The Juliana Theory are part groundbreaking melodic emo and part New Kids on the Block. The band was able to “popify” ’90s emo in a way that didn’t detract from the best parts of the genre. They deserve at least some of the credit that often goes solely to The Get Up Kids for influencing the sound of 2000s pop punk/emo. Plus, I bet TJT would take that compliment a lot better than Matt Pryor does.
The Juliana Theory evolved their sound over time and made some great rock’n’roll-meets-emo records on the back half of their initial run as a band. Recently, the band reformed as a duo, consisting of the two members who clearly had ownership of the band name.
So without further ado, we ranked all of The Juliana Theory albums and we’re still not sure if they’re a Christian band.
5. A Dream Away (2021)
After reforming, Brett Detar and Joshua Fielder released this album consisting of one new song and an acoustic/folk/orchestral “reimagining” of many TJT classics. It’s a great listen for diehard fans who want to hear a softer version of songs they love. In general, however, it’s only just okay. And since it’s full of beloved songs, that’s not the best endorsement. It doesn’t ruin the songs at least. It sounds more like a YouTuber doing genre-swap videos. Alex Melton could have crushed this is all I’m saying. The beginning of the video for “We’re at the Top of the World” is pretty sweet though. I won’t spoil it, so definitely check it out. “A Dream Away” showcases how well-written some of these songs are. Personally, my biggest takeaway from this record is that I’m dying for an entire album of different versions of “If I Told You This Was Killing Me, Would You Stop?”
Play it again: “If I Told You This Was Killing Me, Would You Stop?”
Skip it: “Better Now”
4. Love (2003)
Eternally beloved by some, bitterly hated by others. This is Juliana Theory’s most controversial record. It’s likely due to the combination of its ’90s alt-rock influence and the fact that TJT’s third record had to follow up two melodic emo albums that were way ahead of their time. “Do You Believe Me” is an undeniable hit regardless, and the album has grown on many fans over the years. Unfortunately, a lot of tracks on this record really feel phoned in. It’s almost as if the band felt like they were at the top of the world and coasted after the success of that super poppy song from “Emotion is Dead.”
Play it again: “Do You Believe Me”
Skip it: “The Hardest Things”
3. Deadbeat Sweetheart (2005)
Talk about a fucking sleeper hit album. The Juliana Theory figured out the perfect mix of emo and alternative rock on “Deadbeat Sweetheart.” The energy and raw sound of a band rocking out in one room are captured beautifully on this record. Unfortunately, this was in the twilight of the band’s stint in mainstream relevancy so the record didn’t get the chance it deserved. Fortunately, they didn’t “reimagine” any of these gut-punch masterpieces as toothless, whimpering acoustic tracks on their latest album. Don’t get me wrong, toothless and whimpering are great qualities for an acoustic emo track, just not for these songs. If you were a Juliana Theory fan who passed over this one, go back and give it another chance. Especially songs like “Shotgun Serenade,” “Leave Like a Ghost (Drive Away),” and “My Heart is a Soldier.”
Play it again: “My Heart is a Soldier” (particularly the last minute, holy shit)
Skip it: “French Kiss Off”
2. Understand This Is A Dream (1999)
This album is far more influential than it gets credit for. Often, 2000s emo/pop punk bands will cite The Get Up Kids and A New Found Glory (back when they had the “A” in their name) as early influences. One listen to “Understand This Is A Dream” and it’s clear TJT has a place in the Mount Rushmore of bands that inspired the soundtrack to many teens’ 2000s. The fourth spot goes to “I hate myself” by the way. The songs are pretty pitchy and recorded a little loose, which is PERFECT for the genre mix on this album. The slower tracks helped lay the blueprint for the exact type of “emo ballad” that you can still hear in emo and emo-adjacent genres to this day. Check out any early Juliana Theory live recordings you can find to hear these songs at their absolute best.
Play it again: “Constellation”
Skip it: “The Closest Thing”
1. Emotion Is Dead (2000)
So… who’s ready to cry? “Emotion Is Dead” is a non-stop emotional campfire singalong over catchy melodies and earworm hooks. It incorporates even more elements into their sound that countless 2000s emo bands would adopt such as carefully placed screams. TJT plays with structure, harmony, and time signature on this record, with a pop sensibility that nearly no bands in their genre could match at the time. While it would seem to be a cruel fate that the bands this record helped inspire would vastly eclipse TJT in a few short years, at least the band can rest easy knowing their importance in helping shape a mainstream musical revolution that would eventually make “alternative” music the norm. Ya know, or they can rehash their old stuff and tour as half a band. Either way.
Play it again: “If I Told You This Was Killing Me, Would You Stop?”
Skip it: “We’re Nothing Without You”

A lot of longtime fans reflexively hated this album for dumb reasons: It was on a big record label (the horror!), the band’s sound had veered into a more polished pop with danceable moments, and the outfits Jenny Lewis was wearing were “too short.” Guys, the lyrical theme and aesthetic were literally the seedy Las Vegas underworld. Also, women can wear whatever they want. Anyway, embrace the evolution — it’s still a solid album, especially the first half, which includes the very boppy (and sadly prescient) “Breakin’ Up.”
The famously rare debut album. For decades, the only version that many of us “owned” was cobbled together from low-bitrate mp3s circulated on fan sites. Do you feel old just reading that? Now anyone can just listen to the entire thing on Spotify whenever. Magic! Overall, this album still sounds like a debut. Which isn’t a bad thing. Later on, we’d see the band hone their sound, but the stylistic unevenness and extra-kooky metaphors on here are also fun. And luckily that lyrical rawness stuck around.
Compilations are usually throwaways in one of two categories: 1) Repackaged nothingness. Or 2) “Whoops, the whole band hates each other now, but we owe one more album in our contract.” This is the exception. We’ve got energetic rockers like “It’ll Get You There” and “Patiently,” the catchy “I Remember You,” and many other gems that deserved to be scooped up from the cutting-room floor. Maybe some band members weren’t on great terms at this point — just listen to those thinly veiled lyrical digs in their non-RK songs — but hey, we got a “new” album and they made more money. Everyone won.
The era of 2001 to 2004 is known for some pretty bad things (low-rise jeans, 9/11, etc.). But it was a phenomenal time for the Rilo Kiley discography. All three albums from this chapter feature, in differing ratios, the band’s signature sound elements: guitar-driven rock, hushed twangy folk, pop, blip-bloop electronic weirdness, and vintage flourishes. This one tilts slightly more toward the folky and little offbeat instrumental bits, which might be more your thing and that’s valid. You will not convince me low-rise jeans (or 9/11, just for the record) are good, though.
Before you freak out because this very popular album, which features Rilo Kiley’s most well-known song “Portions for Foxes,” is not ranked number one, please keep in mind that one time at a show, Jenny Lewis personally handed me flowers from the stage. I’m pretty sure this means that we’re married and also that my all rankings are indisputably correct. Anyway, “More Adventurous” effortlessly covers everything from messy annoying romances to existential crises, with even more lush strings and brass sections chiming in. But not so polished and poppy that it upset the highly upsettable indie kids! Whew. Way to thread that needle!
Just like how the closing track “Spectacular Views” says “There are no bad words for the coast today,” there are no bad words to say about this album. The lyrics crash into your soul like those ocean waves, built on restrained slow builds, delicate verses, big shouting choruses, and beautifully layered arrangements. It all hits as hard in adulthood as it did when we were confused teens and college kids. You might even still consider tattooing an entire song etched across your back even though that sounds like it’d hurt a lot. But not as much as the fact that the band no longer … never mind, we’ve done that one enough at this point and we’re all sobbing already.
“iF YOu do n0t PaId us we Wil send VIdEo to Everys enerGy,.. USer in AMeRic?a Yuo NaughtY boY”
“The biggest threat, the best threat, huge.”
Or should we say, comrades? LOL, love you Russia! xoxoxo😘😘😘
“They really should make “off” the default.”
“MOVE it along, nothing to see here.”
This could compromise America’s ability to “unleash the beast” in the event of an emergency.
Lock your doors, get a gun, and make your peace with God.
They may actually be better now.
“In 800 feet, in Soviet Russia, left turns you?”
“Or the Chinese, but not Russians!”
“We don’t know why “load size” is such a selling point but all in all this is exciting news for the Department of Energy.”