Ah, Halloween! The Octoberest holiday. The only major holiday that doesnât have a whole bunch of annoying-ass rules about how you can celebrate it, but much like âRick and Mortyâ is really ruined by the people who enjoy it the most.
But thereâs a lot to do on Halloween. Maybe you wanna carve some pumpkins. Maybe you wanna eat yourself into a diabetic coma thanks to all the candy. Maybe you wanna open a hell-mouth. Thereâs a charming one in upstate New York. Or maybe you just wanna invite some friends over for a movie night and watch somethinâ spooooooky.
But youâre not like all the others. No. You have class, you have taste, you have sophistication. You have a film degree, student debt, and probably – just probably – a million excuses about why the female orgasm is âunnecessary.â If that sounds like you, then we have a list for you. So put the blow-up doll away, quit drinking yourself to death (at least until Christmas) and call your friends over for a movie marathon. And once those sweet Janes and Johns are over at your place⌠give âem a nasty surprise with some of these arthouse horror flicks. If all goes well, theyâll probably never let you host movie night again.
50. Multiple Maniacs (1970)
Letâs start off with good olâ Mr. J himself, Pope of Trash John Waters. âMultiple Maniacsâ may truly be Watersâ masterpiece, superior at times even to âPink Flamingosâ and âDesperate Livingâ (both films that would rank negative numbers on this list). But this film is fun⌠with the right crowd. There is the type of person who would thrill at watching Divine fornicate with a giant lobster. There is a type of person who considers a chill-hang sesh to include graphic sex scenes intercut with images of the Crucifixion of Jesus Christ. These people are few and far between and should be treasured. But alas⌠as stated, they are few.
49. Suspiria (1977)
âSuspiriaâ is awesome. The colors are more colorful than any other colors have ever been. The soundtrack, oh my God, itâs so loud. And it is CON-STANT! To be fair, with the right crowd, âSuspiriaâ is loads of fun. Itâs exciting, the kills are creative, and there it influenced later horror films like âSaw,â but donât watch it with the squeamish. Thereâs a scene in this where you see a close up of a knife go into someoneâs beating heart.
48. The Cabinet of Dr. Caligari (1920)
Hereâs the thing, your friends will piss and moan and complain about you putting on a silent film. Thatâs why you should never tell them what youâre putting on in advance. Once they adjust, though, theyâre gonna have a wonderful time. Truly. âThe Cabinet of Dr. Caligariâ makes for a perfect introduction to silent films. Itâs fast, itâs genuinely scary and the dream-like atmosphere leant by the silent aspect actually helps the filmâs overall effect. Make your friends watch it. We guarantee theyâll give it five big, wet, sloppy kisses on the mouth out of five.
47. Hausu (House) (1977)
Whatâs fascinating about this film isnât just that it exists, but rather that it exists as the Japanese answer to âJaws.â This film follows a group of school girls who go to stay with one of their aunts, a reclusive old pianist who lives in the mountains. Based on childhood fears and blatantly artificial, this film is a darkly comedic acid trip that your friends may not want to take at first. But as it chips away at them, theyâll be glad they did.
46. Hereditary (2018)
Oh, what a lovely horror film. Itâs like if Wes Anderson directed âDonât Look Now,â my God, the colors are impeccable, Toni Collette, Ann Dowd, Gabriel Byrne, why⌠HOLY SHIT HER HEADâS GONE! And from that point on, this is not a film that makes for a pleasant evening in. The most uncomfortable scene of all is not even related to the horror elements, but in simply watching a grieving mother wail and scream: âI JUST WANNA DIIIIIIE!â Itâs a gutting film. And while friends may help to cut the tension, itâs not something that leaves a good taste in the mouth. Maybe watch âDream Warriorsâ instead.
45. It Follows (2014)
This is another one that can be hit or miss. If you have a more intellectual group of viewers, âIt Followsâ hits just right, as a paean to classic slashers and a meditation on aging, maturity and the sexualization of women. With the wrong people, though, this reads as an abstinence lecture. And thatâs what we recommend. Showing this to your sluttiest friends and chastising them. We all practice abstinence here at The Hard Times. Not a popped cherry in the house. When we see naughty-muffins in the magazines, we have to go home and spray ourselves with the hose.
44. The VVitch (2015)
So youâve decided to vvatch âThe VVitch.â How wonderful for you and yours. Your friends are excited by this one. Itâs the film that more or less put A24 on the map. You tell them itâs scary. One of the scariest films youâve ever seen. And it is. What you donât tell them is that itâs a slow-burner that moves, often at glacial speed, and that all the dialogue is written faithfully to the style of the 1690s. That realization will dawn on them slowly, as they watch the extended opening scene, all shot in close-ups, in which the main characters are banished from their home.
43. Midsommar (2019)
So you managed to get them on board with you after âHereditary?â They tasted a little Ari Aster and now they want more. So you put this on. âMidsommarâ is the perfect movie for brunch day with the girlies. You say that itâs a âfeel-good break-up, road-trip rom-comâ about a young woman getting her groove back. And then, you let it play. Bonus points if you put on the three-hour directorâs cut. Itâs really the superior version, anyway.
42. The Killing of a Sacred Deer (2017)
The fact that this entry is so high up on the list should be a pretty good indication of where weâre headed moving forward. There is not one second of this film thatâs comforting. Itâs dark, stilted, blisteringly amoral and strangely funny. All hallmarks of Yorgos Lanthimos and good absurdist filmmaking. But this one is especially unsettling, especially to your friends who are hypochondriacs. So whether itâs the opening shot of open-heart-surgery that bothers you, the scene in which Alicia Silverstone messily tries to seduce Colin Farrell or the scene in which Nicole Kidman tries to convince her husband to murder one of their kids because âwe can have another,â your friends are guaranteed to have a terrible and off-putting time.
41. The Wicker Man (1973)
Listen, by this point you shouldâve gathered that weâre trolls. The thought of duping your friends into watching these ponderous, pretentious pieces of art thrills us. And if youâre looking to trick your friends, look no further than âThe Wicker Man,â Robin Hardyâs 1973 folk-horror film about an uptight Christian fundamentalist cop searching for a missing girl on a pagan island. Itâs the kind of film that will truly have your friends saying: âOh God⌠itâs a fucking musical?â
40. The Black Cat (1934)
The last gasp of pre-code Hollywood, made right before Will Hays decided that American film should deep-throat his censorship code, âThe Black Catâ by Edgar G. Ulmer is one of the most interesting and risquĂŠ of the classic horror, poverty-row canon, and a real showcase for Lugosi and Karloff. There are a lot of really great moments in here that are simultaneously scary and cringey. For instance, BĂŠla Lugosi sniffing a sleeping womanâs hair, Boris Karloff inspecting a collection of murdered wives and (in the movieâs most iconic scene) Lugosi skinning Karloff alive. Itâs that rare combination of just campy enough to be fun and just weird enough to be scary. And just old enough for your friends to not want to watch it.
39. Only Lovers Left Alive (2012)
Without question, this is one of the sexiest movies ever made. The fact that Jim Jarmusch made it definitely makes that odd, but letâs not judge the Musch. This film stars Tom Hiddleston and Tilda Swinton as Adam and Eve, two ageless vampires (him a pretentious, drone-rock musician, her an itinerant traveler) traveling the world, shacking up in Detroit and pretty much just being âthat couple.â This movie is slow, not very scary and a really pretentious personâs idea of sexy. Itâs an absolute 10/10, and an absolute 0/10 for a chill night in with the buds.
38. Infinity Pool (2023)
Without question, this is one of the sexiest movies ever made and this time I mean that as a threat. The basic concept of this film is: What would happen if the most âshould be divorcedâ couple you know met the most âmy wife and I noticed you across the barâ couple you know hooked up on vacation? Thereâs a lot in this movie, brutal and graphic nudity, full-frontal violence and semen from the most passive-aggressive handjob ever put to film. It truly is âA Clockwork Orangeâ for the 2020s and if you would show âA Clockwork Orangeâ to your pals I think I might run away from you.
37. Moon Garden (2022)
Do you ever find yourself wishing that âPanâs Labyrinthâ made you feel like getting a tetanus booster? Or that âSkinamarinkâ was scored by Trent Reznor? Well look no further. Itâs âMoon Garden!â This film follows a young girl rendered comatose after falling down the stairs navigating an industrial dream world, trying to make her way back to consciousness while being stalked by a rancid tooth monster, and encountering all sorts of weird little guys. Who can forget the iconic character of: Guy who plays that weird piano? Or: âThat dinner table guy that looks like Gerard Way in the 1800s?â Or my favorite: âThe non-sequitur princess?â This is the kind of film to put on when you need to make people ask: âWait, what just happened⌠go back⌠no wait, I said go back! Fuck you!â Bonus points if you show this to your anxious friends so they can recoil watching the domestic argument scenes.
36. Videodrome (1983)
Without question, this is one of the sexiest movies ever made and I mean that in the most hellish way possible. Letâs face it, David Cronenberg, for all his talents, is a weird fucking freak. Especially about sexuality. His movies make it seem like he views sex the same way you might view a dead squirrel by the side of the road. Taking a stick and poking at it just to see whatâs going on. Relishing in the freakishness. This movie is about an adult film channel programmer, a radio psychiatrist (played by Debbie Harry, in a performance that can be described as Sadomasochist Frasier Crane) and an underground resistance movement. Thereâs really nothing like it, especially when it treats its viewer to âsurprise BDSM.â
35. The Lighthouse (2019)
This is the kind of film you should put on if you want to piss off that friend of yours that has like⌠fifty, really trashy Chucky tattoos and thinks that horror isnât good unless someone is getting impaled with a machete. This is the slow-burning story of two men stuck in a lighthouse, sitting around, drinking, masturbating to scrimshaws (and each other), having mermaid sex dreams, and slowly going out of their minds. There is one really excellent scene that involves the bludgeoning of a seagull. And you know us. Just the mere thought of a dead animal is hilarious.
34. Nosferatu (1922)
One of the greatest (and least legally made) âDraculaâ adaptations of all time. âNosferatuâ is a film about love, life, death and real estate. Surprisingly a lot about real estate. And that brings me to my main point. We love silent films here at The Hard Times. We love going to those shows where acne-scarred bands play instrumental doom-metal with silent films in the background. But âNosferatu,â for all its beauty and grotesque imagery is⌠well, itâs a bit boring, isnât it? I mean, just a little bit. We all can admit that, right? Like, your friends will be bored watching this. Theyâre probably not going to have fun unless they are H-I-G-H, stoned.
33. Carnival of Souls (1963)
Speaking of getting high, if youâre looking for an adorable trick to play on someone youâve fallen out with, then invite them over, give them a live-resin gummy. You know, the kind that makes you think youâre gonna die, and then pop this bad boy on. âCarnival of Soulsâ is one of the most existentially gutting films of any genre, a film that makes you question reality, life, death, and the space in between them. Bonus points if, after the film is done, you pretend you canât hear them for a bit when they start talking to you.
32. The White Reindeer (1952)
Because âCat Peopleâ is just too fun. âThe White Reindeerâ is, among other things, an anthropologically fascinating film. For one thing, it is, to date, the only Finnish film to win a Golden Globe Award and the first Finnish film to compete at Cannes. Whatâs that you say? Finnish? You mean thereâs⌠s-s-s-subtitles? Why yes. Yes, there are. But relax, this film is actually quite easy to get into (once you get past a little bit of animal cruelty). Just sit back, relax, enjoy the beautiful snow-scape of pre-Christian Lapland, and squint hard at those white, white subtitles on that white, white snow.
31. Eyes Without a Face (1960)
Iâm all out of hope. One more bad embrace. Could bring a fall. When Iâm far from home, donât call me on the phone to tell me youâre alone⌠âEyes Without a Faceâ is one of those films that influenced a thousand others, from the mask of Michael Myers to the fairy tale films of Guillermo Del Toro to the music of⌠well, Billy Idol. Now, you can tempt and tantalize your âSawâ loving friends with promises of graphic face-removal surgery, only to drop the bomb that itâs really a slow-moving meditation on the obsessive quest for perfection. And worse⌠iTâs FrEnCh.
30. Huesera: The Bone Woman (2022)
There are some genuinely terrifying moments in Michelle Garza Cerveraâs âHuesera: The Bone Woman.â That staircase scene for instance. But more than that, âHueseraâ is a fascinating look at queerness, motherhood, belief, and freedom thatâs also deeply invested in telling a story rich in Latin culture and heritage. Itâs honestly a masterpiece and if you give it time to work its magic trick, itâs a brilliantly unnerving film. You know whoâd really like it, though? Your friend who has misophonia. Especially if theyâre bothered by the sound of bones clicking together. Theyâll love this film. You should show it to them.

Type Oâs sophomore effort is their most tongue-in-cheek record. âThe Origin of the Fecesâ is a fake live album, complete with canned applause and Steeleâs between-song banter to no one. The majority of its material is re-recorded, renamed, and rearranged songs from âSlow, Deep and Hardâ (see below)âwhich is to say, inferior versions. The one improvement âThe Originâ has over its predecessor is the musicianship, especially original drummer Sal Abruscatoâs playing. Itâs the heaviest Type O ever got, coming much closer to the thrash of Carnivore (Steeleâs previous band), with uneven results. In this way, the record is best viewed through a what-if lens. âThe Originâ ends with crickets chirpingâa nice touchâwhich is entirely fitting: this mostly entertaining record lands with little impact relative to the others in the bandâs catalog. Even if the joke is the substandard and recycled quality, itâs still substandard and recycled all the same.
âWorld Coming Downâ is (mostly) a return to goth metal following âOctober Rustâ (see below), and is the only of the bandâs albums with genuine emotion. Steele suffered some tough losses in his life between âOctoberâ and âWorld,â so naturally he wrote about death: âEveryone I love is dead / Goddammit!â This is their heaviest record lyrically, with self-loathing and addiction being throughlines. To match the weighty subject matter and haunting melodies, Steele and Silver coat the record in a thick comatose haze, especially Hickeyâs excellent playing. âWorldâ would be ranked higher had they not decided to include (and end!) the record with a sarcastically fun but glaringly inappropriate Beatles medley. Itâs more out of place than Lauren Boebert at a Mensa gathering. Thatâs the bandâs only real fault: a pathological need to shoehorn a joke into everything.
Type Oâs penultimate record finds them facetiously playing with arena goth rock. âLife Is Killing Meâ is the bandâs overtly mainstream album, filled with earworm choruses, satisfying melodies, neat riffing, and soaring leads. Itâs the sort of crass commercialism that Disney can get behind. Meanwhile, Steeleâs sense of irony has fully returned following âWorld,â as he pairs big dumb rock songs with gleefully resentful lyricism: âEven though I still miss your lips / Youâre about as real as your tits.â Steels also takes time to explore some Weird Al-esque silliness: âAppointment made, waited three hours / Did not realize you had such power / Iâd rather see a mortician.â The takeaway, though, is this: âLife isâ is the best display of the bandâs superb pop songwriting.
Their seventh and final album is a sample platter of their career up to this point, whichâthanks to Steeleâs untimely deathâturned out to be the entirety of it. âDead Againâ has the thrashy riffage of âThe Origin,â the goth metal of âSlow,â the beautifully melodic balladeering of âOctober,â and the arena rock ambitions of âLife Is,â with many of its songs employing some combination of those. As such, itâs the most logical entry point into their catalog. (In other words, start here if youâre lazy.) Being the bandâs heaviest record since âThe Origin,â itâs also a helluva lotta fun. While the lyrics feature multiple winks at the end (âI canât believe I died last night / Iâm fucking dead againâ), the spritely music suggests a rejuvenation: Hickey never played with more purpose, while Steele overacts vocally throughout the record, chewing scenery at every opportunity. âDeadâ isnât their most consistent work, but itâs a strong note to (unintentionally) end on.
As the title hints at, Type Oâs fourth full-length is their bleakest. Itâs also their most poetic. Steeleâs sarcastically touching writing suggests decay is everywhere he looks: nature (âWinterâs breath of filthy snow / Befrosted paths to the unknownâ), love (âAll of the flowers I gave her / She burned themâ), and Christmas (âThe stockings are hung, but who cares? / Preserved for those no longer thereâ). He didnât discard his biting wit, however. Here he is discussing a threesome: âThey keep me warm on cold nights / We must be quite a sight / In our meat triangle.â Musically, âOctober Rustâ is the bandâs gentlest offering, composed largely of goth rock ballads with lovely melodies and pillowy arrangements. Itâs their prettiest, and least metal, album for sure. The bandâs debut (see below) ended with the line âSuicide is self-expression,â and âOctoberâ provides the soundtrack for it: perfect-temperature bathwater to lay in and open a vein.
Type O Negative came out fully formed and didnât do any of that hand-holding shit on their debut LP. This is the bandâs satire at its blackestâtopics include racial hatred, the angry ex-boyfriend hurling misogynistic invective, and suicide being a kind of artâand features Steeleâs career-best biting, sarcastic delivery. His exaggerated performance allows him to sell the albumâs best joke, ending âSlowâ with the lines âYou think Iâm insane, but I have no regrets / One more time wonât matter, no question / Suicide is self-expression.â Musically, âSlow, Deep and Hardâ contains genuine hooks here, as well as several cool riffs, but Steeleâs compositional skills werenât fully developed yet. Thatâs OK, though, because âSlowâ is still an excellent first effort. To wit: some of this material is so strong, the band would reuse it for their follow-up.
Type Oâs third and best album is both a classic of gothic metal and its best parody. Steeleâs writing and singing is so tongue-in-cheek that there musta been a hole in his face after recording. His smug-drenched condescension, combined with the band expertly providing space for him to perform, is a thing of beauty. âBloody Kissesâ is a CD-capacity sarcastic song cycle, and also probably the funniest gothic metal record ever. The song lengths and the overlong fadeouts seem sarcastic. Even the sarcasm feels sarcastic. So when Steele sneers, âWe donât care what you think,â itâs both a fuck-you to any criticism of goths and to goths themselves. His succinct crotch kick to the absurdity of fake identity posturing within and without goth cultureââYou wanna go out âcause itâs raining and blowing / You canât go out âcause your roots are showingââremains incisive, funny, and relevant 30 years later.
With this statutory classic, you and your partner take a flirty spin on student-teacher affairs and hint that while you are both of age, that is a mere coincidence in this relationship.
Nothing says âI know exactly how much mayonnaise he takes on his sandwichâ like a pair of hot pink bunny ears. This adorable sex boss and sex object costume will show party-goers that he has a very high opinion of himself, and that your relationship is predicated on both of you maintaining that fantasy.
This sexy career ensemble will show everyone that one of you gets paid more even in your pretend jobs! As an added bonus, he gets to hold a clipboard while you get to hold your pain and resentment deep inside until it bubbles over one day years later and he acts totally blindsided to it.
Itâs not always the man who holds a weird and sexually charged position of power! The power dynamic in this relationship is slightly different, in case anybody was wondering. Dress him up in a dog collar that you totally owned prior to Halloween, and hint with an egregious lack of subtlety that he has a thing for mean ladies and being called a loser.
Nothing illuminates mutual respect like dressing up as an inanimate object that rests motionless on his shoulder.
Now weâre talkingâyou get to live out your dream of dressing up like an adult baby and pretend this was a last-minute choice.
Dress up as Superman and his girl-next-door sidekick and announce to the world: âI am here strictly for the purpose of his character development. Also, he made me watch this movie six times.â
This one is for the boyfriends that were introduced to feminism against their will this year and now somehow know how to take a Boomerang.
Honestly, we are not even sure if one of you holds the power here or if neither of you is free from the shackles of this relationship. Either way, dressing up as this sexy duo will show everyone that you two are âtwin flames,â and also that you are both off your medication.
Instead of trying to reinvent the wheel, why not go with the power imbalances inherent to the church? Women cannot ascend the higher ranks of the church, nor can they assert any real influence on this particular partnership.
Somebody thought this was a good idea, and we have a feeling it was not the person wearing a pillowcase with a face hole.
Why not just an on-the-nose depiction of how you feel about being with each other?
1846: Youth Arrested For Piracy After Transcribing Sheet Music Of Popular Song
1980: Alvin and The Chipmunks Abruptly End Punk Phase
1983: Slash Adopts His Iconic Nickname
1989: Jandek Dropped From Major Label Hours After Being Signed
1991: Carcass Frontman Performs Appendectomy On Self
1994: Mayhem Post Ad Seeking New Guitarist
1997: Embarrassed Man Shows Up to Barenaked Ladies Concert With Pockets Full of Dollar Bills
1998: Labels Pressure Bands to Come Up With Songs Similar to Semisonicâs Hit âClosing Timeâ
2002: Frank Black and The Catholics Transfer Problematic Drummer To Another Band
2011: Lou Reed Blames Recording of âLuluâ on Brief Period of Sobriety