As keepers of the 3rd wave flame, Reel Big Fish are true ska legends. Over the years, RBF have released 9 studio albums showcasing their brand of fun, silly-yet-depressing, and most of all danceable ska music. So we dusted off our favorite pork pie hat and dressed head-to-toe in checkered clothing to give you the definitive ranking of every Reel Big Fish album.
9. Candy Coated Fury (2012)
In 2012, after several decades of ska-punking, the Reel Big Fish honed in on their signature “happy music/angry lyrics” combo. It’s literally right there in the album title. This record isn’t bad if you’re already a fan but it feels like a paint-by-numbers RBF album that any ska band could have written.
Play it again: Everyone Else is an Asshole
Skip it: Hiding in my Headphones
8. Life Sucks…Let’s Dance! (2018)
Life Sucks…Let’s Dance! is the follow-up to Candy Coated Fury. Over the six years in between these albums, the Fish continued to double down on their signature songwriting style and cranked out some more sad and dancy songs for the kids, except this time the record sounds a bit more inspired. Still mostly recommended for those already fans of the band.
Play it again: Ska Show
Skip it: Another Beer Song
7. Monkey’s for Nothin’ and the Chimps for Free (2007)
This album is the sound of freedom. Specifically, the freedom that comes from being dropped by a major label. Finally, the Fish could put out any songs they wanted! And what they put out was… well, fine. There are some solid tracks on here but nothing you can’t get from some of RBF’s past (and better) albums. Hell, some of those songs are actually on this record as the band re-recorded some from “Everything Sucks,” which is a big reason this album is ranked above the previous two.
Play it again: ‘Til I Hit the Ground
Skip it: Another F.U. Song
6. Fame, Fortune, and Fornication (2009)
Reel Big Fish is known for their covers. This album contains all the skank-i-fied versions of a bunch of catchy songs you know and love. And some you’re even probably sick of! Like “Brown Eyed Girl.” Seriously, did we really need another cover of that one?
Play it again: Monkey Man
Skip it: Brown Eyed Girl
5. We’re Not Happy ‘til You’re Not Happy (2005)
For most of the previous albums on this list, Aaron Barrett’s angry and bitter lyrics target life in general. His scathing words on this record are a little more pointed. At this time in the band’s career, ska was mostly considered a joke in the music industry and on music forums, and this album certainly retorts that sentiment head-on. Fire this one up and pick a fight with a friend over petty jealousy. It’s the perfect soundtrack for that.
Play it again: Don’t Start a Band
Skip it: The Bad Guy
4. Everything Sucks (1995)
Going all the way back to 1995, this pre-Sell Out record sounds exactly like you’d expect a local ska band to sound in the 90s. Its recording is a little rough and the performances focus more on heart than technique, yet the songwriting clearly shows a promising band on the rise. You can find a lot of these songs re-recorded on future albums but this is a solid and unique listen from start to finish.
Play it again: I’m Cool
Skip it: Jig
3. Cheer Up! (2002)
After exploding in popularity for 3 months in 1996, 3rd wave ska was mostly seen as a goofy 90s fad. By the early 2000s, many ska bands were vocal about their record labels rejecting any songs that contained upstrokes or too many horn parts, leading to many ska albums of this time being classified as “rock with horns” by fans. Cheer Up is Reel Big Fish’s “rock with horns” album and it’s fantastic. RBF wrote what could have been the saddest 80s hair metal album if Aaron Barrett was born just a few years earlier.
Play it again: Drunk Again
Skip it: Dateless Losers
2. Turn the Radio Off (1996)
This is Reel Big Fish’s most well-known album. And for good reason: it has a moderately successful single on it which, in perfect RBF irony, is a song about selling out. “Turn the Radio Off” is the album that proliferated the sound most people still think of today when they hear the word “ska.” You can love them or hate them for that, but it’s true.
Play it again: Alternative, Baby
Skip it: 241
1. Why Do They Rock So Hard? (1998)
After the massive success of Turn the Radio Off, Reel Big Fish released their magnum opus, colloquially referred to by fans as “White Trash.” WDTRSH picks up where RBF left off by reinventing ska and adding a massive amount of influence from the guitar-heavy bands Aaron Barrett grew up listening to. The lyrics on the album come across as extremely personal and vulnerable. It’s like Weezer’s Pinkerton except without all the… unpleasantness.
Play it again: Down in Flames
Skip it: Scott’s a Dork




















The Skiba experiment proved to be extremely adequate, and just when we finally got used to this lineup last year they went ahead and went back to normal. There were definitely worse options out there to replace Tom DeLonge. Just imagine Blink-182 with Rome or Blink-182 featuring the singer of Creed. Things could’ve been disastrous.
We like Matt Skiba and all, but he doesn’t do that thing where he pronounces “head” as “yead” like a certain DeLonge does and by golly, it’s one of the reasons we like Blink in the first place.
Don’t be fooled by the rough demo-like audio quality, there are a lot of bright spots on this album. From Tom’s slick guitar in “M+M’s” or Mark’s catchy bassline in “Carousel,” their musicianship is prevalent early on in their career despite their attempts to undermine it with edgelord humor that would only crush in a middle school setting.
A lot of good things are happening on this album, but it also has major Angels and Airwaves energy. Clearly, Tom is knee-deep in that era where he believes aliens, UFOs, and outer space are real. That being said, I guess an A&A vibe is sort of preferable to Travis Barker pulling them in an Aquabats direction.
If you’re someone who likes records to contain a skit about having sexual relations with a horse and another where a dog is heard audibly slurping Mark Hoppus’ urine out of a toilet then buddy, do I have an album for you. Solid from start to finish otherwise.
It’s never a good sign when a band’s fifth album is self-titled or worse yet untitled, but this one is an exception. It also somehow feels like their most adult one up to that point. They grow up fast, don’t they? And just like real life: When you finally put it all together, you take an eight-year break to focus on less lucrative hobbies.
Remember that brief moment of time during that summer just after you graduated high school but right before you had to choose between taking out crippling student loan debt that would take decades to pay off or else being disqualified from 85% of careers? That’s this album. Aggressively carefree even though shit’s about to get real any minute now.
Not exactly going against the grain with this pick. An intellectually savvy critic might subvert expectations and go with “Neighborhoods” or dare I say “California.” But we’re not real music journalists. We dropped out of community college. Anyway, this is the one.
