Well folks, it’s been another week in a seemingly endless cycle of weeks. Like Sysiphus and his rock, you’ve done meaningless tasks that seem to generate even more meaningless tasks. It’s time to take a break from the hustle and bustle and focus on what matters: tricking your streaming service algorithm into auto-playing new and relevant music to dazzle your friends on drives and at parties. Here are six brand new songs that will hopefully make the bots think you actually care about current trends in music and art.
Pinhead Gunpowder “Unt”
Billie Joe Armstrong’s longtime side project, Pinhead Gunpowder, released their first and only proper full length album nearly thirty years ago. Other than a handful of EPs, we’re not sure what Armstrong has been doing the last few decades. It seems that he’s finally come to his senses, though. That’s right, Pinhead Gunpowder is back. Their latest single and title track to their forthcoming album ‘Unt’ is bare bones power pop that will make you long for the days you could skate without your knee making that weird noise.
Genital Shame “Out of My Hands”
Pittsburgh’s Genital Shame – the solo project of super-shredder and multi-instrumentalist Erin Dawson – just released a new EP. As is true on previous releases, ‘As Good As A Kiss’ is a confounding listen that pushes the boundaries of black metal while practically redefining the genre in its entirety. It’s hard to imagine such a sonic assault – we mean that as a compliment – being produced by just one person, but Dawson has done it and we hope she never stops.
Video Age “Record Shop”
New Orlean’s Video Age has been crafting delicate and dreamy indie-pop since their formation in 2016. Their West Coast meets the South sound pairs well with attempting to smile for once and pretending nothing scary is ever happening in the world. Their latest track, an innocent ode to crate digging entitled ‘Record Shop,’ will help you accomplish both for three of the most pleasant minutes of your week.
MJ Lenderman “On My Knees”
MJ Lenderman’s highly anticipated album ‘Manning Fireworks’ is finally here. While Lenderman cranks the gain in his breakout project Wednesday, his solo material leans heavier into the more pensive Americana infused side of the indie rock realm. Album highlight ‘On My Knees’ splits the difference well but the entire record will have you itching to pick up your guitar for five minutes before getting frustrated with yourself again.
Ethel Cain “For Sure (American Football cover)”
Like most nerds, we often find ourselves wishing our favorite American Football songs would never end. No one can promise forever, but Ethel Cain has the next best thing. Recorded for the 25th anniversary of American Football’s eponymous debut, the experimental artist’s dreamy-as-fuck version of ‘For Sure’ clocks in at nearly 10 minutes, which may as well be an eternity considering modern attention spans.
Soft Kill “Circles (Dag Nasty cover)”
Portland post-punk quartet Soft Kill have been operating at a dizzying clip recently, and it seems they are physically incapable of not releasing music. While this kind of output could yield inconsistent results for a lesser band, Soft Kill has offered nothing but gold. Their latest EP, ‘Roseland,’ comes in at the heels of this year’s excellent LP ‘Escape Forever.’ Its three tracks encapsulates the band’s growth over the years, and the Dag Nasty cover is a nice finishing touch.
Because we know you’re too despondent to do it yourself, we’ve compiled these and several other questionable tunes into a playlist for you. It’s literally the least we could do. Click here to like, follow, and trick your friends into thinking you’re a tastemaker in the world of punk, indie, hardcore and metal.

Recorded during a rather tumultuous time in the band’s history, and just before a hiatus that would last well over a decade, “Grotesque Blessings” is by no means a bad album. It’s just lacking something that definitively made every other album Broken Hope. The riffs at times feel technical just for the sake of being technical. If that’s your thing, more power to you, and the death metal bands willing to scratch that itch are a dime a dozen. There are flashes of their former brilliance, as “Earthburner” hearkens back to their early nineties sound, and “Wolf Among Sheep” has some headbang-worthy ferocity. And then comes “Internal Inferno”. Is that *gulp* nu-metal we hear around the two-minute mark? It was 1999, after all. Maybe it was best that we left these riffs, as well as the PlayStation 1 graphics on the album cover, to be consumed by the apocalyptic hellfire that swept the planet due to the Y2K bug.
Now we’re talking! Broken Hope’s 1991 opus is pretty much the polar opposite of “Grotesque Blessings,” as the riffs aren’t technical in the slightest. Joe Ptacek, the late, great guttural crusader, crawled out of the fucking swamp to introduce the world to a death growl that makes the infamous Brown Note sound like Seals & Crofts by comparison. This is a classic old-school death metal offering that’s filled with horror-influenced, vomit-inducing fun. Virtually every aspect of the band’s music would be improved upon by subsequent releases, but isn’t that supposed to be the case? For now, fix yourself a nice plate of fresh viscera and enjoy this album for what it is. Just resist the temptation to fork your loved ones in the eye when the double-bass in “Dismembered Carcass” kicks in.
We hate to harp on Joe Ptacek again, but GODDAMN that guy could growl. From the second the vocals in “Dilation and Extraction” kick in, we start swooning like a Baby Boomer at a Rick Springfield concert. This album is packed with groovy, slimy riffs that gave Morbid Angel’s “Domination” a run for its money and helped make 1995 a banner year for the neck brace industry. At 15 tracks, however, this one gets a little bloated in the back half with no real standouts (and it ends with a Twisted Sister cover? Really?) With that being said, the songs still slay, and plenty of fans top their Broken Hope lists with this bad boy. While we don’t necessarily take umbrage with that, we just feel it’s outshined by the albums below.
We know this one is a personal favorite amongst the brutal death metal crowd, so we have ensconced ourselves in our offices in anticipation of an invasion of angry middle-aged men in cargo shorts. Please be gentle with us; we bruise easily. On the whole, this is a killer album that serves as a greatly improved version of “Grotesque Blessings.” There’s still some overly technical wankery in the riffs, but with enough signature Broken Hope groove thrown in for a healthy balance. This one in particular goes hard in the whip, so blast “Auction of the Dead” if you’re looking for random metalheads to nod respectfully at your 2013 Honda Fit. Self-care is important.
Wow! Over a decade of crickets from the Broken Hope camp yields a truly stellar outing with a largely reformed lineup. New frontman Damian Leski steps into the shoes (actually, boots, who are we kidding?) left by Joe Ptacek and delivers a performance undoubtedly worthy of even the most discerning of fans. This album hits the sweet spot between the old school death metal they started with and the brutal death metal they helped to cultivate. Just listen to those grooves on “Womb of Horrors” to start it off. So sick! Throw some dynamic leads from guest guitarist Chuck Wepfer, and you’ve got a recipe for a really kickin’ vomit and severed body parts gumbo. Bon appetit!
This album took everything that was great about “Omen of Disease” and just gave us more of it. More headbang-y riffs, more gut-wrenching vocals, more killer guitar solos. Fuck yeah! Sole original member and rhythm guitarist Jeremy Wagner should get into corporate recruiting, because that motherfucker knows how to amass talent. The title track and, presumably, the instrumental “Beneath Antarctic Ice” are both influenced by John Carpenter’s “The Thing.” What more can a metalhead ask for? And just look at that album art. We have no clue what that is, but we’re secretly hoping it follows us on socials. So pump up the volume and angrily pour some J&B into your 1982 Chess Wizard computer. One more to go!
Go ahead and let the haunting and weirdly beautiful intro “Repugnance” lull you into a false sense of relaxation, because “The Dead Half” is going to emerge from the 7th layer of hell and force-feed you rotting human meat. Late drummer Ryan Stanek keeps you on your toes with ridiculous blast beats (just listen to “She Came Out in Chunks” and “Decimated Genitalia,”) and we think we’ve already gotten the message across on those vocals. Overall, this album is just a shining example of everything that makes old-school death metal great. Sickening, heavy, putrid, and mind-numbingly brutal. We probably have an article on Weezer forthcoming, so up your metal street cred in anticipation and give this a listen!