The Juliana Theory are part groundbreaking melodic emo and part New Kids on the Block. The band was able to âpopifyâ ’90s emo in a way that didnât detract from the best parts of the genre. They deserve at least some of the credit that often goes solely to The Get Up Kids for influencing the sound of 2000s pop punk/emo. Plus, I bet TJT would take that compliment a lot better than Matt Pryor does.
The Juliana Theory evolved their sound over time and made some great rockânâroll-meets-emo records on the back half of their initial run as a band. Recently, the band reformed as a duo, consisting of the two members who clearly had ownership of the band name.
So without further ado, we ranked all of The Juliana Theory albums and weâre still not sure if theyâre a Christian band.
5. A Dream Away (2021)
After reforming, Brett Detar and Joshua Fielder released this album consisting of one new song and an acoustic/folk/orchestral âreimaginingâ of many TJT classics. Itâs a great listen for diehard fans who want to hear a softer version of songs they love. In general, however, itâs only just okay. And since itâs full of beloved songs, thatâs not the best endorsement. It doesnât ruin the songs at least. It sounds more like a YouTuber doing genre-swap videos. Alex Melton could have crushed this is all Iâm saying. The beginning of the video for âWeâre at the Top of the Worldâ is pretty sweet though. I wonât spoil it, so definitely check it out. âA Dream Awayâ showcases how well-written some of these songs are. Personally, my biggest takeaway from this record is that Iâm dying for an entire album of different versions of âIf I Told You This Was Killing Me, Would You Stop?â
Play it again: âIf I Told You This Was Killing Me, Would You Stop?â
Skip it: âBetter Nowâ
4. Love (2003)
Eternally beloved by some, bitterly hated by others. This is Juliana Theoryâs most controversial record. Itâs likely due to the combination of its ’90s alt-rock influence and the fact that TJTâs third record had to follow up two melodic emo albums that were way ahead of their time. âDo You Believe Meâ is an undeniable hit regardless, and the album has grown on many fans over the years. Unfortunately, a lot of tracks on this record really feel phoned in. Itâs almost as if the band felt like they were at the top of the world and coasted after the success of that super poppy song from âEmotion is Dead.â
Play it again: âDo You Believe Meâ
Skip it: âThe Hardest Thingsâ
3. Deadbeat Sweetheart (2005)
Talk about a fucking sleeper hit album. The Juliana Theory figured out the perfect mix of emo and alternative rock on âDeadbeat Sweetheart.â The energy and raw sound of a band rocking out in one room are captured beautifully on this record. Unfortunately, this was in the twilight of the bandâs stint in mainstream relevancy so the record didnât get the chance it deserved. Fortunately, they didnât âreimagineâ any of these gut-punch masterpieces as toothless, whimpering acoustic tracks on their latest album. Donât get me wrong, toothless and whimpering are great qualities for an acoustic emo track, just not for these songs. If you were a Juliana Theory fan who passed over this one, go back and give it another chance. Especially songs like âShotgun Serenade,â âLeave Like a Ghost (Drive Away),â and âMy Heart is a Soldier.â
Play it again: âMy Heart is a Soldierâ (particularly the last minute, holy shit)
Skip it: âFrench Kiss Offâ
2. Understand This Is A Dream (1999)
This album is far more influential than it gets credit for. Often, 2000s emo/pop punk bands will cite The Get Up Kids and A New Found Glory (back when they had the âAâ in their name) as early influences. One listen to âUnderstand This Is A Dreamâ and itâs clear TJT has a place in the Mount Rushmore of bands that inspired the soundtrack to many teensâ 2000s. The fourth spot goes to âI hate myselfâ by the way. The songs are pretty pitchy and recorded a little loose, which is PERFECT for the genre mix on this album. The slower tracks helped lay the blueprint for the exact type of âemo balladâ that you can still hear in emo and emo-adjacent genres to this day. Check out any early Juliana Theory live recordings you can find to hear these songs at their absolute best.
Play it again: âConstellationâ
Skip it: âThe Closest Thingâ
1. Emotion Is Dead (2000)
So⌠whoâs ready to cry? âEmotion Is Deadâ is a non-stop emotional campfire singalong over catchy melodies and earworm hooks. It incorporates even more elements into their sound that countless 2000s emo bands would adopt such as carefully placed screams. TJT plays with structure, harmony, and time signature on this record, with a pop sensibility that nearly no bands in their genre could match at the time. While it would seem to be a cruel fate that the bands this record helped inspire would vastly eclipse TJT in a few short years, at least the band can rest easy knowing their importance in helping shape a mainstream musical revolution that would eventually make âalternativeâ music the norm. Ya know, or they can rehash their old stuff and tour as half a band. Either way.
Play it again: âIf I Told You This Was Killing Me, Would You Stop?â
Skip it: âWeâre Nothing Without Youâ

A lot of longtime fans reflexively hated this album for dumb reasons: It was on a big record label (the horror!), the bandâs sound had veered into a more polished pop with danceable moments, and the outfits Jenny Lewis was wearing were âtoo short.â Guys, the lyrical theme and aesthetic were literally the seedy Las Vegas underworld. Also, women can wear whatever they want. Anyway, embrace the evolution â itâs still a solid album, especially the first half, which includes the very boppy (and sadly prescient) âBreakinâ Up.â
The famously rare debut album. For decades, the only version that many of us âownedâ was cobbled together from low-bitrate mp3s circulated on fan sites. Do you feel old just reading that? Now anyone can just listen to the entire thing on Spotify whenever. Magic! Overall, this album still sounds like a debut. Which isnât a bad thing. Later on, weâd see the band hone their sound, but the stylistic unevenness and extra-kooky metaphors on here are also fun. And luckily that lyrical rawness stuck around.
Compilations are usually throwaways in one of two categories: 1) Repackaged nothingness. Or 2) âWhoops, the whole band hates each other now, but we owe one more album in our contract.â This is the exception. Weâve got energetic rockers like âItâll Get You Thereâ and âPatiently,â the catchy âI Remember You,â and many other gems that deserved to be scooped up from the cutting-room floor. Maybe some band members werenât on great terms at this point â just listen to those thinly veiled lyrical digs in their non-RK songs â but hey, we got a ânewâ album and they made more money. Everyone won.
The era of 2001 to 2004 is known for some pretty bad things (low-rise jeans, 9/11, etc.). But it was a phenomenal time for the Rilo Kiley discography. All three albums from this chapter feature, in differing ratios, the bandâs signature sound elements: guitar-driven rock, hushed twangy folk, pop, blip-bloop electronic weirdness, and vintage flourishes. This one tilts slightly more toward the folky and little offbeat instrumental bits, which might be more your thing and thatâs valid. You will not convince me low-rise jeans (or 9/11, just for the record) are good, though.
Before you freak out because this very popular album, which features Rilo Kileyâs most well-known song âPortions for Foxes,â is not ranked number one, please keep in mind that one time at a show, Jenny Lewis personally handed me flowers from the stage. Iâm pretty sure this means that weâre married and also that my all rankings are indisputably correct. Anyway, âMore Adventurousâ effortlessly covers everything from messy annoying romances to existential crises, with even more lush strings and brass sections chiming in. But not so polished and poppy that it upset the highly upsettable indie kids! Whew. Way to thread that needle!
Just like how the closing track âSpectacular Viewsâ says âThere are no bad words for the coast today,â there are no bad words to say about this album. The lyrics crash into your soul like those ocean waves, built on restrained slow builds, delicate verses, big shouting choruses, and beautifully layered arrangements. It all hits as hard in adulthood as it did when we were confused teens and college kids. You might even still consider tattooing an entire song etched across your back even though that sounds like itâd hurt a lot. But not as much as the fact that the band no longer ⌠never mind, weâve done that one enough at this point and weâre all sobbing already.
âiF YOu do n0t PaId us we Wil send VIdEo to Everys enerGy,.. USer in AMeRic?a Yuo NaughtY boYâ
âThe biggest threat, the best threat, huge.â
Or should we say, comrades? LOL, love you Russia! xoxoxođđđ
âThey really should make âoffâ the default.â
âMOVE it along, nothing to see here.â
This could compromise America’s ability to “unleash the beast” in the event of an emergency.
Lock your doors, get a gun, and make your peace with God.
They may actually be better now.
âIn 800 feet, in Soviet Russia, left turns you?â
“Or the Chinese, but not Russians!”
âWe donât know why âload sizeâ is such a selling point but all in all this is exciting news for the Department of Energy.”