthy.
“Drones,” another Muse album that you likely missed due to you being a dumbass, is their best album post-2009, and it is easily the band’s hardest rocking effort in their expansive and expensive catalog. You may not think that that is much of a compliment, but the band released four full-lengths after 2009, and all of them were good in their own way, and better than you in all. Don’t @ us if you disagree, but also please @ us if you do. Also, drill sergeants are scary, and Hoobastank also let us know the same on their oft-undiscussed 2006 LP “Every Man For Himself;” at least we’re moving forward. In a random seemingly pretentious but not really random or pretentious annotation to end this section, Muse singer/guitarist/pianist/deity Matt Bellamy shares a co-write with composer Giovanni Pierluigi da Palestrina on this album’s closing/title track. (Have) mercy!
WE could be wrong, we CAN’T be wrong: 2009’s “The Resistance” is Muse’s most successful album, and it truly shows in its eleven fantastic songs that take each listener on a Space Mountain-esque peak-and-valley adventure minus the vomit. The band started this LP with a high-quality one-two-three punch featuring three of its four singles and also pulled a Coheed and Cambria comic book-worthy one-two-three kick in sonic AF glory with the closers. Like C&C lead singer Zach de la Rocha once sang/screamed/rapped/alluded to on Circa Survive’s “Vheissu,” one literally needs an overture to cross-pollinate, and will subsequently beg the bugs for redemption. Back to “The Resistance:” The band self-produced this effort, and sometimes when groups do such, the production suffers in the egotistical worst way, but not here! No, no, no. In closing and opening, the following three albums have zero “skip it” tracks!
Revelation sans a black hole: This 2006 LP is definitely the one that shot Muse into the stratosphere stateside in a then-modern form of The British Invasion, and we U.S. Americans will take it with an extra side of saturated fats! Recorded at FIVE different studios, which at first glance makes it look like an ‘80s hair metal record without the lobster, cocaine, escargot, and champagne budget, “Black Holes and Revelations” is the band’s first full-length to be put into the famous-even-to-famous-people Queen category, and you can take that smart posit however you want, just tip your bartender and stop drooling. Also, it’s difficult to find an album closer as revered, hummable, powerful and grandiose as “Knights of Cydonia,” which the band also epically starts some shows with as well. In closing, the drumming on this album from Dominic Howard needs far more fanfare; it’s utterly supermassive here.
Muse’s second album “Origin of Symmetry” is in second place here, and you know we’re right whilst feeling good about this placement even if you don’t; if you don’t, don’t. Hot take alert: If tracks 1-5, five of the best sequential songs of all time, were repeated as tracks 6-10, citizen erased the original 6-11, and then the album just stopped, it would’ve been the winner here. Yep! Anyway, 2001 was a great year for mainstream rock with Jimmy Eat World’s “Bleed American,” Incubus’ “Morning View,” and System of a Down’s “Toxicity” and Muse’s sophomore effort here can effortlessly hang with all of the above in a non-awkward manner. Still, we still can’t figure out why “Origin of Symmetry” connected with SO many outside of America, yet didn’t here when it came out. Basically, it was a futurism grower-not-a-shower in the states. Better late than never, eh? Don’t answer that!
This is the story of a girl who cried a river and drowned the whole world: Bass guitar fans in the know bow down to Chris Wolstenholme in every way, and especially on his work on “Absolution,” but rock heads should make this 2003 LP their protective blanket for the upcoming apocalypse, which Muse politely asked for in typical European fashion. Absolutely. Absolution-ly. Absolut Vodka. Anyway, If Muse released just one album as is, this one should be it. The small print that should be larger, bolded and italicized: There is not a second wasted on Muse’s third LP, which normally is strictly given to those with a hairy tummy, but this one somehow appeals to the bare-chested! In fact, it does so endlessly! To close this piece out, we like it when bands have “Intro” and “Interlude” tracks. Dive into “Absolution,” and give us your heart and your soul!
Kicking things off with Myst, the mysterious (get it? The 1990s were stupid) deserted island world full of talking books and complicated, deeply boring puzzles that are somehow supposed to be more fun than doing sword stuff. There’s pretty much no one on Myst, so we’d probably survive for a long time until we stumbled into the water while trying to catch a fish and drowned.
Daventry is your pretty standard, off-the-rack fantasy kingdom from the King’s Quest game, and we think we’d do pretty well. Nothing happens to anyone who isn’t a member of the Royal Family, which seems pretty classist but still suits us fine.
Oh yeah, we’d last a while, stomping on Toad’s head, throwing fireballs at turtles, and doing basically everything we’ve ever dreamed. Eventually, Bowser would eat us, though. He’d probably start with our feet or some weird shit, too. He seems like a freak.
Like a dragon is going to eat us when Goofy is standing right over there with Chirithy, and you know he’s got some meat on his bones. Wise up, Goofy always dies first. That’s basically all that Goofy is, cannon fodder.
Disney came up with this world, but modern-day wimp Disney, not “Black Cauldron,” terror Disney. We could probably last a few days before dying of frostbite or being stabbed to death with Olaf’s nose. At least we wouldn’t have to sing any songs.
Oh, the Shadow Lord has the island of Deltora in a crushing grip of economic freefall and political repression? Give us a fucking break, we’re already doing way worse than that here, at least they’re on an island.
You might not think it, but the land of My Little Pony actually has a lot of dragons. However, they’re mostly concerned with friendship and fun, and as long as we could prove we’re not some kind of Brony pervert, we’d be fine for a long-ass time.
Xanth is basically magical Florida, with all the barely-veiled misogyny and not-at-all-veiled child abuse that implies. We wouldn’t last long here because we would gladly ask a dragon to bite our head to get out of this Chameleon-spelling hellhole.
The world of “Howl’s Moving Castle” is constantly at war, but also, the worst witch in the entire kingdom doesn’t have anything better to do than fuck with a hatmaker. We’d do fine here as long as we don’t fall in love with a mysterious wizard and get squashed by his castle, which we definitely would.
A galaxy far, far away seems pretty far down on this list for a place with laser swords and spaceships piloted by howling dog-men, but it really feels like as long as you mind your own business and stay out places described as “wretched hives of scum and villainy,” you’d do fine. Also, we would have given those droids up in a heartbeat if it meant a few Imperial Credits in our weird belt pouch.
This place is just too goofy to be really dangerous, even if it is full of dangerously random magic and giant elephants on top of turtles. Chances are we’d be torn apart by an enraged orangutan for spilling Yoohoo on a library book before a dragon got us. We’d probably still show up in a sequel, though.
Look, if dumbass Robin Williams can survive in the jungle when he was a spoiled rich kid, we think we’ll be able to last quite a long time. Double goes for Kevin Hart, because if it were actually dangerous in Jumanji, something would be eating his fucking guts right now.
We won’t mince words: Hyrule can be pretty freaky. That weird moon face in “Majora’s Mask” freaked us out for weeks, and we’re not going to pretend that Ganon’s pig-guy form didn’t make us lay off the Cheetos for a few days. But, ultimately, Hyrule has waaay too convoluted of continuity for us even to know what we are going to get killed by. A demon from another universe? A dude who wants to bring back another dude, but it turns out he’s the soul of a sword somehow? Pick a lane, Hyrule.
Okay, in Earthsea, there’s so, so, so many dragons. Like, this place is lousy with dragons, but they’re the kind where if you figure out what their name is, you can just be like, “Hey, don’t eat me,” and they have to do it. Oh, they want to eat you. They want to. But they can’t, because you know their stupid dragon name!
Is there such a thing as a Transformers dragon? Of course there fucking is, and Stanley Tucci made it kill a bunch of Saxons in the Fifth Century, but, as far as we know, there are no dragons on Cybertron, the machine world of the Autobots. We’d still probably get run over by a jeep that has a surfer accent or a racist-coded motorcycle or something, though.
The Labyrinth couldn’t even stop a whiny 16-year-old girl. While we’re no Jennifer Connelly, we’re also pretty sure we could beat up David Bowie if push came to shove. Worst case scenario: we get lost, and we end up eating Hoggle and using goblins for firewood to stay warm.
God, this one is depressing. We could probably last a bit of time in Terabithia because we’re grown-ass adults, and this place only kills children without self-preservation instincts. Wait, what if the children that are killed are actually our own innocence, and we’re already dead? No, that’s stupid. We’ll be fine here.
Now we’re starting to get into some gorgeously realized, carefully world-built deathtraps! Yeah, the “How to Train Your Dragon” world has a lot of dragons, and we’d almost certainly get killed after we covered ourselves in loose wool to pretend to be sheep. For…our own reasons. That or the Vikings would kill us because of the sheep thing.
A remote island filled with talking dinosaurs who survived extinction and have built a magnificent civilization of harmonious peace and advanced technology sounds good, but at the end of the day, some T. Rex is going to get tired of the lizard equivalent of tofu and swallow us whole. It’s just what’s going to happen, get used to it.
We’re not going to last all that long on this desolate version of Mars because a world in which a racist-ass Confederate soldier becomes a hero is probably not going to be all that hospitable to us. We’d probably accidentally mention that slavery was abolished in America, and a Green Martian would rip off our heads or something.
Honestly, we think we’d be fine in the world of Albion from the “Fable” games because you can do anything you want there except be a non-White person. It would probably be pretty easy just to hide out beneath a rock someplace while everyone else is trying to kill their father’s murderer like the game designers just expected us to have never seen “The Princess Bride.”
The Baltimore kicker is the all-time best to ever do it. If a hungry horse came at Tucker he could just swing that foot and basically make the horse explode on impact. Let this be a warning to all horses, stay away from Justin Tucker or your guts will be booted halfway to Atlanta.
Folk has been around the game for a long time. His skills might be declining on the field, but he’s a crafty veteran who can use his football knowledge to avoid most horse-relate injuries. Whether it’s keeping the horse at bay with a pitchfork, or simply grabbing a salt lick. Folk is a safe bet.
Another veteran of the sport. Greg “The Leg” originally got his nickname after he booted a football 65 yards and knocked out a horse that was attacking a small child. Horses around the world know it’s best not to test him.
In 2019 while Koo was a kicker for the Atlanta Legends in the AAF he was attacked by a horse in the middle of a game. Thankfully freelance horse wranglers were in attendance and saved Koo from severe injury, but since then he’s been trained in horse-specific self-defense.
The Bengals kicker is one of the few NFL players that has openly admitted to beating the crap out of multiple horses, offering no explanation outside of “I just like doing it.” His aggressiveness towards the majestic beasts makes him a safe bet to make it through the season without being eaten by a horse.
Another veteran with lots of experience avoiding horse attacks. Gano has a special clause in his contract that assures any team he plays for provides three sharpshooters trained to take down any horses that come within 100 feet of him.
The defending Super Bowl champs don’t have much to worry about. Butker is not only an excellent kicker but is also a certified Horse Whisperer. It is rumored he is so good at the practice that he convinced a young Appaloosa to rob a 711.
Santos is the only player in the NFL legally allowed to carry a gun on him at all times. If the Bears win the Super Bowl (They won’t) he will be strapped while meeting President Biden. Nobody knows why he carries the gun, but horses better take heed.
Playing in Miami has certain advantages, one of those is easy access to all sorts of cocaine. Sanders knows this, horses know this, and that means all animals are more likely to want to party with him. There is an unwritten rule in the animal kingdom that states “You never eat your cocaine supplier.”
If the Raiders still played in Oakland there is an 85% chance Carlson would be attacked by multiple horses over the course of the season. The amount of players the Raiders lost to horse attacks was one of the key reasons they moved. He is much safer in Vegas where horses are too busy gambling.
The Jaguars facility is famous for having multiple actual jaguars roam their facility. The apex predators scare away nearly all horses and other livestock but are known to attack players during warm-ups.
Bass is relatively safe from horses thanks to the wild antics of tailgating Bills fans. Most animals with any concept of logic avoid the Highmark Stadium parking lot at all costs because it is where humanity shows just how low it can sink.
When the Eagles beat the Patriots in Super Bowl LII fans took to the streets of Philadelphia and proudly started eating horse shit. This actually built up a good amount of goodwill with local horses and anyone associated with the Eagles franchise.
Horses can no longer afford to live in the Bay Area, the few horses that remain are busy working 3 jobs in order to stay afloat and have very little time to attack kickers. Especially since the stadium moved all the way to Santa Clara.
Most horses root for America’s team. It’s tough to say why since the team has been disappointing for over 25 years. But they remain loyal and chances are the Cowboys’ rookie kicker won’t be dismembered by a group of Clydesdales.
McLaughlin has had to apologize for tweets he made in high school where he called horses “The most worthless farm animals” and “Too stupid to ever eat me.” It’s tough to say whether his apology worked or not, time will tell.