NEW YORK — Board members at New York University decided to do away with any attempt at holding up appearances and just allow students to declare “Being Famous” as a major, sources confirmed with a shrug as if to say “makes sense.”
“We simply looked at the fact that 100 percent of our graduates go on to be famous in the arts in some form or another, and decided to cut out the middleman. Kids were applying to our school with the express purpose of making it big, why not make that ‘express’ all the quicker?” said NYU Head Linda G. Mills, as she copy-and-pasted the entire text of today’s Variety into the upcoming alumni newsletter. “It’s a very popular major, with nearly every new student we’ve accepted since the announcement declaring it. We had to read through so many application essays, which we requested, of course, to be written in the style of SNL five-time host monologues. That’ll get that out of the way for them when that day inevitably comes.”
Those who have completed the required coursework for the major were surprised at the perks it came with.
“Graduation was really fun because in addition to my diploma, we were also given the option to take a Tony award, a five-picture movie deal, or an official adoption from a potential famous parent that had connections to the John Oliver writer’s room. I couldn’t decide, with all the lights in my eyes and cameras going off, so they just told me to take all three,” said recent graduate Gerard Holcomb, who minored in “Talk Show Anecdotes.” “They did scold me afterward for not being used to the lights and cameras though, since a lot of the curriculum was based around…that…Ah, sorry to trail off, I’m just noticing the weird ‘grey’ color of this carpet…I’m just so used to red, it really threw me off.”
Hollywood agents are beginning to take note, relieved that their already easy job has been made that much easier by the streamlining.
“It’s just nice to know that someone has a four-year degree in being famous, to prove they’re ready for it,” said talent manager Taryn Linskey, as he sent a client an email requesting 10% of the pay from an acting role the client booked on their own and he in no way helped them get. “From now on, no more walk-ons, even if they’ve got talent spilling out of every one of their head-holes, capisce? They’ll need to make that dean’s list if they want that shot at the A-list, plain and simple! Now, excuse me, I need to go make a bunch of empty promises or I won’t hit my quota.”
Not to be outdone, the Berklee College of Music has now begun to offer the major “Couch Surfing” to prepare their graduates for the life ahead of them.
I took ASL classes for a year because I didn’t want to look like an asshole at tonight’s Godspeed You! Black Emperor show. I couldn’t wait to sign, “Play ‘Motherfucker=Redeemer’!” to the stage and watch the band play the song out of pure respect for my sensitivity. But then I found out they’re a bunch of liars.
Did you know those motherfuckers can talk?
Before I saw that interview on YouTube, I thought Godspeed You! Black Emperor’s albums were an attempt to rhythmically communicate their lived experience to the rest of the world. But why would a band that can fully sing Jason Mraz barbershop songs a cappella in the train station choose to play nine minutes of atonal noise and audio samples of trains? I always thought of Godspeed as a bunch of speech–and possibly hearing–impaired people trying to make a statement about the inherently flawed nature of human existence. Turns out they’re just a bunch of perverts dickin’ around with feedback and cellos.
Which brings me to another point:
What kind of “band” makes music like that on purpose?! Can you imagine slowly building an intricately layered, spiritually transcendent movement that incorporates fluctuating dynamics, multiple rhythm section players, ambient noise for dramatic tension, huge swells of noise meant to surprise the listener, selfless guitar playing, and audio samples, when you could be doing, “OOOHHHH-WAAAA-AAAAAAAAA-AAA!” instead? Their lack of down-with-the-sickness vibes is probably why I’ve never finished a single one of their structureless 12-minute songs.
Also, Godspeed’s field recordings of dystopian poetry from the late 1990s count as reading, and fuck reading.
The band is Gen X, so maybe someone should tell the band that archaic physical instruments accompanied by antique visual media is no longer necessary since TikTok exists. Maybe the members of Godspeed You! Black Emperor should duet some videos and share sponsored content, plugs for their merch, podcast, side projects, blog, upcoming festival dates, backup account second podcast, Cameo account, various solo albums, and Twitch streams instead.
I guess they’re just, like, really fucked up or something. Do you think they get high? Wait. They’re CANADIAN? That makes a lot of sense now. Nevermind. Please don’t talk. Or sign. Just keep up whatever it is you think you’re doing.
LAFAYETTE, La. — Local sludge band Acid Jacuzzi embraced recent technological advances at their show this weekend by wearing Apple Vision Pro to experience what it would be like to look out into the audience and actually see people, sources close to the band confirmed.
“That show was literally the most wild experience I’ve ever had,” expressed Acid Jacuzzi vocalist/merch guy Billy Fontenot. “By the time we had to play our set, everybody was gone, the place was a ghost town. So we all strapped on the Apple Visions Pros I bought with my girlfriend’s credit card, and then suddenly we were about to rock out to a packed audience, sort of. Honestly, the AI-generated audience was truly amazing! One lady kept on glitching by bashing her head into the monitor. Fucking brutal. We can’t wait to play for them again.”
According to staff who were working during the band’s set, it wasn’t quite as magical as members of the band seemed to remember.
“It was super slow for a weekend,” noted venue bartender Crystal Melancon. “We typically get a decent crowd for live bands, but these guys couldn’t even get friends or family to show up. I was a little confused when they started playing their set they were acting like they were playing at the Superdome to a sold-out crowd, but the only person there was me, and half the time I was yelling for them to wrap it up early so I could send the staff home. At one point, the drummer threw his sticks out to where the audience normally is, but they just hit the ground. It’s like they thought actual people were cheering for them.”
Noted local music scene historian and tech enthusiast, Cornelius Vandersmoot, weighed in on how the use of technology may affect local music scenes in the near future.
“This is new territory for bands, audiences, and live music in general,” remarked Vandersmoot. “The tech itself is fun, but what are the long-term consequences for shows in general moving forward? Today you have a band thinking they’re playing for an audience. In the weeks to come, we could have musicians jumping from the stage thinking they’re going to be caught by an adoring crowd or start high-fiving invisible avatars after a set. One cringes at the very mention of it.”
At press time, Acid Jacuzzi ultimately decided to play future shows without Apple Vision Pro due to the drummer’s mom butt-dialing him repeatedly during the set, causing him to drop beats while trying to swipe away her calls.
Ask any metal purist and they’ll probably insist that their genre was barely breathing once “Smells Like Teen Spirit” hit the air. The reality, though, is that many heavy bands embraced the sea change, creating a fertile period where at any moment you might catch a dude with dreadlocks, a girl with a shaved head, and a gorilla with an MPC sampler all on the same stage. Here are 30 records released in 1994 that showcase the smorgasbord of musical flavors that arise when metal and alternative rock are thrown in the same pot.
King’s X “Dogman”
Hot off the heels of their successful 1992 self-titled album, Texas power trio Kings X decided to give their longtime producer Sam Taylor the boot in favor of grunge luminary Brendan O’Brien. You can sense a quiet wink and nod to the listener because these guys know they’re way too talented for grunge, with ultra-tight grooves and vocal harmonies to make Crosby Stills & Nash take a knee.
Prong “Cleansing”
On their fourth offering, NYC heavyweights Prong employed superproducer Terry Date and two ex-members of Killing Joke (Paul Raven and John Bechdel) to revolutionize their sound. The result is a satisfying slab of borderline industrial metal so tight and clean you can set every clock in the house to it, with lead single “Snap Your Fingers, Snap Your Neck” getting love bombed by Headbanger’s Ball.
Alice In Chains “Jar of Flies”
Essentially an audition tape for newly minted bassist Mike Inez, “Jar of Flies” bears the distinction of being the first EP ever to top the Billboard charts. Due to all the acoustic guitars we’re leaning much more “alt” on this one, but if you search “early Alice In Chains” on Google images you’ll know that these guys have always been metal to the bone.
P.O.D. “Snuff the Punk”
Long before they made your local rock station feel so “alive,” San Diego nü-metal crew Payable On Death dropped their debut LP on the very first day of 1994. What you get is basically what you expect from a band of this ilk just finding their bearings: bouncy metallic riffs, hip-hop flavored vocals, and enough slap bass to send Flea to the nearest restroom.
Therapy? “Troublegum”
If asked to choose a perfect example of the marriage between “alternative” and metal to shoot into space for future angsty teen extraterrestrials to enjoy, the lead single “Screamager” off this Irish band’s most commercially successful release would be the one. Sugary pop hooks soar over Helmet style stop/start riffage, and the goatee game is bulletproof.
Animal Bag “Offering”
The only reference point any normal person would have for Animal Bag is a scene of them performing their funked out ode to country livin’, “Everybody” on the pilot episode of “My So Called Life.” These North Cackalacka natives take a more laid-back, folky approach on their next LP, and also win the blue ribbon for band member with the coolest name in drummer Boo Duckworth, who unfortunately passed away in 2002. Rest easy, Boo.
Stabbing Westward “Ungod”
These Macomb, Illinois (wherever the hell that is) industrial rockers came out of the gates swinging with their major label debut, spawning the pinch harmonic-laden single “Nothing” and earning them opening slots with both Depeche Mode and Killing Joke the same year. 10,000 chain smoking goth girls sighed in approval.
Nailbomb “Point Blank”
A one-off collab between Sepultura’s Max Cavalera and Fudge Tunnel frontman Alex Newport, “Point Blank” is the musical equivalent of a Sawzall entering your skull, in the best way. While Cavalera revisited this record on tour with Soulfly in 2017, the one and only proper Nailbomb gig was at the Dynamo Festival in 1995. Do yourself a favor and go watch that set on YouTube right now. It’s damn near therapeutic.
Powerman 5000 “True Force”
Michael Cummings aka Spider One never managed to reach the height of success that his big brother Rob Zombie achieved, but that’s a lot for anyone to live up to, so let’s go easy on the fella. On his second EP, Spider serves up that distinct brand of sample-heavy proto-metal that seems frozen in the carbonite of the early ‘90s. It’s something a twenty-something with Ableton Live and a Depop account will never recreate.
downset. s/t
For all intents and purposes, Downset are an LA hardcore band, but they always seemed to exist on the periphery of said genre. One could also draw a line from their lack of commercial success to the fact that lead single “Anger” contains a not-so-subtle dig at superstar Zach De La Rocha’s street cred: “Fake motherfucker never even seen a nine.” In the interest of our physical health, we’ll leave it at that.
GWAR “This Toilet Earth”
The fourth album by Antarctica’s interplanetary metal ambassadors, “This Toilet Earth” was also their first to have its artwork and tracklist censored in stores due to the band’s rising popularity. This was in no small part thanks to frequent MTV spins, and their feature in the storyline of the Beavis and Butt-Head video game. Also, blood. Buckets and buckets of blood.
Rollins Band “Weight”
Everyone’s favorite fourth Black Flag frontman returned this year with another serving of that muscular, groovy post-hardcore we’d come to expect. He also, albeit maybe accidentally, endeared himself to the metal crowd with the music video for “Liar,” which is basically five kickass minutes of Hank screaming into the camera in cool makeup while shit is on fire all around him. Hell yeah.
Meshuggah “None”
Progenitors of the über technical, yet moshy flavor of metal now affectionately referred to as “djent,” this Swedish band’s fourth release might not be something you’d want playing in the car on a first date if you’re trying to get some, but it’s DEFINITELY something you’d want to blast on the way home if the night ends well. Remember kids, djent responsibly!
Killing Joke “Pandemonium”
On their ninth full-length, these British post-punk legends put the pedal to the metal and deliver a punishing collection of tracks that are as forward-thinking as they are true to the Killing Joke formula. It’s kind of like a family dinner. You don’t know why, but it’s just better when the old folks do the cooking.
Front Line Assembly “Millenium”
There was quite an obsession with the oncoming new millennium amongst industrial bands around this time. To be fair, all of their post-Y2K paranoias proved to be true and then some. On their seventh studio album, Canadian synth beaters Front Line Assembly pour on enough distorted guitars and apocalyptic samples to keep the fishnet and pleather crowd partying like it’s 2099.
Corrosion of Conformity “Deliverance”
On their fourth full length, these North Carolina metal mainstays eschew their crossover thrash roots in favor of some Southern fried stoner groove, with guitarist Pepper Keenan fully in place as lead singer and songwriter. This creative shift earned them a gold record, and you can even embarrass yourself trying to play “Albatross” on Guitar Hero.
Helmet “Betty”
The flagship outfit of the crew cut and stripey t-shirt generation of heavy music, NYC’s Helmet scored some generous MTV rotation and a spot on “The Crow” soundtrack with lead single “Milquetoast.” By generous I mean that shit was played ad nauseum every day, but can you imagine a time when a band this awesome was on TV enough to make you sick of them? The early ‘90s were magic like that.
Widowmaker “Stand By For Pain”
Somewhere in the murk between MTV superstardom fronting Twisted Sister and box office floppery in writing 1998’s torture porn “Strangeland,” Dee Snider assembled some of his most able-bodied rocker pals to form Widowmaker. The result sounds like a bunch of highly competent metal musicians attempting grunge, which honestly could be a lot worse, ya know?
Kyuss “Welcome to Sky Valley”
The third full-length by future stone age queen Josh Homme and crew serves up another helping of the desert-grown Sabbath-worshiping stoner rock they put the trademark on. Ten tracks clocking in at just under an hour might rub your punk rock ADD the wrong way but, like, maybe just rip a bong and chill out, man.
Drown “Hold On to the Hollow”
As per Amazon’s product description: “Corrosive industrial metal with all the requisite torment on the lyrical front marks this debut from a Los Angeles quartet.” Amazon might be the only place you can snag a hard copy of this obscurity, too, but at least your lyrical torment comes with next-day shipping.
Infectious Grooves “Groove Family Cyco”
The third installment by Suicidal Tendencies frontman Mike Muir’s funk metal supergroup boasts a murderous rhythm section in future Metallica bassist Rob Trujillo and future Avenged Sevenfold drummer Brooks Wackerman. It also turns out to be the second album on our list with a diss track against Rage Against the Machine: “Now you’re makin’ your political statement, or are you tryin’ to add to your financial statement?” Sick burn, bro.
Melt-Banana “Squeak Squeak Creak”
Attempting to put into words Japanese noise rock unit Melt-Banana’s sound is a tall order, but let’s give it a try: Imagine suffering a grand mal seizure while a group of children in animal masks smash a pinata full of colorful broken glass all over you. It’s both as uncomfortable and fun as it sounds, and it only lasts half an hour.
Warrior Soul “The Space Age Playboys”
Legend has it that Warrior Soul frontman Kory Clarke started the band on a bet, and within months scored himself a multi-album deal with Geffen. By “legend” I mean Wikipedia, because nobody is actually talking about this band in 2024. Apparently Lars Ulrich really took a liking to this album, though, inviting the band to open for Metallica at Donington. Suffice to say, Kory won the hell out of that bet.
Marilyn Manson “Portrait of an American Family”
Legendary edgelord Brian Warner aka Marilyn Manson dropped his debut full-length this year, sparking a generation of bad fashion decisions and… possibly even worse behavior. “Portrait of an American Family” does contain some bangers, though, particularly the bass heavy anti-bullying anthem “Lunch Box” and the stompy, b-movie horror inspired “Dope Hat.” Just don’t lose a rib over it.
Danzig “Danzig 4”
Original Misfits front ghoul Glenn Danzig described his fourth solo offering as “A very challenging record, philosophically, vocally and musically.” Maybe for him, but for us it’s more of that good bluesy, devil worshiping rock ‘n roll we’ve grown to love him for. No need for hyperbole, Glenn. We’re here for it.
Tiamat “Wildhoney”
If you’ve ever wondered what happens when a Scandinavian death metal band discovers psychedelic drugs, this Swedish group’s fourth release is a pretty good case study. Spoiler alert: there are keyboards, acoustic guitars and… rain sound effects? Also, you can rest assured at least one of these guys was rocking a hemp poncho at the time.
Melvins “Prick” & “Stoner Witch”
It’s no surprise that the most prolific band in all of heavy music would drop two releases this year, “Prick” being an intentionally inaccessible clusterfuck on underground noise rock label “Amphetamine Reptile,” and “Stoner Witch” being their most commercially palatable offering, released on the very major Atlantic Records. Proof positive that even a maniac like Buzz Osbourne enjoys a little balance in life.
The Jesus Lizard “Down”
Both their final release on Touch & Go Records and their last to be produced by Steve Albini, “Down” continues this Chicago band’s legacy of bottom-heavy, stompy noise rock. A fun music video for “Destroy Before Reading” accompanied the release, depicting singer David Yow’s severed head being tinkered with by children in a laboratory. It’s the kind of tongue-in-cheek nightmare fuel that Gen X couldn’t get enough of.
Body Count “Born Dead”
With the smoke still simmering from their controversial 1992 ode to law enforcement “Cop Killer”, the second studio album by Ice-T’s metal project Body Count experienced a much quieter release. A pretty competent rendition of “Hey Joe” (which also appeared on the Jimi Hendrix tribute album “Stone Free”) serves as the standout here, proving that Ice is as multi-talented as he is utterly terrifying.
Cop Shoot Cop “Release”
Ok, this is gonna be a tough sell, but hear me out… This band didn’t have a guitarist. Are you still there? Good. Now what if I told you that instead of a guitarist, they had TWO bassists? Please don’t run away, because Cop Shoot Cop was legitimately awesome. Like, should have sold a million records awesome. Listen to Cop Shoot Cop. Stream them until they’re rich.
Whatever happened to liberty? What happened to freedom? What happened to the pursuit of happiness in this country, i.e. money off the backs of the less fortunate?
Recently, those pinko commies over at the EPA banned the last form of asbestos widely used in the United States. You’re probably thinking “Wait, they’re just banning it NOW, when so many landlords still rely on asbestos to insulate the homes their tenant families live in?!” Well believe it or not, yes.
First, they came for our lead paint, and I said nothing because those policies went virtually unenforced. Then, they came for our lead piping, and again, I said nothing, because they didn’t really do it. Now they’re coming for the asbestos in all of the buildings I own? And they’re like, for real going to do it?! Bread lines and concentration camps are right around the corner.
Are we just supposed to ignore all the good asbestos has done for us? I’m not just thinking about myself here, I’m thinking about my poor occupants! Take the single-family Clark Street property I am illegally renting as three separate apartments. Without the asbestos insulating those drop ceiling tiles, they would probably freeze to death come winter! The whole building is heated by a single unit on the first floor and the electricity can’t handle space heaters, so they are going to have to rely on beautiful asbestos, or else the city might catch on to my scheme.
What about my elderly tenants? I’m supposed to tell them they need to find somewhere else to stay for a few weeks while jack-booted government thugs come and remove their insulation? Half of them are already dealing with mesothelioma, I don’t want to pile on!
We need to take a stand against this absurd governmental interference of private property. Removing asbestos from the properties I own would not only be impractically expensive, but it’s a slippery slope toward my tenants becoming strong and healthy enough to stage an uprising. Speaking of which, have they banned TikTok yet? I don’t like how that app gives the poors a platform.
OTTAWA — Local office employee Keith Nolan reported that he finally achieved the ultimate work-life balance by deciding to drink at work, according to witnesses watching him stumble around.
“After all these years yearning for a more balanced relationship between home and work, I finally did it!” slurred Nolan. “This company never gave a shit about mental health or giving us more time for ourselves, so I had no choice but to take matters into my own hands and advocate for Keith because nobody else would. Sure, I still have to come into the office every day, but now that I’m buzzed I’m having the time of my life, while still being super productive. The best part is that nobody even knows what I’m up to. I’m so fucking smart!”
Long-time coworker Dana McCredy offered her opinion on Nolan’s newfound happiness.
“Um, yeah, he’s not fooling anyone, this whole place knows he’s boozing at work,” McCredy stated. “It doesn’t take a genius to know what he’s up to when he walks out periodically with a backpack full of bottles loudly clanking around inside, before returning a short time later with a giant smile and glazed look on his face. Nobody wants to rat him out because he’s actually more pleasant to be around now, even though his work is shittier than usual. As long as you avoid being caught in the elevator with him at the end of the day when his stench is most obvious, you’re good.”
HR Leader Sam Cruzman described the importance of allowing staff to balance their personal and professional lives.
“Companies competing for talent have learned that allowing employees certain perks is simply good business,” said Cruzman. “Sure, most of the time those perks involve flexible hours, game rooms, or free lunches, but more unconventional policies can also make a difference. If the only way an institution can improve morale is by allowing or at least turning their heads to staff drinking, doing drugs, or even having sex in the office, then maybe it’s a risk worth taking. Vice Media comes to mind. On second thought, nevermind. That’s a horrible idea.”
At press time, Nolan was found by a colleague slumped in the elevator, passed out in his own piss.
In 1972, ascendant British prog rockers Pink Floyd challenged the artist/audience relationship by releasing their concert film Live at Pompeii. The band chose to play in an empty, ancient Roman amphitheater, bravely eschewing any filmed crowd reaction or hilarious Italian accents whatsoever.
Over 50 years later, music fans may have found the next Pink Floyd. Indie noise rockers Sardonic Glitter just echoed the Floyd’s feat by playing Buffalo, New York’s somewhat less historic Mr. Winks’ Bar to an audience of no one, save for venue employees. And yet again, the purpose of an audience in music comes into question.
“I can confirm that absolutely no one showed up. Not the two opening bands, nor Sardonic Glitter’s friends or significant others. Hell, I went for a smoke and Candy Crush break for most of it,” recalled bartender Leigh Porter. “And similar to Pink Floyd, they went through all this effort to get a fucking gong on stage only to hit it in one part of one song. It really makes you wonder, did they even play a show? Or does the lack of crowd mean they just had rehearsal?”
Porter’s lone account of the concert provides some insight into the band’s intentions. Guitarist Blake Kinsley was reportedly and inexplicably shirtless at the beginning of the performance, despite freezing temperatures outside. He frequently added textures to songs with a combination of fuzz and wah pedal, which Porter described as “ear-splitting.” The show might have been immediately lost to the annals of history if music fans didn’t notice the band’s bassist Phil Jericho checking in his order of Pliny the Younger IPA on Untapped.
Art historians are already struggling to analyze the true meaning of Sardonic Glitter’s bizarre act.
“The comparison of Buffalo to Pompeii is significant,” states author Clark Terrino. “On one hand, you have a city utterly ravaged by God’s wrath—on the other hand, you have Pompeii. And while Pink Floyd remained a stable band for only a decade longer after their Pompeii performance, Sardonic Glitter’s members are all reportedly looking into grad school programs. While we may never hear this young band’s Dark Side of the Moon, look at the bright side: at least we don’t have to sit through their Momentary Lapse of Reason.”
MERIDEN, Conn. — Local milquetoast Artie Hangreth embarrassed himself mid-singalong in front of his partner’s friends as he realized he only truly knew the lyrics included in an old Weird Al polka medley, cringing onlookers confirmed.
“I was out with my girlfriend’s friends and trying to make a good impression as they sang along to a playlist of songs they loved in college. Owl City’s ‘Fireflies’ was blasting and the melody seemed familiar so I figured it was safe to belt out. Man, what a faux pas! I could feel the rolling eyes as everyone started to notice I only knew the few bars from ‘Polka Face’ off 2011’s ‘Alpocalypse,’” said the meek Hangreth, as the women kept their distance. “I mean, I’d even be better off if it was a full parody, at least then I’d be able to fake it for the entire song. These medleys just include a few seconds of the damn thing! Why couldn’t I have just been more open to radio hits in my early 20s?!”
Hangreth’s girlfriend voiced her disgust at her partner’s lack of social graces when it came to the pop music of the late aughts.
“It’s such a shame, you know? He was doing so well, bonding with my sorority sisters as though he had pledged Kappa Theta right along with us, but then had to ruin it all by remarking ‘what a great tuba line’ the song has, and that the ‘accordion solo coming up is actually a wry musical quote from Spike Jones and his City Slickers.’ What am I supposed to do with that?” complained Deija Pilkes, ignoring a sheepish wave from her embarrassed beau. “Then when he kept slipping from the chorus of ‘Fireflies’ to T-Pain’s ‘Blame It on the Alcohol’ by accident like three different times, I had to finally tell him to find another corner of the bar to be a weirdo in. There’s nothing that ruins a girl’s night quicker than someone thinking a ‘hand fart’ solo is coming up later in the song.”
Professional pomposity puncturer “Weird Al” Yankovic himself has proclaimed the occurrence an epidemic that he feels indebted to find the cure for.
“You’ve heard it here first: I solemnly vow to go back and re-record polka versions of the FULL songs I used in my medleys over the years, just so dweebs, dorks, and doofuses everywhere will finally wrap their heads around non-novelty music,” said a clearly stricken Yankovic. “It’s scientifically proven that bird calls, old-timey horn honks, and clarinet solos make music more palatable to geek ears, and I will harness their power to keep my bizarre brethren informed. It’s my fault I’ve gotten them into this mess, now it’s my mission to get them out. Get that recording studio prepped, I’ve got a long night ahead of me.”
At press time, Hangreth further embarrassed himself when he only knew the MAD Magazine spoof version of the prestige television show everyone was talking about.
Having a big, beautiful, majestic beard like I do isn’t always sunshine and rainbows. It can be a burden. Babies pull on it. Rodents burrow inside of it. It gets sticky when I eat ice cream, and I’ll be perfectly honest — I’ve coughed up a few hairballs today.
But this fuzzy bundle of sex appeal on my face comes with one huge perk that makes owning one all worthwhile. It acts as a hands-free butterfly net of sorts. Capturing random trinkets, treasures, and wonders of the universe I may have otherwise missed out on.
Every Sunday night I comb my beard out and you would not believe all of the dope stuff I find! Since I consider myself an expert on things both beard-related and cool, I felt compelled to rank my 30 favorite findings from this week.
30. Flamin’ Hot Cheetos Dust
I thought the spicy, cheesy aroma emanating from my beard this week was due to all of the ass I’ve been eating. Turns out there was a tiny splotch of Flamin’ Hot Cheetos Dust tucked under my mustache! This was a tasty surprise but it’s not much food when you compare it to a hearty tossed salad. Sorry Chester Cheetah. I have to rank this dead last.
29. $3.82
Money is always cool, but the economy is a smoldering dumpster fire and a few bucks won’t get me very far. Plus it’s mostly pennies, so now I have to choose between rolling these coins up for my bank or getting fucked over by Coinstar fees. Wonderful.
28. Gross Old Facemask
I may need to comb my beard more thoroughly because I haven’t worn this mask since the beginning of COVID. Yeah, yeah, I know I should be wearing one when I’m sick. But waterboarding myself with my own snot and beard hair kinda sucks. Still, this is a cool little memento. A tangible reminder that I survived another global crisis and remain unkillable.
27. Mood Ring
I always wanted one of these things growing up. But after wearing it all week I can safely say mood rings are a piece of junk. Why? Because according to this ring I’ve been teetering between nervous and horny all week. That’s a lie. I have one mood. And it’s a rude, crude mood.
26. My Chin
While brushing out my beard I caught a glimpse of my very own chin. It was nice seeing that little guy, but he knows damn well why he rarely sees the light of day. He’s weak, he’s puny, and he disgusts me. I told him goodbye forever and this time I mean it.
25. Several Guitar Picks
Why do these things always disappear? Once you put ‘em down they’re impossible to find. If you’re bearded like me though, I highly recommend checking your facial hair. That’s where they wind up 90% of the time. Good thing too! Because I can’t shred without a pick. I’ll do just about anything to become a rock star but callused fingers are where I draw the line.
24. Beard Dye Applicator Brush
Uh… I have no idea how this got here. This brush is NOT mine, because I do NOT dye my beard. I have ZERO gray hairs and anyone who tells you otherwise is a dirty liar. I’m going to keep this because it’s a nice brush and NOT because I’ll dye my beard with it. Capiche?
23. My Beloved Pet Bird
My missing budgie ParaKeeth Morris has been found in my beard and he is alive and well. I’m used to him flying off and doing his own thing, but I thought he might be gone for good this time. I’m thrilled he’s okay but now I have to buy more bird food. This is a mixed bag.
22. Butterfly Knife
The beautiful thing about a butterfly knife is that you almost never have to actually stab someone with it. Any criminal dumb enough to attack a badass twirling this thing will get what’s coming to them. As soon as I figure out how to open it without cutting myself I’ll get around to the badass twirling part.
21. Prince Rupert’s Drop
Too cool! No matter how many times I smash the big end with a hammer it doesn’t break! I watched a long YouTube video that explains how this scientific miracle is possible, but honestly I’d prefer a tutorial on how to finagle this bad boy into a pipe.
20. Lunchables
People say these things are unhealthy but I’ve been eating them for 35 years and I’m still alive. This unfortunately is the inferior ham and American cracker stackers variety. If this was the pizza & treatza kind where you get to slather chocolate sauce and M&M’s on a pizza crust? This would have easily been top 10. Oh well.
19. Aviator Sunglasses
We all know sunglasses are cool. Tom Cruise taught us that in “Top Gun.” But sunglasses look extra cool on a guy with a big beard. When people can’t see the lower half of your face or your eyes, you become a stoic man of mystery. Throw in a big hat and everyone thinks you’re the guy from ZZ Top. What’s not to love?
18. Fushigi
To the untrained eye this might just look like an acrylic contact juggling ball. Well this is way different. This is Fushigi. It’s magic. It’s intimate. It defies gravity. This isn’t just cool, it’s a lifestyle. So why isn’t this higher up on the list? Because I dropped it on my foot and this thing weighs like 10 pounds for some reason. I’m in so much pain.
17. Trippy Black Light Poster From Spencer’s Gifts
Without a doubt, Spencer’s is the go-to place for all things that are cool and classy. And this black light poster of a forest full of mushrooms will be a delightfully trippy addition to my room. I’ve decided I’ll hang it up right next to my beaded curtain and directly across from my tie-dye water bed. Goddamn I’m cool.
16. Tech Decks
For an aging cool person like myself, tech decks are a lifesaver. The harsh reality I face is that I can no longer shred without fear of shattering both kneecaps. A tiny finger skateboard is the only realistic option I have left. These things are fucking rad though, and I’d like to think everyone at the skate park thinks I’m rad too when I crawl alongside them doing finger ollies.
CRANFORD, N.J. — The members of a Union County book club awoke this morning with no idea that every moment of last night’s meetup almost led to a depraved orgy of biblical proportions, local sources confirmed.
“Honestly, I had no idea,” claimed book club participant and self-proclaimed bibliophile Stan Jankowitz. “I guess you could argue there were a few questionable moments, like the subtly sensuous manner in which Christine DeGreiza’s tongue grazed the contours of each canapé before letting each morsel fall into her mouth or when everyone was stroking their hardcover copies of ‘The Seven Husbands’ of Evelyn Hugo. Sure, the erotic act caused the men of the group to grow harder and harder as they tried to subdue their natural instinct, and the other women of the group got so wet that it raised the humidity percentage in the room, but it was all standard stuff.”
Book club organizer Alaina Ferraro-Duke denied any sexual overtures and stated that the most recent gathering of bookworms was no different than any other, lurid glances between Chuck Dreyfus and Alexandra Tibbs notwithstanding.
“Sure, a suggestive double entendre here, a ribald pun there, but to say that a group of longtime acquaintances who all share a love of the written word were mere heartbeats away from tearing off their clothes and giving in to their carnal lusts like it was a bathhouse of ancient Rome is ludicrous,” explained Ferraro-Duke. As flop sweat gradually pooled on her forehead, she added, “I mean, who hasn’t looked at a bowl of artichoke dip surrounded by Tostitos Scoops Tortilla Chips and thought it was like looking at your lover’s genitals while they squatted over a hotel mirror?”
According to those operating in underground circles, book clubs are hardly the chaste sanctuaries most people think. These small intimate gatherings are voraciously sought by intrepid sexual adventurers like Alvin “Boogie” Nussbaum, a seasoned hedonist and aficionado of the erotic arts.
“Dig it, baby, these humps want you to think they’re all vanilla ice cream swimming in Dockers khakis, but the real freaks know that hardcover leads to hard-ons and paperback leads to bareback. A festival of flesh is always just waiting in the wings,” said Nussbaum while applying chapstick. “These bawdy bookworms are really doing some advanced ‘edging.’ It’s why every library smells a little bit off when you walk inside. They are palaces for arousal.”
At press time, these page pals were seen discussing next month’s book choice while holding back a playfully sinful enthusiasm and struggling not to use the word “cliterary.”