Some might say Cradle of Filth has too many albums. In fact, weâd say that. So here we go: Cradle of Filth has too many albums. Seriously. Weâre fans, but thereâs like 3 or 4 in here that we completely forgot existed. And prior to making this list, several albums here had gotten maybe, MAYBE, one full listen. The thing is, their good stuff is great. They have like 7 really solid albums. This is pretty incredible considering how many bands can barely put out one. Something that the band is both praised and hated for is their willingness to embrace the whole camp of it all. And in that, they can come off really cheesy, which works. It can make some of their harder to swallow stuff actually much more digestible. But let us not pretend it’s something it’s not: itâs cheese. And as we all know, some cheese is better than others.
Also, let’s be real: they were never trve kvlt black metal. Theyâre theater kids from Shropshirefordbagginsworthmouthfordport or wherever in England. So the whole âtheir early stuff is the only REAL metal they madeâ nonsense doesnât work. And just a reminder, we only rank full-length OG albums and they have like a billion EPs, live albums, compilations, and re-rereleases, so thereâs a good chance your favorite release isnât on the list. Alas.
13. Thornograpy (2006)
“Thornography” was one of the bandâs more obvious attempts at breaking into the mainstream. Unfortunately what makes it so obvious is that it sucks. No shade for trying to sell out. Weâd do it if anyone was buying. Healthcare is expensive, and capitalism is a death cult. We all gotta pay bills. But if youâre gonna sell out and pander, please make it better than this album. Itâs not like itâs terrible or anything. Honestly, none of their albums are unlistenable. But when you have 40-something releases out, you gotta give us a reason to care about specific albums. And with this one, we donât.
Play it again: âI Am the Thornâ
Skip it: âTemptationâ
12. Darkly, Darkly Venus Aversa (2010)
More like âBoring, Boring Venus Aversa.â This album sounds like a generic CoF album, and not in a particularly good (or bad?) way. Itâs got some songs. It has some spooky sounds. Dani Filth screeches a bunch. Itâs fine. But there is literally nobody on earth who has this listed as their favorite album of all time. Literally nobody. Also, the Tim Burton/Hot Topic album art isnât helping.
Play it again: âThe Cult of Venus Aversaâ
Skip it: âForgive Me Father (I Have Sinned)â is just bad
11. Cryptoriana – The Seductiveness of Decay (2017)
Cradle of Filth seemingly has two types of album covers: A.) Fucking sick! Or B.) Iâm embarrassed to own this. So while supposedly âCryptoriana – The Seductiveness of Decayâ is probably an ok album, it is solidly in the B category, because we couldnât get past the cover. Itâs bad. Sure the art is competently done, but so was âYoung Sheldon.â So no, we didnât listen to this album. At all. The only reason itâs not last is because it seems to be a popular one of the modern era. But weâre not getting past the cover. Seriously, everything about this cover feels like the band is watching you change without your consent. And I donât know about you, but here at Hard Times Incorporated, we wonât watch you change without your consent.
Play it again: Couldnât tell you
Skip it: agreed
10. The Manticore and Other Horrors (2012)
Kinda forgot this one existed. Lots of people like it, but the production feels off and Daniâs vocals are even less appealing than usual. Like most of the albums on this half of the list, thereâs just nothing pulling us in besides name recognition. That said, because weâre not nerds, we had never heard the word âmanticoreâ prior to this album coming out. But the Merriam-Webster dictionary defines a manticore as “a legendary animal with the head of a man, the body of a lion, and the tail of a dragon or scorpionâ and honestly thatâs pretty dope.
Play it again: âThe Abhorrentâ
Skip it: âFrost on Her Pillowâ
9. Godspeed on the Devilâs Thunder (2008)
This album is overall pretty meh. Itâs pretty rare that we come back to this one at all. In fact it would be lower on this list if not for one song title that cracks our shit up, every. damn. time. âShat out of Hellâ will never not be funny. If youâre not laughing, then youâre not picturing Meat Loaf bellowing âSHAT OUT OF HELL IâLL BE GONE WHEN THE MORNING COMES!â Incredible. Otherwise the album is whatevs. And it definitely loses points for having a track called âTragic Kingdomâ despite it not being a No Doubt cover. Bogus.
Play it again: âShat out of Hellâ
Skip it: âTragic Kingdomâ
8. Nymphetimine (2004)
This album came out in between âDamnation and a Dayâ and âThornography,â and it sounds like it. There are epic moments and some actual bangers, but overall it feels like the band is stretched a little thin. It almost feels like they threw everything they had at âDamnation and a Dayâ and then when it didnât do well they kinda just slapped a bunch of leftover âDamnationâ riffs together and tried to make things a little more palatable for the mainstream. This album teeters right on the edge of being good and bad, depending on our mood.
Play it again: âNemesisâ
Skip it: âNymphetimine Fixâ
7. The Principle of Evil Made Flesh (1994)
Starting with this album, everything from now on is a âgoodâ CoF album. This one is kind of like the classic film âNosferatu.â Not the new remake. The old-ass one. Itâs classic and honestly pretty great. But are you gonna watch it more than once a year? Nah. Thatâs this album. Itâs miles better than some of their more recent and boring stuff, but it still feels like nostalgia for nostalgiaâs sake.
Play it again: âThe Forest Whispers My Nameâ
Skip it: âOne Final Graven Kissâ
6. Existence is Futile (2021)
From the jump, great title. And for being their newest release, âExistence is Futileâ is pretty solid. Itâs kinda like the AFC Bournemouth of CoF albums. Itâs never gonna be number one. Itâs just not gonna happen. But itâs not even close to being in last place. And honestly, when it comes down to it, this album goes pretty hard. The cover art is⌠trying. Itâs trying its best. Itâs like almost scary? The problem is unless youâre looking at it close up, it kinda looks like a giant ant in a chair. Which I guess is cool. Ants are actually pretty neat.
Play it again: âUnleash the Hellionâ
Skip it: âDiscourse Between a Man and His Soulâ
5. Hammer of the Witches (2015)
First off, the album title rules. Easily their most metal-sounding album title. For a band that puts out a lot of cutesy, winky, spooky album titles, this one is just so sick. On top of it, this album rips. Out of all the âmodern eraâ CoF albums, this one is easily the most re-listenable. It blends the riffs and the orchestral/keyboard shit in a way that harkens back to the heyday of the band. And speaking of riffs: they got some riffs. We canât exactly put our finger on why the riffs riff so hard on this album, compared to their other newer stuff, but they do. They riff. Hard. Hard Riffs. The hardest. Of riff. So hard, those riffs. Hard riffs, riffing hard. Iâm having a stroke.
Play it again: âYours ImmortallyâŚâ
Skip it: âBlooding the Hounds of Hell”
4. Dusk⌠and Her Embrace (1996)
We know. It should be number one or whatever. We never get album rankings right. Do we even listen to CoF? Etc etc etc. Look, Itâs a good album and there are some all-time tracks on here, but itâs just not as good as the other ones on this list. If “The Principle of Evil Made Fleshâ was âNosferatuâ then this album is Coppolaâs Dracula with Keanu Reeves and Winona Ryder. Itâs kinda corny, but itâs also super awesome. And youâre pretty much never not in the mood for it. Itâs a solid reminder of where the band came from. And thankfully the albums ranked higher prove that the promise of this album wasnât a fluke. Plus the last minute of the title track absolutely rips.
Play it again: âFuneral in Carpathia,â and âDusk and Her Embraceâ
Skip it: We can get down with some of their intros, but âHumana Inspired to Nightmareâ is a bridge too far for us.
3. Cruelty and the Beast (1998)
This album should be number one. But the drum production is embarrassingly bad. It makes Larsâ âSt. Angerâ drum sound seem ahead of its time and punchy. Speaking of Metallica, the drum production on this album feels like a prank on the level of the bass on ââŚAnd Justice for All.â Like the band were intentionally being dicks, thinking it was funny, and now the album sucks. The drums on this album sound like Nick Barker played on a cardboard box. Which is wild, considering he is EASILY a top 5 metal drummer of all time. Heâs rumored to have quit the band over what they did to his drums, and we donât blame him. They recently remastered âCruelty and the Beast,â and so obviously it sounds better now. But at Hard Times, itâs OG or go home. And the OG version of the drums on this album suck a butt. In a bad way.
Play it again: âCruelty Brought Thee Orchidsâ
Skip it: âPortrait of a Dead Countessâ is entirely unneeded.
2. Damnation and a Day (2003)
Hereâs the thing: People hate this album, and it doesnât make sense. This album fucking shreds. Itâs over-the-top, out of control and pompous. Itâs genuinely everything we love about Cradle of Filth. Is it too long? Yeah, but literally every single one of their albums is. Thatâs like saying you donât like this album because Dani Filth makes a screechy sound. This album has the riffs, it has the moody vibes, it has a concept. But most importantly it has a budget. DaaD is the bandâs one and only major label album, and they milked that shit for everything itâs worth. Some bands sound better when theyâre recorded on a phone behind a dive bar. Cradle of Filth sounds best with the 101-piece Budapest Film Orchestra. Itâs their longest album and itâs their most epic album. And were it not for how good number 1 is, itâd be the pinnacle of what this band does.
Play it again: âPresents from the Poison-Hearted,â âHurt and Virtue,â and âThe Promise of Feverâ
Skip it: âBabylon A.D. (So Glad for the Madness)
1. Midian (2000)
If youâre a fan, you already know. This is it. This is the most âCradle of Filthâ Cradle of Filth album. Itâs gothic and scary but also so corny in the best way. They take it so seriously and yet the whole album feels like a giant wink. But then the riffs are so killer this whole album is a paradox. Itâs a heavy, heavy album that also heavily features the harpsichord setting on the Casio. Why does it work so well? Who knows. But it does, and its their best. HARD TIMES HAVE SPOKEN!
Play it again: yes.
Skip it: donât