Richard and Stefanie Reinesâ Drive-Thru Records ruled the early-aughts Warped Tour world with such bands like Floridian pop-punk kings (A) New Found Glory, Philadelphia pop-punk princes The Starting Line, Orange County pop-rock warriors Hellogoodbye, and Temecula post-hardcore fighters via kicking and screaming Finch. These acts are way too huge to be underrated on any level, and your telltale hearts have broken sound and are wrong if you disagree. Below we list our top ten most underrated albums from DTR in alphabetical order, and you should buy, stream, wax poetic about, and troll your cousin Tula with a pierced septum that you refused to include in your MySpace Top Eight, while Tom sat proudly in the number one slot, despite the fact that you never will meet that champion amongst humans.
Allister âBefore the Blackoutâ (2005)
Chicagoâs Allister was one of the first bands to sign with DTR, and the band released their first three LPs there. The debut cult hit âDead Ends and Girlfriends,â their sophomore lack of a slump saleswise âLast Stop Suburbia,â and the subject here, the four-pieceâs third studio album âBefore the Blackout.â While there is a plethora of lust online for the first two, we almost never read about âBefore the Blackoutâ in any publication large or canceled, and thatâs a low down dirty shame reminiscent of Keenan Ivory Wayansâ 1994 classic of the same name. Also, âWaitingâ is a perfect opening track, and said song and more from this LP show that Allister is so much more than âSomewhere On Fullertonâ. Sadly, the band split up three years after this record came out, but happily, they returned just three years later; three is a magic number.
The Benjamins âThe Art Of Disappointmentâ (2001)
Wisconsin should be less known for Midwestern creep, Steven âI Graphically Harmed Cedric Bixler-Zavalaâs Wife And Should Rot In The SHUâ Hyde, and more known for possibly the most underrated band here, The Benjamins. Drive-Thru Records snagged The Benjamins after their debut EP and released the bandâs first LP âThe Art Of Disappointmentâ to more of a whimper than a bang. The proof is in the lack of pudding here, as streams for this one are still astronomically low on Spotify, and your little tin hearts will shine in a wonderful manner if you spin this record now. 2001 was a great year for rock with non-Drive Thru Records releases such as Fugaziâs âThe Argument,â Andrew W.K.âs âI Get Wet,â Jimmy Eat Worldâs âBleed American,â and Bow Wowâs âDoggy Bag,â and The Benjamins shouldâve been on more year-end lists as well.
Halifax âThe Inevitability of a Strange Worldâ (2006)
A shift from mall punk to â80s metal showcases the ever-present nightmare that we live in a strange, strange, strange world, but Thousand Oaks, Californiaâs Halifax wouldnât have it any other way. The wackadoodle globalists also promised us tragedy by noticing said shift, and this LP, which is the bandâs lone Drive-Thru Records full-length studio album known as âThe Inevitability of a Strange Worldâ landed at 130 on the Billboard 200, and at #1 on Billboardâs Top Heatseekers, surprising most people outside of Nova Scotia. Their/our revolution was literally televised, as the band was featured just one year before on MTVâs âThe Real World: Austinâ along with aforementioned labelmates Hellogoodbye, making 2006 a total âI Told You Soâ year for the band. Sadly Halifax wasnât able to capture said momentum for eternity, as the band parted ways just four years later.
Hidden in Plain View âLife In Dreamingâ (2005)
Hidden in Plain View released their debut album âLife In Dreamingâ to a sea of underground praise but not mainstream acclaim. Pity, as this is one of the better post-hardcore releases from the aughts and we are not taking any questions on the matter. If youâre here, you likely heard this albumâs opening track âBleed For You,â which truly cuts like a band-aid, just one year prior to the release of âLife In Dreamingâ on 2004âs also underrated compilation âPunk The Clockâ featuring, wait for it, wait for it, various great bands to WATCH that sadly also didnât explode outside of the punk rock world like Acceptance, Letter Kills, My American Heart, and Ritchie Valens.
Home Grown âKings of Popâ (2002)
Whether you spell the band name as one word or two, Orange Countyâs Home Grown has a legacy that should last until much later than tomorrow, and we wonât forever and ever X infinity give up our love for this underrated by definition effort. Clearly, weâre not alone, as âKings of Pop,â Home Grownâs third and only full-length album for Drive-Thru Records has many hardcore but not that many easycore fans. The band became a power trio for this one, which provided a solid blueprint for early-aughts pop-punk, and tightened their already stacked AF sound like a long, long rope that pulls tasty, tasty treats to all with tree fiddy, regardless of whether said eaters will kiss you, diss you, never fall in love with you, or eventually leave you like everyone else always does. However, the band split just two years later, with zero signs of a comeback.
I Am the Avalanche âSelf-Titledâ (2005)
Vinnie Caruana is a smart and prolific man always and forever. After the fall of the also underappreciated and yet-to-be-listed Long Island rock act The Movielife, Caruana capitalized on his former bandâs rising yet stifled momentum, formed the punk rock I Am the Avalanche, and released their self-titled debut album in the fall of 2005. Vinnie wins the badass award for this ranking article, as his murderous green eyes front two symphonic bands listed here, and fans dead and gone happily took a beating in the name of this albumâs twelve tracks. Honestly, their follow-up effort, âAvalanche Unitedâ is peak IATA, but it was released via a different label so forget we mentioned it.
Midtown âLiving Well Is The Best Revengeâ (2002)
Midtown was poised to climb to the heights of punk or âpunkâ if youâre feeling nasty like Janet Jackson but not J Lo peers like Good Charlotte, Simple Plan, Something Corporate, and Parliament with âLiving Well Is The Best Revenge,â the bandâs sophomore studio album. Despite its sonic and songwriting superiority to every track on their debut LP âSave the World, Lose the Girlâ except âJust Rock and Roll,â the best revenge was that the band didnât live THAT well despite their GQ clothes. Still, this eleven track banger of a record, which also features vocals from demigod Vinnie Caruana, has zero filler, many vegan seitan grillers, no tunes from Attila, or meh sequels featuring your friend and ours, Ben(jamin) Edward Meara Stiller. The band left DTR for Columbia Records for this albumâs follow-up, âForget What You Know,â but disbanded just one year later.
The Movielife âForty Hour Train Back to Pennâ (2003)
Fans of index finger-pointing aggressive crowdsurfing pop punk likely have lyrics from this album tattooed on their lower backs, but itâs actually a solid effort for non-elitists as well. Still, the band came to an abrupt end shortly after this one hit stores, in fact in that very year, and Movielife fans had to wait fourteen years for a follow-up via Rise Records, home to non-similar genre and non-peers in any creative way that doubles as metalcore STAHS Crown The Empire, Memphis May Fire, Kublai Khan, and Johnny Lawrence called âCities In Search Of A Heart,â which might be the most âemoâ album title of 2017 not called âFall You Againâ; moon blood canât swim in a clogged heart or any of the great lakes except for Lake Superior… Weâre still laughing ourselves to death from that dad joke.
Rx Bandits âProgressâ (2001)
For some odd reason, Orange Countyâs Rx Banditsâ various follow-ups to âProgressâ get way more public and private accolades than this one, even though we firmly believe that âThe Resignationâ and beyond wouldnât have been possible had the band not bridged the gap between âHalfway Between Here and Thereâ and endearingly weird yet extremely musical. âProgressâ came out in 2001, not too long after the third wave/ska-punk world was lambasted, feared, critiqued, and put out to pasture, and the polarizing in the best way Rx Bandits brought a depth to said universe that was unheard, unseen, unfiltered, and unkempt prior. Anyone but you knows the truth about these fifteen tracks that frenetically challenge each listener to question the answers, turn the radio off, say hello to rockview, and in utero till the cows come home… And now the band is hipster-approved!
Steel Train âTrampolineâ (2007)
Letâs end this piece with a firecracker take: Before Taylor Swift, fun., Bleachers, and see-saws covered in Hubba Bubba Original Bubble Tape and pre-cum, Sports & Arts Center at Island Lake alumnus Jack âI Had A Heavy Hand In All Recorded Musicâ Antonoff fronted a band called Steel Train that put the âbuskâ in busking, and âtrustâ in trust fund. While the band went out with a bang via their non-DTR self-titled LP, 2007âs âTrampolineâ is without question their most superior album, and easily a top ten Drive-Thru Records release. If you disagree, ask the nepo baby cast of âGirls,â but not their unlikable and deplorable characters like Hannah Horvath; these jerks are not women that we belong to. Also, âTrampolineâ is the least Mark Trombino of all Trombino productions, and the previously mentioned Finch fools and TSL loons will agree at any hour, unless it is 2:00.