John Waters says, “If you go home with somebody and they don’t have books, don’t fuck them,” which is why I recently started reading. Books are pheromones you can see, so let’s rank these pheromones I stole from Barnes & Noble based on how smart they make me look in public.
50. ‘A Brief History Of Time’ by Stephen Hawking
Oh hey there, what are you doing in your free time at this coffee shop, staring at your phone? Catching up on some emails, maybe doom scrolling, that’s cool. Me? Oh, I’m just over here trying to figure out the nature of the universe itself, no big deal. It’s not like this is a competition or anything. Except it is. And I’m winning.
49. ‘Great Expectations by Charles Dickens
There’s only one thing better than taking in a bonafide classic — looking like you’re taking in a bonafide classic. I don’t think I’ve actually retained a word of this thing for a good ten pages now, but the cuties at this Barnes & Noble Starbucks cafe wouldn’t know it because I periodically nod and make a little “mmm” noise.
48. ‘The Art of War’ by Sun Tzu
Nothing says “I am a loyal yet dangerous alpha” like reading ‘The Art Of War” in public. This classic Eastern meditation on the nature of conflict is full of wisdom that can be applied to almost any situation. For example, Sun Tzu’s first lesson is to consider the terrain before a battle. That’s why I’m reading it on a bench outside a coffee shop with lots of foot traffic on a nice day.
47. ‘Steal This Book’ by Abbie Hoffman
Way ahead of you, Abbie Hoffman. This book could be called “Do Not Steal This Book Under Any Circumstances Under Penalty Of Death’ and Barnes & Nobel’s policy of not physically touching customers or preventing them from leaving in any way will remain the same.” It’s a bit dated, sort of like ‘The Anarchist Cookbook’ if The Jolly Roger said “jive turkey” a lot.
46. ‘Catcher in the Rye’ by J.D. Salinger
I look okay reading this in public as long as I’m not reading it in my hometown. Unfortunately, I never left my hometown so I have to disguise myself if I wanna read it in the condo parking lot that used to be a park.
45. ‘Fear And Loathing In Las Vegas’ by Hunter S. Thompson
A few years ago, I might have put this one up toward the top. This book made me look much smarter before it had 6 degrees of separation from Amber Heard’s feces.
44. ‘The Hero With A Thousand Faces’ by Joseph Campbell
Did you know that every story is about change? Of course, you did. But have you read a long-winded nearly incomprehensible chunk of academia that essentially boils down to that? I thought not, rube. Truth be told I can barely understand a word of this thing, but I watched Dan Harmon drunkenly rant about story circles for 20 minutes on a podcast live-stream so I think I get it.
43. ‘The Da Vinci Code’ by Dan Brown
You might be thinking that the cats out of the bag on this being a fake-smart person book, and you’re right, but that’s what makes reading it in public such a move. It’s the literary equivalent of wearing a dumb t-shirt you found at a thrift store. There you are with some quality novel on your nightstand that you just can’t seem to make time for and here I am with the intellectual security to read trash fiction in public. It implies that I read so much I can afford to slum it.
42. ‘Consider The Lobster’ by David Foster Wallace
If you think ‘Infinite Jest’ isn’t on this list you’re dreaming. Reading that magnum opus is an accomplishment that I am proud to make people think I have done. But consider the merits of David Foster Wallace’s lesser works, like this collection of essays. Sure it’s not as formidable looking as “Infinite Jest,’ but that makes it more portable, and if you’re bothering to read this people might assume you’ve already read ‘Infinite Jest’ and you’re just hungry for more DFW footnotes. Plus there’s a dope story about porn award shows I actually almost read all of.
41. ‘Breakfast Of Champions’ by Kurt Vonnegut
Yup, just a guy sitting on a bench reading some Vonnegut in public, thinking the big thoughts, seeing through the bullshit, no big deal.
40. ‘Moonchild’ by Aleister Crowley
This won’t get you much notice in normal environments, save for the occasional Ozzy fan who will loudly sing a mispronounced “Mr. Crowley!” at you. But in the right setting, this or any Crowley book is worth its weight in gold. I was king for a day flipping through this thing at a goth flea market one time. Just be prepared to riff your way through a conversation about “the left-hand path,” whatever that means.
39. ‘Blink’ by Malcolm Gladwell
I’ve spent 10,000 hours trying to look smarter than I am and I owe it all to the O.G king of fake smart people, noted Lolita Express alumni Malcolm Gladwell. I have no idea what this particular book is about, but if I know my boy it’s full of outrageous claims followed by tedious little anecdotes proving that they are technically, from a completely asinine clickbait perspective, true.
38. ‘The Stranger’ by Albert Camus
Are you looking for a book that will tell the world “I am the most particular and brooding mother fucker doing laundry today”? Look no further than Camus’ ‘The Stranger.’ Oh, the dryer is gonna take 35 minutes? Cool, let me take in this World War II-era existential novella about how shitty things get when you kill someone even if you’re a completely indifferent person. It pairs nicely with my shitty noise-bleeding headphones that let anyone in a 15-foot radius know I’m listening to The Cure.
37. ‘Fight Club’ by Chuck Palahniuk
This is another great book ruined by a movie fanbase. Reading “Fight Club” in public will most likely elicit an eye-roll at best. At worst, you’ll get a “his name is Robert Paulson” and then you’ll need to move towns and change your identity.
36. ‘On The Road’ by Jack Kerouac
Yeah man, the beats man. Dig how I’m reading ‘On The Road’ in public. Who am I? Am I a crazy jazz freak all hopped up on bennys and grass, killing time before I go hop a few rail-cars to a new city on a quest to find the beautiful heart of America? Or am I just on a break from my shift at Urban Outfitters? You don’t know. All you know is I am one deep cat who gets IT man.
35. ‘Do Androids Dream Of Electric Sheep?’ By Phillip K. Dick
While the name is completely different, this book was actually the basis of the cult sci-fi film ‘Blade Lasers.’ It takes place in a distant future where everyone has a cool jacket, and Harrison Ford needs to find the grail of Christ before the evil Galactic Empire gets it and destroys the sun. There’s just one problem — robots. Can Agent Detective get them to sleep before it’s too late? You’ll have to read it yourself to find out. And then let me know.
34. ‘Thus Spoke Zarathustra’ by Friedrich Nietzsche
Or anything Nietzsche really, just get yourself spotted interacting with the brand and people will get the hint that you’re a serious sort of person and they should be intimidated. Nietzsche’s work was edited after his death to better fit Nazi ideology, which is a shame because it tarnishes his otherwise beautiful message — God is dead and the universe is basically PTSD. Bust this one out when someone nearby is reading something that makes them look smart, and you want to one-up them.
33. ‘The Communist Manifesto’ by Karl Marx
Sure, you pretend to know that communism works on paper, but are you willing to go the extra fake mile and pretend to do the leg work that fake proves it? I sure as hell am, especially at Gather, a local coffee shop/lLGBTQ+ community space where not enough people are noticing me.
32. ‘Tao te Ching’ by Lao Tsu
When the master reads this book, it is almost as if he has read nothing at all. That’s the sort of rhetorical nonsense this book will arm you with all day. Reading this makes me the wisest person at this park, and if you disagree with me, I’ll just throw a bunch of symmetrical word-game sentences at you until you get a headache.
31. ‘World Travel: An Irreverant Guide’ by Anthony Bourdain
I consider myself a citizen of the world and have ever since my surrogate father figure Anthony Bourdain introduced me to the idea of travel on television. I’ve never actually been outside this country, but you would sure think I have the way I’m reading this book at a trendy eatery with sunglasses on.

Well, one Billy Talent record had to be ranked last here, but honestly, this one definitely isn’t a stinker. Compared to the rest of the band’s lush and sonically pleasing audio catalog, “Afraid of Heights” just falls slightly short of the next-to-be-mentioned recent 2022 outing, and just doesn’t inspire repeated listens as often as the following five LPs. Still, it debuted at number one in a few countries, including The Great White North, so what the hell do we know? Don’t answer that.
As mentioned below in the handy dandy “play it again” section, the epic nearly seven-minute opener “Forgiveness I & II” is the best song on “Crisis Of Faith,” and without question the band’s finest since its preceding release “Dead Silence”… More on that LP later as it is likely ranked here differently than you may think! That song alone justifies the six-year gap between albums, which is the group’s longest since their debut LP as Billy Talent. Hopefully BT makes its next album much sooner as we’re going through a crisis. Get it? Don’t answer that II.
First off, you gotta admire a band for naming its first three albums chronologically, as it is a feat that few others besides Led Zeppelin can do so gracefully; don’t mess with Peter Grant, seriously. Anyway, our punk rock hearts still wish that “Billy Talent III” contained the original version of “Turn Your Back” with Anti-Flag’s vocals, but we still enjoy the album version, albeit slightly less than the one featuring Justin Sane; turncoat. Finally, It must be said that the band’s pristine musicianship is showcased quite well on this LP, but the next three records listed below just had more consistent and overall better songs. So sorey.
We may get some hate for this, but “Viking Death March” is Billy Talent’s premier single that the band or most others may never top. That’s ok, because it fucking rules. Yeah. We also love it when bands close albums with the record’s title track, and no other song would make the album feel as balanced as “Dead Silence” does. The band’s fourth and longest record takes you on a whirlwind of textures and colors from start to finish, and we’re all here for it! However, the following two are quite hard to top and your opinion on the matter is wrong anyway.
Not too many bands make as strong of an audible statement as Billy Talent does with its album opener “This Is How It Goes,” which is without hesitation complete R-O-C-K in the C-A-N-A-D-A. Also, track three, “Try Honesty,” was a minor hit in America, and sadly one of the band’s last radio songs in the States. Perhaps the USA couldn’t handle the impossible-to-label (or spell) Benjamin Kowalewicz’s unique vocals or Ian D’Sa’s elegant six-string shredding; miscreant uneducated peasants. If you’re feeling frisky, like many ex(es), check out the 10th-anniversary edition reissue of the band’s debut LP, which has several demos and live versions of each of the LP’s twelve songs. Since it’s 2023, we’d love to see a 20th-anniversary run of this album!
With the exception of classic AFI critical darling and multi-Academy Award-winning films “The Godfather Part II” and “Sister Act 2: Back in the Habit,” sequels are pretty much never better than the originals. Both Lauryn Hill and Jennifer Love-Hewitt would surely agree that BT’s sophomore LP “Billy Talent II” goes against the grain and manages to supersede both its former and four latter releases. Want more proof that we’re right and you’re likely wrong about this one? On the band’s 2014 greatest hits record simply titled “Hits,” four of the compilation’s fourteen songs come from LP2, making it the most represented LP on the release. Yep. Not sorey. In closing, guitar nerds should attempt to NOT butcher the gorgeous and complicated “play it again” track listed below.
Municipal Waste “Waste ‘Em All” (1/27/2003)
Comeback Kid “Turn it Around” (3/4/2003)
AFI “Sing the Sorrow” (3/11/2003)
Cave In “Antenna” (3/18/2003)
Rise Against “Revolutions Per Minute” (4/8/2003)
Lamb of God “As the Palaces Burn” (5/6/2003)
Deftones “Self-Titled” (5/20/2003)
The Mars Volta “Deloused in the Comatorium” (6/24/2003)
Beloved “Failure On” (6/24/2003)
Every Time I Die “Hot Damn!” (7/1/2003)
Poison the Well “You Come Before You” (7/1/2003)
Thrice “Artist in the Ambulance” (7/22/3003)
The Bled “Pass the Flask” (7/29/2003)
The Bouncing Souls “Anchors Aweigh” (8/26/2003)
The Bronx “The Bronx” (8/26/2003)
Avenged Sevenfold “Waking the Fallen” (8/26/2003)
Thursday “War All the Time” (9/16/2003)
Coheed & Cambria “In Keeping Secrets of Silent Earth: 3” (10/7/2003)
Between the Buried and Me “The Silent Circus” (10/21/2003)
Horse the Band “R. Borlax” (11/25/2003)
Linkin Park “Meteora” (3/25/2003)
While “Wolves” itself is “Far From Perfect,” it definitely includes some tracks worth blasting on your headphones while stuck sandwiched against yet another group of Chicago tourists on the L train arguing over what deep dish pizza they should try. “Bullshit” comes to mind immediately, as it features ska-punk legend Jesse Michaels delivering killer backup vocals. “The Violence” on the other hand successfully plays to the band’s strength of producing kick ass guitar-led melodies. Much of the fun seems to stop there though. While other tracks like “How Many Walls” and “Welcome to the Breakdown” were meant to call out the atrocities of a burger-gobbling former president, they didn’t quite pack the punch needed for it to garner as much controversy and widespread appeal as the rest of their discography.
This was the album where Tim McIlrath decided to approach his songwriting with a deep introspective tone. While the album is solid with notable songs like “Bridges,” it’s no surprise that the politically-charged protest songs are more fun than ones where things get so personal. That’s right, fast-paced songs like “The Eco-Terrorist In Me” about burning down factory farms are more fun than the more “thoughtful” songs like “Methadone” which doesn’t have a single mention of arson. Go figure.
Kicking off with a soundbite from 1996 psychological thriller film “The Cable Guy” with Jack Black questioning, “Are you ready to rock?” Rise Against’s 2001 debut album instantly set them apart from the pop punk sound that was already dominating the new millennium. This album featured heavy, but controlled, chaos. You know – the kind of hardcore album that you would want to experience live while dodging drop kicks in the pit of a lively Chicago punk bar. It also revealed tracks like “My Life Inside Your Heart” and “Everchanging,” both offering a first glimpse of the melodic tendencies that would shape the band’s future releases.
Spotlighting the failing promise of the American Dream, 2021’s “Nowhere Generation” brought Rise Against’s sound into the complete shitshow that we all find ourselves in today. Opening with a spooky line from the French anarchist anthem “L’Internationale” before thrashing into some of the band’s most in-your-face tracks yet, this album features Rise Against doing what they do best – delivering their hardcore sound complete with pain-stoked melodies that highlight the hypocrisy of the times. Leveraging days of intricate socio-economic research and even interviews with the band’s own children, “Nowhere Generation” successfully captures the hopeless and fractured society today’s youth find themselves struggling to survive.
After gathering a respectably sized fanbase with their debut, the pressure was on for Rise Against when it came to make their follow up album, “Revolutions per Minute.” Fortunately, what they delivered was a relentless call for revolution featuring impressive songwriting that even their biggest fans never saw coming. Right off the bat this album is noticeably more melodic than its predecessor. It’s as if the band realized that Tim McIlrath can in fact sing, and that they should leverage the hell out of that. From tracks like “Dead Ringer” addressing dumbass claims that they “sold out” to “Blood-Red, White & Blue” covering everything fucked up about 9/11, this album showcases the band’s over-the-top musicianship and dark perspective on society. One of the album’s tracks, “Like the Angel,” also secured a spot on the “Tony Hawk Underground” soundtrack, which was a right of passage for any self-respecting punk band of the time. As far as second albums go, it’s hard to get better than this.
“Endgame” gets a lot of hate and I can’t for the life of me see why. Sure – plenty of the album’s tracks sound structured for radio, but that doesn’t make them bad at all. Besides, there’s a reason why this album was their biggest commercial success – that reason being that it features some legit smashes. With lyrics like, “We are the orphans of the American dream, so shine your light on me,” and a song directly linking rising teen suicide rates with homophobia, “Endgame” features some of Rise Against’s most powerful songwriting in their entire catalogue. It rightfully belongs ranked just below their most celebrated albums, even if you got burnt out from hearing “Help Is On the Way” on the radio during every morning commute.
By 2018, Rise Against fans had been requesting an acoustic album for quite some time, so Tim McIlrath and the crew decided to deliver just that with “The Ghost Note Symphonies, Vol. 1”. It’s no surprise that this album turned out so great, seeing how several of the band’s stripped-down acoustic-led songs like “Swing Life Away” and “Hero of War” already were among their most beloved songs. The end result is a fun and extremely listenable album with a flawless and fresh take on plenty of Rise Against favorites that at least deserves a mention in our list.
“Siren Song of the Counter Culture” was the first Rise Against album I ever heard, and that means it was probably the same for you because there was no way you knew about them before me, ok? The album completely evolved the band from a Chicago sensation into a breakthrough act thanks to several hits featuring a distinctive sound that still holds up today. Whether you’re looking at the solemn but ever-hopeful story of a couple struggling to make ends meet in “Swing Life Away,” the brightly euphoric opening guitar riff of “Paper Wings,” or the unorthodoxly positive but still batshit wild rager that is “Give It All,” it’s easy to see why this album helped Rise Against truly dip their toes into the national spotlight for the first time.
“Appeal to Reason” strayed away from the underground hardcore punk sound Rise Against perfected in previous releases. While this made plenty of longtime fans cautious at first, the album fortunately turned out to be a total banger. Notable hits include “Re-Education (Through Labor)” serving as a fist-pumping anthem for the world’s exploited working class, “Savior” covering a struggling relationship in the most delightfully dramatic way possible, and the band’s arguably saddest song ever, “Hero of War,” sharing a soldier’s journey from an underprivileged teenager targeted by military recruiters to a PTSD suffering veteran so haunted by the horrors of war to the point that he’s on the verge of suicide. Seeing that the album peaked at number 3 on the Billboard 200, “Appeal to Reason” is proof that there will always be an international audience ready to celebrate punk bands rooted in activism – as long as they produce some fucking jams.
As a proud resident of Chicago, I knew this would be the Rise Against album for me the second I heard it open with “Intro/Chamber The Cartridge” parodying the intercom voice of the Chicago L train with, “This is Noise.” Oozing with showmanship and genuine dedication to the hometown that built them up, “The Sufferer & the Witness” is a damn perfect album full of distinctive nods to the band’s punk activist roots while featuring an evolved sound that drew in all kinds of new fans. While nothing dates a band more today than having albums from the midst of the Bush administration, the cries for action driven by powerfully urgent shouts from Tim McIlrath and wailing guitar featured on “The Sufferer & the Witness” feel timeless. You could also say it’s eerie how much the lyrics of Rise Against’s globally-acclaimed song “Prayer of the Refugee” match with the conflicts of today, such as the totally-fucked war in Ukraine. The song almost comes off as a warning that the wars of tomorrow will always bring forced displacement and discrimination – while somehow still pulling off being one of the most contagiously explosive punk anthems of all time.