Operation Ivy broke up nearly 35 years ago, but ever since, their fanbase has been going through a “will they or won’t they” moment with rumors mildly swirling of them getting the band back together every few years. Since they can’t quite get their shit figured out and just continue to keep us all on the edge of our seats, we’ve decided to assemble a list of their top 15 songs that would definitely be on their setlist during a reunion tour, whenever they stop dragging their feet.
“Sound System”
Tim Armstrong and Jesse Michaels recently got together and performed this one live, which means they still know how to play it. A very good sign that they at least still think about us and consider our needs.
“Knowledge”
At one point, every third punk band in existence covered this song, including Green Day. Someone had to fill the Op Ivy-shaped hole in all of our hearts. But now it’s time for the boys to plug up the gaping wound themselves.
“The Crowd”
This one is a fan favorite, so they’re going to want to play it early and often as a way to say “sorry for taking so long to right this reunion ship, you guys.” Well, apology not accepted.
“Healthy Body”
There’s going to come a time when we’ll want to see the audience open up the pit to start skanking. That’s when they bust out this number and Tim showcases his upstroke guitar prowess and everyone realizes their bodies are no longer healthy, in fact most people at the show are near death.
“Hoboken”
Matt Freeman is an undeniable talent at bass, so naturally we’re going to want to tune him out in favor of the singer and guitarist. But Matt really shines on this one especially, if you’re into that sort of thing.
“Yellin’ In My Ear”
Not many ska punk bands are good at both ska and punk. Usually one or the other. Sometimes neither. But somehow the Ivy excels at every genre they touch, particularly this song. It’s a setlist no-brainer.
“Jaded”
Operation Ivy should at least consider doing that thing the Misfits do and reunite every so often at major festivals and Madison Square Garden. They don’t even have to ever write new music or anything. You can’t just compose a song like “Jaded” and never play it out loud ever again.
“Big City”
We’re already midway through the set and I already know it’ll be worth the hefty ticket price of $35, which includes the $18 Ticketmaster handling fee. Greedy bastards. In fact, Ticketmaster fees may be the reason they haven’t gotten back together. Damn you, capitalist hustlers.
“Take Warning”
To this point, we’ve been on a streak of several consecutive high-energy songs. However, a successful setlist needs to bring it down a notch every now and then. “Take Warning” seems to have been written for that exact purpose.
“Unity”
Once you become a legendary band, it’s not really up to you anymore when you decide to call it quits. As your fans, we do. You have an obligation to satiate the palates of your supporters. That’s what “Unity” is all about, I think.
“Bombshell”
The background vocals on this song hold almost equal weight to the foreground vocals. It’s going to make singing along as an audience member a real bitch, but ultimately a risk we’re willing to take if it means we’re hearing “Bombshell” in person.
“Bad Town”
This is the part of the show where the band brings out the saxophone player from the Toasters to play “Bad Town.” It’s going to be incredible. Then the singer of Reel Big Fish is going to come out for some reason. Then one of guys from Less Than Jake. And also every member of the Specials. No one will know why.
“Room Without a Window”
While other singers average 200 words a song, it feels like Jesse Michaels nearly quadruples that in his lyrics. That’s more bang for your buck and something that needs attention on a worldwide stage, like Riot Fest. That’s where all bands reunite at some point in their careers.
“Junkie’s Runnin’ Dry”
This almost feels like an early Rancid song so you know Tim’s going to want it in there. He was going by “Lint” when he was in Operation Ivy, of course. But now he just goes by Tim. Something we can’t fully get behind.
“Vulnerability”
If you’re reading this, Operation Ivy. Feel free to use this as a guide when curating your reunion setlist. It was carefully crafted over a 90-day period. I’ve already done the hard part for you. C’mon, reunite already.

Why hello there “Loveless” inspired album art, we see you there. The blue is kinda cute. Kinda sets the tone even at a glance there. That’s right, you’re in for a fair amount of delay on the guitar with this one. It’s still a good album by all means, it’s just a lot like the album that came before it. Seemingly more of a focus on sweet jingly reverbed guitar and more of a dive towards the shoegaze side of the pool. Which makes sense because when this came out you were probably still listening to a lot of Title Fight and there was a bit of that going around back then. For a third album, they’ve at least shown consistency.
This one kinda breaks the rules, but not really. “Dead Horse” was the band’s first full-length debut back in the ancient days of 2009 when you were starting to realize you didn’t quite fit into your tight pants anymore. In the more recent but still distant past of 2019, the band decided to give the album one big birthday party and re-recorded the entire thing and called it “Dead Horse X.” It’s kinda like when they remastered the first few Resident Evil games, really. This album is pretty cool, even if the smell of debut full-length clings to it. The bass is way more thumpy and prominent than anything else they’ve released, so that really stands out about it overall. Besides that, you can really tell the seeds of something cool are planted, but there’s still something missing. (The secret ingredient is that special shoegazey sauce becoming spicier on everything else they do.)
Do you ever get this feeling like you want to be helpful to someone? Like you’d rather be the shoulder to cry on for a change and be that person for someone? Well here’s a real treat of an album for you. Next time that feeling hits you don’t bother reaching out to see if everyone is okay or if anyone needs to talk. Everyone is fine. But right now you need to sit down and listen to everything the lead singer of Touchè Amorè has to get out. It’s gonna get intense at times, but it’s okay – you’ve got this. Luckily you’re there for him and everything is going to be okay. This album is particularly filled with the saddies, so I don’t recommend playing it at parties or near any kind of vulnerable person. But on top of all that, how about some post-rock vibes, huh? That makes it a lot easier to process the painful gut-punching lyrics being shouted at you and taking the air out of your lungs.
This is the only one of these I’ll bother doing. Simply because part of what makes this band is their live show. They don’t hold back ever, all gas – no brakes. So might as well stick this in there because as far as live albums go, this is as good as the next good one. There are a lot of people on this recording who like to show off that they know all the words. They sound like they’re having fun, you’ll have about a 1/8th of the amount of fun they seem to be having by listening to this record.
More of anything? How about just more of everything? The most recent release from this band is quite the showcase of every tool in their belt. A lot of work went into this one, and it shows when you hear all 7 minutes of “Limelight” and crash right into that wall of sound. Not many albums out there have this many hooks you’ll involuntarily sing along to with a bubble in your throat while getting all teary-eyed. It’s real, it’s relatable, the guitar work is best described with a chef’s kiss. Upon first listen it might catch you completely off guard, strap you down to the arms of a chair and give you one big shot in the arm – OF EMOTION. I imagine since this one was released, pits at their shows have a fair amount of sobbing and everyone’s bottom lip is doing the quivering thing with tears in their eyes.
The second full length seems to be where the band collectively had some sort of “a-ha!” Or “eureka” moment and really figured things out. The opening track with a title being a weird little symbol “~” just jumps out at you from around the corner with an obnoxious “HEY, CHECK OUT THIS DOUBLE KICK!” And we all fall for it every time. Wanna clap? Well, you’re gonna. It’s there, and it works. If you’re looking for that sweet spot of sounding sad and angry, you’ll find it here. There was a lot of tough guy stuff coming out around this time, PTSBBAM really stood out because it’s more or less the opposite of that. To say there’s a lack of chest-thumping mentality here is an understatement. If nostalgia plays any factor, you’ll hear this and go back to the olden days of owning an iPhone 4. All of Touchè’s albums are individually great, but this one earns the badge of “Instant Classic”.