We are all getting old, and so is metal! But what is metal? Thatâs a great question weâre not gonna answer. While we included plenty of âMetalcoreâ in this list we did try to avoid more blatantly or classically hardcore albums. For instance, Baneâs âIt All Comes Down to Thisâ turns 25 this year, which is nuts. And while itâs a great album, it ainât metal. So get ready to get mad at us for missing stuff, because we definitely did! Looking at you Opeth!
Cannibal Corpse âBloodthirstâ
If youâre doing a list of best metal albums for a year, and Cannibal Corpse put out an album that year, itâs on the list. We donât make the rules. But it helps that this album is also genuinely killer, and one of the best CC albums with the adorable metal dad himself Corpsegrinder at the helm.
Botch âWe Are the Romansâ
Itâs Botch. Itâs their best album. Thereâs a reason dudes in their 30s and 40s lost their shit when Botch announced a reunion show and tour. There are bands that have never even heard of Botch, and Botch is still their main influence. This album is immensely listenable and yet not really catchy at all, which is genuinely an impressive feat.
Sigh âScenario IV: Dread Dreamsâ
What an absolutely wonderful clown show. And as someone who has taken clown classes, we say that as a compliment. One thing that can be unequivocally said about Sigh is that while you might not like an album, you will not be bored. Great riffs, out of nowhere changes, and then just the weirdest instrumentation. And then thereâs the production. Oh, the production! Genuinely some of the most bonkers choices on levels of any metal band ever. Shouldn’t the guitars be louder than the circus organ? Not if youâre Sigh. Maybe the most UNboring band in metal?
Scissorfight âNew Hampshireâ
Scissorfight has been described as âif Rob Zombieâs âDragulaâ was about a snow plow, and the motif was hunting and camping instead of kitschy horror movie stuff.â And⌠yeah, thatâs kind of it. There are Sabbath-inspired riffs, punk, southern rock, and even butt rock. But itâs Scissorfight. However stupid you think it is, they think itâs stupider, which makes it cool. Thereâs a song on here about a pit-fighting monkey. The opening line to the album is âWeed, guns and axes. We donât pay our taxes.â Why are you even asking questions?
Immortal âAt the Heart of Winterâ
Either you can roll with Abbathâs âevil Popeyeâ vocals or you canât. And we can. We love this band, and this album. âAt the Heart of Winterâ starts a pretty killer 3-album run for Immortal that took them from mostly being a niche band in a niche genre to a respected metal band. The group seemed to both take themselves very seriously and also not seriously at all. Which makes sense if youâre gonna slap on corpse paint and write albums about a fictional Winter Kingdom. This album is also notable for being their first album to not feature the band on the cover in their cute little coordinated outfits.
Zao âLiberate Te Ex Inferisâ
However scary black metal bands try to make hell seem, nobody makes it seem scarier than Christian metal bands. Probably helps if you actually believe in it. And we know Zao isnât really a Christian band anymore, but they were when they put out âLiberate Te Ex Inferisâ / âSave Yourself from Hell.â So just let us make our point, jerk. Because for a Metalcore album, this thing feels scary. While maybe not as beloved as their previous effort, âWhere Blood and Fire Bring Restâ we think this one goes way harder. Also, this album is arguably where Daniel Weyandtâs vocals went from âCarcass-worshipâ to âZao-vocals.â The Carcass-worship is still there, but heâs clearly in his own lane on this album.
In Flames âColonyâ
This is prime In Flames. Well, itâs prime OLD In Flames. Itâs almost bizarre to talk to folks whoâve never heard In Flames now. Not only has their sound changed so much, but theyâve put out so many albums since this era that they really seem like a different band. We know âClaymanâ is considered the high point for a lot of fans, but when we think of In Flames, the opening lead of this albumâs opening track âEmbody the Invisibleâ is the first thing that pops into our head.
Poison the Well âOpposite of Decemberâ
For the following decade, its safe to say this album was one of the most influential Metalcore albums, for better or worse. Similar to Botch, this bandâs sound spawned a LOT of shittier ripoff bands, many of whom became much more successful. Not to mention this album is responsible for a lot of really sad entries in diaries and journals. While weâd argue a lot of Metalcore from this time is pretty hard to listen to, this album is actually still very listenable.
Sonata Arctica âEclipticaâ
Sometimes power metal is just anthemic pop punk with a double bass pedal. And thatâs not a bad thing. This album is catchy as fuck and understandably burst this Finnish band onto the scene. The opener âBlank Fileâ alone is worth the ride. The high notes are so high that they band re-recorded the album a few years back and moved the song down a few keys most likely so vocalist Tony Kakko could still hit the notes.
Converge & Agoraphobic Nosebleed âThe Poacher Diariesâ
Splits can be weird, and this one is weird. At the time as a Converge fan, who had no idea who Agoraphobic Nosebleed was, the opening AG track, âMantis,â was immediately jarring in the best possible way. As far as the Converge half, it has âLocust Reignâ on it. So you know. Because, Câmon. That breakdown. Jun. Jun. Jun. JUNJUNJUN.
Luca Turilli âKing of the Nordic Twilightâ
Guitarist (at the time) for symphonic fantasy metal legends Rhapsody, Luca Turilli released this âsoloâ album in â99 and it honestly whittled down all the great stuff of his main band, and left out most of the skippable stuff. Itâs a straight-forward, catchy fantasy-themed symphonic power-metal album, that has good production and is under an hour. And after a listen, we dare you not to be singing the chorus for âBlack Dragonâ for the next week.
Immolation âFailures for Godsâ
In the current resurgence and appreciation for death metal, it seems that maybe Immolation is finally getting some of the recognition they deserve. The production on this album is⌠not good. And yet this album still crushes. It sort of sounds like the death metal counterpart to all the horrible production of Black Metal in the â90s. This album is often overshadowed by the groupâs next two albums, âClose to a World Belowâ and âUnholy Cult,â often considered to be two of their best, but I have a real soft spot for this one.
Limp Bizkit âSignificant Otherâ
This is where we get in trouble. âNu-metalâ is technically metal, itâs in the name of the genre so back off. But despite hating this album and everyone who listened to it when it came out⌠weâve come around. Itâs fun. Stupid for sure. But fun. And honestly, Wes Borland really does some interesting stuff here. We canât even think about Fred Durst and keep a straight face and yet it all kinda comes together in this weird, hilarious, and surprisingly listenable package. And we havenât even gotten into the influence that this album had on music. And weâre not gonna.
Dimmu Borgir âSpiritual Black Dimensionsâ
Before Ozzfest and almost breaking into the mainstream and thereby ruining all credibility, Dimmu Borgir was killer symphonic black metal band. The first album by DB to feature bassist and (more importantly) clean vocalist ICS Vortex, who really brought an atmospheric depth to the band, separating them from other bands in the genre. This is prime Dimmu Borgir. We understand the argument of those who like the earlier stuff better but this album and the following one, âPuritanical Euphoric Misanthropia,â really hit the sweet spot. PEM just slightly beats this one out due to Nicholas Barker joining the band, but this is still in their top 5 albums for sure.
Slipknot âSelf-Titledâ
When this album came out we hated it. But that doesnât change how important it is in metal. And on a re-listen we can see why plenty of bands have come and gone but Slipknot is still out there doing⌠whatever the fuck they do. We donât have to love something to respect its impact. Thatâs our entire relationship to the film âInterstellar. And the state of Rhode Island.
Mortician âChainsaw Dismembermentâ
This is arguably the Mortician album. As the â90s are having a moment, this band seems to also be having a resurgence, and for good reason. Itâs unrelenting and it exactly what your parents were afraid you were listening to. The production borders on hilarious with the drum machine almost rivaling The Berserker at times. Yeah some of the movie clips are too long, but honestly its a nice rest from this otherwise fun but relentless classic album.
Coalesce âA Revolution In Just Listeningâ
We previously mentioned how killer this album is in our ranking of all Coalesce releases. The groove on this album is legit. Sometimes weâre sorta surprised Coalesce wasnât somehow bigger. But honestly every time a song on this album starts to feel accessible on this album, they get all âCoalesceâ with it. Which is great. Itâs what makes them the band they are. Which is Coalesce. The name of their band.
Rage Against the Machine âThe Battle of Los Angelesâ
Following up âEvil Empireâ was always gonna be hard. But this is an album that actually has aged incredibly well. Outside of the depressing fact that most of the issues De La Rocha talks about on the album still exist, the music on this album sounds maybe the most ageless of all the RATM albums. And we feel like there is more emotion in De La Rochaâs voice than in the past. And yes we already know a large portion of you reading this will say âRage isnât even metal.â Neither is the internet, suck it up.
Emperor âIX Equilibriumâ
Their production choices on this album sorta make sense for the genre, but considering the higher quality of production on some of their peersâ albums this year, we sometimes wish theyâd been open to not recording this inside what we can only guess was an aluminum hallway. At the same time, itâs Emperor and it all just adds to the atmosphere.
Dillinger Escape Plan âCalculating Infinityâ
Arguably a genre-creating album. We know Atheist were a huge influence on DEP, but this album is really its own thing. The gold standard for the mathy-widdley judd judd music that took over the scene. The jazzy parts of this album are underrated as well. So many bands tried to borrow this sound and genuinely nobody could do it remotely as well. Also, it really says something about a band that is this technically talented, and pretty much all anyone talks about is how insane the live show is.
Testament âThe Gatheringâ
Easily in the top 5 Testament albums. Not to mention the only Testament with Dave Lombardo on drums. That alone is worth the price of admission. Like several other albums on this list, if you donât know this band, this is a great intro. Also at a time when Metallica was stuck doing whatever the hell they were doing in the late â90s, Testament put out an album that basically sounds like what everyone was wishing Metallica sounded like. âTrue Believerâ honestly sounds like it couldâve been on a follow-up to the Black Album. And the fact that the vocals go back and forth between thrash singing and all-out screaming makes the album a more interesting listen.
Type O Negative âWorld Coming Downâ
Has anyone ever noticed there is something inherently sexy about Type O Negativeâs music? Back in our youth we found it very off-putting. But now we might put on some Type O, and take a shower with the curtain open just checking myself out in the mirror. Whatâs up hot stuff? Yeah, thereâs a lot of hair where we donât want it, and minimal hair where it should be. But who cares? Looking good. What were we talking about? Oh right. This is a pretty good album.
Will Haven âWHVNâ
This is definitely an album we didnât know about at the time but clearly was influential for a lot of folks. And itâs obvious why. This album kinda has everything. There are big riffs, doomy parts, chaotic parts, and vocals that feel very 1999 in a good way. We remember feeling uncool because we didnât hear about this band until they put out âCarpe Diem.â And re-listening to this album made us realize how cool we couldâve been if weâd found WHVN when it came out.
Today is the Day âIn the Eyes of Godâ
Itâs hard to overemphasize Today is the Dayâs influence on heavy music. They kinda did/do everything. This album is considered a classic in their impressive catalog, and should be checked out just on the basis of it boasting two members of Mastodon. Bran Dailer and Bill Keliher play drums and bass, respectively on In the Eyes of God. This album sounds like what we thought doing hard drugs would feel like when we were a good little D.A.R.E graduate.
Tom Waits âMule Variationsâ
Whatâs that? He put Tom Waits on the metal list, and left out Opeth, Children of Bodom, Dream Theater, and Metallica?!?! Damn right. Cry about it. Tom Waits is metal and if you disagree, YOUâRE WRONG. Very few people can pull off cookie-monster vocals in music that isnât classically metal. Itâs pretty much Waits and the guy from Future Islands, and he clearly takes cues from Waits. This album is an absolute front-to-back classic. We can listen to Cannibal Corpse for hours and feel nothing. If we listen to âGeorgia Leeâ once, We are depressed for a week. That is metal.