Like many Americans, I am awake at three in the goddamn morning in a seemingly endless anxiety loop. As I stare at my alarm clock in a state of frozen horror, each passing minute makes sleep more crucial and yet somehow less attainable. With just three hours to go before the alarm rings and forces me to trudge through another day at work, with no regard for the fact that I like, JUST fucking did that, I might as well give up and watch a movie. But what movie?
Now is not the time for anything heavy. Something from the Criterion Collection or A24 might push me past the breaking point in my weakened condition, and I need to make it to at least lunch before that happens. What I need is some escapism.
Here are 30 campy adventure movies, ranked by the likelihood that they will make me feel like a kid for five minutes because that’s the closest I’m getting to a night’s rest before I need to go make coffee for hundreds of people I have grown to despise.
30. Mom and Dad Save The World
It fits the bill, but “Mom and Dad” is a concept so close to “Go to work” in my brain that this one does nothing for me in terms of distracting me from my horrible fate.
29. Adventures in Babysitting
Sure, it’s fun, but it’s still a movie about someone who’s at work, which is the last thing I need. I would be too preoccupied with thoughts like “fuck my life” and “Isn’t clopening supposed to be illegal?” to get into this one.
28. Howard The Duck
No matter how many times I watch this movie, it never quite registers in my brain. It’s confounding that a movie about a space duck is this boring. Plus I think the duck winds up sleeping with the lady? And it’s a Marvel movie? The confusion to comfort level is way off here.
27. Krull
Not the fantasy movie I need, but probably the one I deserve. Krull is a mess. It’s got a lead actor who smiles like he’s won a contest the whole time, who wields “The Glaive,” a magical, unnecessarily complicated pocket knife, to defeat aliens who ride horses. How is something that weird this boring?
26. Megaforce
Nice cozy Saturday morning kids show energy completely devoid of plot, “Megaforce” would be the perfect thing to finally lull me to sleep if not for the cornball dialogue and dated ‘80s misogyny making it occasionally jarring and, if I’m being honest, funny.
25. BMX Bandits
Just let this movie whisk you away to a time when it was just you and your friends on bikes pretending to do missions and stuff, blissfully unaware of student loans, economic recessions and utility shut-off notices.
24. The Wizard
What could be cozier than harkening back to a time before kids knew the Nintendo Power Glove sucked shit?
23. The Beastmaster
Part “Conan The Barbarian,” part “Dr. Doolittle,” all Dar. ‘The Beastmaster” is a wonderful slice of cheesy ‘80s escapism, slightly soured by your adult mind wondering how well all those animals were treated on set.
22. Tank Girl
It won’t give you the desperately needed rapid eye movement that keeps your sanity intact, but watching “Tank Girl” is maybe the closest you can come to having a dream while still awake. The logic of this movie is insane. There are inexplicable jumps in the action, animations that may or may not be happening in the world, 4th wall breaks, Ice T as a mutant kangaroo and heavily implied beastiality. It’s a mess, and so are you.
21. Real Genius
Asking yourself “Can Val Kilmer and his crew use their kid genius intellect and precociousness to stop the evil government laser in time?” is a lot more fun than asking yourself “Am I working with creepy Mike all day tomorrow?”
20. Little Monsters
It’s sort of like “Nightbreed” for kids, or “Monster’s Inc.” with cozy practical effects. Just let blue Howie Mandel drag you under the bed to a magical world where… you know what actually I just talked myself out of this one.
19. Masters Of The Universe
There was a time before toxic internet fandom where movie versions of established IP didn’t have to answer to anybody. If it weren’t for everyone calling Ivan Drago “He-Man” you wouldn’t even know this was supposed to be a He-Man movie, but that’s what makes it singular, weird and great. Go ahead and bask in the glow of this bonkers Cannon Films epic before schlupping off to work and listening to your nerd coworkers complain that Admiral Thrawn in Ahsoka doesn’t accurately hold up to the Star Wars Legends continuity, whatever the hell that means.
18. Return to Oz
What better place to escape to than the magical land of Oz? And why settle for the for the cutesy Judie Garland version of Oz when you can have this fucking madness? Watching the alienating, confusing and horrifying spectacle that is “Return to Oz” is perfect conditioning for the sleepless 8-hour shift that awaits you.
17. Clash of the Titans
You remember “Clash of the Titans,” don’t you? Sure you do! Back in the days of cable TV, when you were home sick from school desperately channel surfing for something that would appeal to you? It was this or “Price is Right” and at least this had monsters and stuff, so you watched it? Watching it now will awaken those memories and subconsciously tell your body “I am being comforted” and “Something is wrong,” both true!
16. Surf Ninjas
Ninjutsu, surfing, a magical Sega Game Gear and the guy from the “Naked Gun” movies for some reason. It’s all here, ready to get that sweet sweet nostalgia dopamine flowing enough to make you think “Maybe another 8-hour round of dealing with coworkers I’m sick of and the uncaffeinated public isn’t the fate worse than death I’m making it out to be.” Maybe.

Hearts are quasi-important for staying alive, but sadly this effort, GC’s fifth album “Cardiology,” truly isn’t. If “Cardiology” was removed from everyone’s iPhones and brains as quickly as U2’s “free” one was from yours, the overall career of Good Charlotte would have far less filler, much more killer, and this piece would be much chiller. We honestly don’t think that the most ardent GC fans would miss “Cardiology” THAT much. Maybe we’re wrong here just this once, but we know you’re always incorrect in everything that you say, do, and have yet to do. Still, “Let The Music Play” would’ve been a solid addition to any GC LP, as it held up then and does even more so now. This album was the band’s last before their almost four-year hiatus, and happily they returned closer to form with their next two LPs.
“Generation Rx” is the seventh LP from Good Charlotte, and their most recent full-length effort that you likely didn’t know existed… Well you should! Much like their yet-to-be-mentioned third record, this one is dark AF, and catchy as Covid right this very moment. At just nine tracks, “Generation Rx,” is GC’s shortest album, but it honestly could’ve been shorter, despite the fact that this LP has FIVE freaking singles, or a solid four to five-song EP front-to-back. Even BAD Charlotte is GOOD music, so this very thoughtful, deliberate, and sincere collection of songs deserves your time, demons, and actual pain. Fun fact: The MUSYCA Children’s Choir, which stands for Musical Youth of California and not Maryland, shines on track seven, “Leech,” featuring Sam Carter of British metal act Architects, and track eight, “Better Demons,” featuring Satan of Klezmer fame. The way you say you love us is by listening.
Life can’t get much better: Good Charlotte’s sixth album “Youth Authority” is the band’s best album since 2007’s “Good Morning Revival,” and its first track “Life Changes” is among one of the better pop-punk LP opening songs… We own this statement! Also, in a manner that makes an Easter Egg look more like a cruddy ornament, the band proved that they were clever by closing this album with a song called “Moving On,” when they had previously ended their 2002 breakout sophomore LP “The Young and the Hopeless” with its cool apostrophe slang version called “Movin’ On”; we see you. It’s clear that the band stuck to their personal five guns, kept fighting the good fight with swingin’ hands, and proved that they had more of a reason to stay with “Youth Authority,” as they literally are one for the youthful Hot Topic world.
When one thinks of Good Charlotte, said thought typically doesn’t include Orange County’s Avenged Sevenfold, but GC’s fourth album “Good Morning Revival” certainly changed that for many outside of the 714 with their MTV-staple single “The River,” which featured A7X vocalist M. Shadows and the band’s lead guitarist Synyster Gates. Working with Don Gilmore, who also produced the band’s self-titled debut album and Linkin Park’s first, GC incorporated more dance-rock and new-wave elements into this LP than any others up to that point, and fans all over the world ate it up, especially “Dance Floor Anthem (I Don’t Want to Be in Love),” which was easily one of the more “pop” single in the band’s saccharine-in-a-good-way catalog. Recorded in both Vancouver and LA, “Good Morning Revival” sounds huger than both Bowen Island and Van Nuys combined, and has the distinction of being very successful whilst being underrated. March on.
Little things that are far less complicated than whatever Avril Lavigne sang about: If you had a chance to catch Good Charlotte on tour with MxPx and Ultimate Fakebook on tour for this album, you caught a solid/unforgettable show, and are cooler than Stroke 9 fans wearing little black backpacks, but not as cool as Nine Days’ peeps repeatedly cycling through the story of a girl. Your clothes never wear as well the next day, and you can literally hear the youth that is yet to be an authority in these songs. Basically, this LP has resonated so strongly with many fans young and old who claim it is their best, and will scold us in the comments for contradicting such an objectively/subjectively incorrect opinion. We hear you screaming, but you’re wrong, and you should change your proclamations that do little to motivate anyone but your selfish selves.
A new beginning? Oftentimes a band’s second major label record is a version of its former on steroids, without reinventing the wheel that it once rode on. “The Young and the Hopeless” is just that in a nutshell, but with FAR more emotionless and riotous squirrels of all genders. Good Charlotte took over the rock/roll/pop/punk world with guyliner, spiky hair that skyscrapers were jealous of, and so much more with this fourteen-track LP, and have proof of such with sales of over three million in the United States, and countless poor imitation bands attempting to sing about high schools feeling more like a jail cell than a crab cake. Also, TRL in the early aughts owes this band several royalty checks till the day that this band dies, and then some, as their descendents’ descendents have lots of looming expenses which include pounds and pounds of pomade.
The Madden Brothers, Sir Joel and Corporal Benji, plus guitarist Billy Martin, bassist Paul Thomas, and former drummer Chris Wilson, also of the underrated (The) Summer Obsession after his GC departure, made a perfect record called “The Chronicles of Life and Death,” which includes zero “skip it” tracks here; Dean Butterworth joined the band just one year later, and that lineup still stands today, which is a great feat in ANY musical genre. Anyway, this specific gold medal-winning placement may shock and/or offend anyone who ever heard of Good Charlotte, but that’s just what we believe, and we like being far from predictable whilst telling the truth! If you ever wanted to hear GC if they listened to more Silverchair than H2O, then this third album is for you. If not, maybe walk away or something? Seriously, we don’t care in this world or any other.