Before you get into these rankings it’s important you understand that the worst album from The Get Up Kids is still better than 90% of the other “emo” bands of the era. The Get Up Kids are on the Mount Rushmore of emo bands, and I’m not talking about the Myspace/Hot Topic emo that turned the entire genre into a punchline to be ridiculed by guys named Luke who drive a Jeep and pose for Christmas photos holding various assault rifles. Anyway, let’s get into it.
6. On a Wire (2002)
In 2002 The Get Up Kids were riding high. Emo music was about to take over every high school drama department, they had just toured with Weezer (who were still somewhat respectable at the time), and they were flirting with the mainstream. Then they released “On a Wire.” It’s like your favorite team had just won the championship, and then the next season they came back, filled the water jug with liquid shit, and started devouring the diarrhea in front of everyone. I’ve lost the thread here, but this album isn’t their best.
Play it again: “Campfire Kansas”
Skip it: All other songs on the album
5. Guilt Show (2004)
This is by no means a bad album, in fact if it’s the first The Get Up Kids album you ever heard you probably have a fondness for it, but unfortunately you’re wrong and you need to understand that. “Guilt Show” just lacks the special sauce that makes TGUK so replayable. The tempo is a bit too slow, there seems to be a country twang to the whole thing, and for that reason, it’s low on this official list.
Play it again: “How Long is Too Long”
Skip it: “Sick In Her Skin”
4. There Are Rules (2011)
This is the biggest departure stylistically for The Get Up Kids, but it makes sense in its own way. You can hear The Pixies, Failure, and new wave influences throughout, and I’m just going to assume The Get Up Kids kids are fans of those bands and new wave in general. If I’m wrong then I’ll eat a car tire. The entire fucking tire, steel band and all. I’m being serious, if you can provide me with written proof that I am wrong then we can go to the Costco Tire Center by my house and I’ll start chowing down. No condiments, no water, all rubber, and metal.
Play it again: “Tithe”
Skip it: Rally ‘Round the Fool
Honorable Mention: Eudora (2001)
Unfortunately, compilation albums aren’t allowed to be ranked. Including them in a rankings list will often get you on some sort of terrorist watch list. But we are going to try to sneak this under the radar, and hopefully next time I fly I’m not subjected to a full cavity search. This comp has a lot of B-sides and covers. Some of the covers are arguably better than the originals, others are a waste of time entirely. Sidenote, I got banned from the mall for stealing this CD before an orthodontist appointment back in 2001. The good old days.
Play it again: “Close to Me”
Skip it: “Beer for Breakfast” (No self-respecting straight edge person actually listens to this cover)
3. Problems (2019)
That’s right, it’s not often a band’s newest album is this high on a list. But, for the most part, the Get Up Kids had a return to form with “Problems.” The majority of the songs are upbeat, Matt Pryor is really belting out those lyrics, and if this was an album that came out during the time people were forced to listen to CDs I’d know every lyric, but since streaming ruins everything I never think to listen to it, still good though.
Play it again: “The Advocate”
Skip it: “Waking Up Alone”
Honorable Mention: The EP’s: Red Letter Day & Woodson (2001)
“Woodson” is the first music The Get Up Kids released and it’s got more of an edge. The songs are yelled a little bit more than they are sung, and it’s amazing. “Red Letter Day” is the first release featuring James Dewees on keyboards and it took The Get Up Kids from a good band, to a great band. Also, I had a friend who claims he dated the woman “Mass Pike” was written about. I think he’s a liar, but don’t let that ruin this collection of songs for you.
Play it again: “Second Place”
Skip it: Listen to every song, it won’t take long.
2. Four Minute Mile (1997)
The Get Up Kids came out of the gate firing with their debut album. When I listened to this album as a 16-year-old I thought the guys in the band had lived multiple lives. They sang about lost love, setting off on your own, and creating your own life. Then I learn they were still teenagers when they wrote it and it made me realize I had done nothing with my life, and because I’m consistent, I’ve still done nothing with my life, and this album is a brutal reminder of that.
Play it again: “No Love”
Skip it: “Michelle with One ‘L’”
1. Something to Write Home About (1999)
You already knew this was going to be ranked number 1. This is as close to perfect of an album as you can get. Catchy hooks, singalongs, songs you can put on a mixtape and not feel like a complete tool, it has it all. And don’t pretend you never drove home alone on a Friday night in the car you inherited from your grandma after her untimely death screaming all the words to “Out of Reach” and thinking to yourself “I’ll be alone forever.” We’ve all been there.
Play it again: “Holiday”
Skip it: There are no songs you can skip, but maybe you can stop listening after “Close to Home” if you aren’t in the mood for a slow song.






It’s no coincidence that Fall Out Boy’s most mainstream album is also our least favorite. Sure, there are some real gems if you listen beyond the overplayed singles, but we’ve heard “Centuries” too many times to count. Would it kill the NFL music supervisors to play “Irresistible” or the title track instead? For Christ’s sake, even “Immortals” was easier to avoid and that shit was in “Big Hero 6.”
Perhaps if “Young And Menace” dropped after 100 gecs made nightcore cool again, more people would’ve come around to this one. While not without its faults, there are a lot of interesting moments happening throughout this album with the exception of failed jock jam “Champion,” a rare low point for Fall Out Boy. If you’re going to make a weird album, don’t stick a bland radio single in there — commit to the chaos.
We don’t want to rank it too high lest recency bias clouds our judgment, but Fall Out Boy’s first new album in five years is pretty damn good. The opening guitar solo on “Love From The Other Side” brings back fond memories of listening to their earlier records. Though it’s unclear what Patrick Stump is saying on certain tracks, the fact that we’re scrambling to search up lyrics proves Fall Out Boy is back.
Despite its title, Fall Out Boy’s first album since returning from their hiatus is more focused on saving pop-rock than rock and roll. It doesn’t even defend pop punk. Still, it’s genuinely exciting to hear the band’s renewed chemistry on collaborations with the likes of Courtney Love and Elton John. Whether you’re moved by the soulful vocals or sad to hear music that doesn’t sound like it came out in 2005, you’ll shed tears for the powerful title track.
This was our favorite Fall Out Boy album once upon a time. Unfortunately, that time was 2003 and we’ve moved on with our lives. These songs will always hold a special place in our hearts and our high school journals, but we’d be lying to ourselves if we said this was their best work. Would you say Nirvana’s “Bleach” is better than “Nevermind?” Oh, you’re one of those people who would. Nevermind.
Like New York’s hottest club, this album has everything: A Jay-Z feature, some glorious guitar solos, and a touching nod to Leonard Cohen’s “Hallelujah.” It’s radio-friendly enough to get away with at the gym yet it rocks hard enough to please your purist friends who insist Fall Out Boy haven’t made a good album since this one. Also, the cover art features an adorable sheep named Franklin. His presence alone puts this in the top 3.
It will be a sad day when the “Joker” sequel makes it impossible to discuss this album without people thinking you’re talking about Joaquin Phoenix and Lady Gaga. We live in a society where that film might win Oscars while this masterpiece doesn’t even have a Grammy nod to its name. Newer Fall Out Boy fans might not remember, but Pete Wentz went method during this era for the “I Don’t Care” music video. Where’s his awards buzz?
With the angstiest lyrics, catchiest melodies, and longest song titles, this is the quintessential Fall Out Boy album for good reason. Breakout hits “Dance, Dance” and “Sugar We’re Goin Down” are just as exciting now as they were 15 years ago, though it’s disorienting to hear them on the classic rock station these days. Even kids who were in diapers when this came out can find catharsis in how Pete Wentz wears his heart on his Clandestine Industries sleeve.