Person Waiting to Use Bathroom You’re In Just Going to Violently Rattle Door Knob a Few More Times for Good Measure

PROVIDENCE, R.I. – Local moron Griff Bradshaw made frequent frustrated attempts to gain entry to the venue bathroom you were, unity recently, peacefully defecating in, confirmed sources who also wish you would hurry up a little.

“I wanted to use the bathroom, but it’s like the door is jammed or something. I tried pushing on it really hard, but the handle seems stuck or something. Normally the handle moves and I’m able to walk right in, but today it’s all jammed up and I’m about to piss my jeans ” sputtered Bradshaw, in between strained yanks of the door handle. “I don’t understand. This is definitely where the toilet lives, I know it is. I had two Monster Energy drinks before show so if I don’t get in there soon I’m going to have to go in the sink behind the bar again.”

Attempts to enter the Indigo Room’s only lavatory increased in frequency and desperation as the seconds ticked by.

“If it doesn’t open the first time, that means it’s locked,” you exclaimed after the fourth time the door handle rattled fitfully. “What do you think if you try it again it’s going to magically unlock? Somebody’s in here, and you’ll just have to wait. What’s so hard to understand about that? Now I have stage fright knowing there’s probably a line outside stretching all the way to the bar and I’m going to have to look them all in the eye. And it’s going to stink pretty bad in here for them and I have no one else to blame it on.”

Washroom access has been a recurring issue, according to venue management, but a solution remains elusive.

“I can’t count the number of deadbolts I’ve had to replace over the years from wear and tear,” said venue owner Michael Renzoni. “We have this problem nearly every show. Some people just can’t wrap their heads around the concept of a locked door, I guess. At this point, I’m considering bringing in a few port-o-johns to up our toilet access. At least those say ‘occupied’ when someone’s in there. I’m hoping that will clear up some of the confusion.”

At press time, Bradshaw was seen asking another concertgoer standing outside the bathroom if they were waiting for the bathroom.

Top 15 Turnstile Songs That Will Make You Stop Talking So Much Shit About Them

Unless you have been offline for the past two years, which, first of all, good for you, you’ve probably heard of Baltimore’s hardcore outfit Turnstile. Their quick ascent to the top of the charts after 2021’s “GLOW ON” has cemented this crazy little band in the hearts of aging punks everywhere and their much cooler younger cousins.

Here are the top 15 tracks to listen to in the event you got tickets to the blink-182 tour and want to seem in the know before you show up with your $750 nosebleed seats.

Runner-up: “Fuck Me Blind”

This one is frankly a little silly, with lyrics like “No more sex/ No more love/ No more kissy kiss/ No more fuck” sounding like a rejected Oingo Boingo B-side. However, that doesn’t mean that it doesn’t go fucking hard. This is the bright spot on an EP everyone kind of ignored. And I have a fondness for it, so here.

15. “Alien Love Call” (feat. Blood Orange)

This shockingly mellow track is off “GLOW ON” and features Blood Orange on some really dreamy verses. If you played this to a fan five years ago and said “This is Turnstile,” they would not have believed you. There is a small chance they also might round up townspeople to get their torches and run you out of the city. It could happen.

14. “Moon”

“Moon” has the benefit of both a cheeky surf-rock sensibility and Franz Lyons vocals, which is enough for it to really stick out within Turnstile’s catalog.

13. “Underwater Boi”

Featuring a whistling intro that sounds like something out of an old movie, “Underwater Boi” is Turnstile at their most Weezer, and I’m sorry I typed that. It’s not a bad thing. Please refrain from sharing my address online.

12. “Gravity”

What a way to open their sophomore album “Nonstop Feeling.” “Gravity” toes the line between old and new-school hardcore and the result is totally captivating. This one features some of Yates’ most strained and emotional screams as well.

11. “New Heart Design”

Listen, this song is bordering on pop, but I can’t deny that I find it utterly danceable. The guitar riff is so catchy, and I love the production on this track. Another Hard Times writer, who shall remain anonymous for their safety, has described this track as “Turnstile does Bruno Mars,” which…yeah, I can see it.

10. “I Don’t Wanna Be Blind”

Heavy, loose-string bass drives the verse of “I Don’t Wanna Be Blind,” a two-minute-long meditation on only a handful of melodic ideas. Yates is once again screaming himself into hoarseness on this one, and it works nicely against the lower-tempo instrumentation.

9. “Keep It Moving”

This song, from 2013’s “Step to Rhythm,” showcases a delightful mix of speed-metal tempos, frantic shouting, and a guitar solo over fuzz bass that kind of sounds like System of a Down, but with less goatees and a drummer that doesn’t support Trump.

8. “Blackout”

The chorus of “Blackout” is perfect and frankly carries most of the song, along with the signature kooky percussion we hear in this album. I wish I had this song in 2005 when I was deep in my emo phase because it would have been pinned to my Myspace profile, the truest sign of music appreciation.

7. “Death Grip”

Old-school shit from the 2011 EP “Pressure to Succeed.” This is a killer track that sounds like Rage Against the Machine borrowed Dave Lombardo.

6. “Blue By You”

Another pseudo-surf banger with much cleaner vocals than we’re used to from 2016 Turnstile. This was a big hit for them at the time, and you can see why. It’s the right combination of accessible and surprising, and the soaring vocal track is a great contrast to the rest of the instrumentation. And the singer of 311 did a little acoustic cover of this song, which only poured fuel on the fire for people who think Turnstile sounds like 311.

5. “Generator”

“Generator” really locks into that sweet spot between mid-tempo groovy and blisteringly aggressive. The vocal touches–the little call-and-response as well as the vocoder totally elevate this one.

4. “Holiday”

A true headbanger off an album with a lot of varied shit to offer. “Holiday” brings a little bit of everything to the table: nasty breakdowns, octave vocals, and plenty of pissed-off energy to counter the more melodic moments. You probably already heard it in a Taco Bell commercial.

3. “Don’t Play”

“Don’t Play” is one of the best songs off of “GLOW ON,” ostensibly because it’s Turnstile doing what they do best: infusing hardcore punk with contrasting genres and sounds to make something totally unique. The funky Latin drums are reminiscent of “Frances the Mute” era Mars Volta and honestly, if you don’t fall for shit like that then you don’t have a pulse.

2. “Mystery”

This is usually the song I show people when I introduce them to Turnstile–it’s accessible, has a great central groove, and is a really excellent microcosm of their sound as a whole. Not surprising that this is their number one most-played song on Spotify.

1. “Real Thing”

Undoubtedly the most popular track off “Time & Space,” “Real Thing” manages to convey a huge amount of relatable emotion in under two minutes. The introductory riff alone is enough for me to place this in the top slot, bringing an energy that contrasts wonderfully with the pleading chorus and harmonic backing vocals. And the little jazz outro is the cherry on top. Chef’s kiss, no notes.

 

A Look Back at Every Time I Fought a Man Who Disagreed With Me About Blue Cheese

While I am a fan of the growing acceptance of differences that weave the beautiful quilt we call our society, there is one difference that I’ll never accept. And that is the misguided and ungodly opinion that ranch is an acceptable substitute for blue cheese. There is no way I can be totally sure of every man I’ve ever fought over this fact, as it often causes me to black out with rage. But I’ll try my best to recall every time I fought a man who disagreed with me about blue cheese.

Tampa, FL, December 2019
A friend told me the blue cheese in my fridge had passed its expiration date. He even tried to throw it out. I was outraged! Everyone knows blue cheese can’t go bad. It can only become bluer cheese. I remember whispering, “I think you’re about to go bad.” That’s when I made that bozo black and bluer than he’d ever been. By hitting him.

Daytona Beach, FL, March 2020
I was at a Hooters with a dear family member when they suggested we get both ranch and blue cheese with our signature Daytona Beach wings. Who did this guy think he was? The kind of jerk that stocks a hotel room with half-decaf and half-regular coffee packets? Anyway, there was only one way to solve it. I gave him my own order of 50/50. That’s 50% right hook followed by 50% left hook! Meaning, I hit him.

Jacksonville, FL, September 2021
This time a waiter brought me a blue cheese dip but it had no chunks in it. I could barely believe my eyes. It was like an open-casket funeral. The blue cheese was sitting right there in the ramekin, but it had no chunky soul inside. As I wept, I swung violently through the air. Until I hit him.

Gainesville, FL, June 2022
I saw a man across a restaurant dip his pizza in ranch. I remember thinking, if he has that much disrespect for pizza, what else is he willing to disrespect? With that kind of judgment, I figured he was a fugitive from the law so I served up some street justice and showed him where he could dip his pizza. And by that, I mean I hit him.

Tallahassee, FL, February 2023
A man in a grocery store told me they make ranch-flavored ice cream now. I could interpret it as nothing other than a threat. So I hit him.

The Magnetic Fields Figure Album Just Needs Another 50-100 or So More Songs Before It’s Ready for Release

NEW YORK — Indie pop icons The Magnetic Fields are putting the final touches on their latest album, with plans to write and record just another 100 or so more songs before releasing it, sources close to the band confirmed.

“As far as I’m concerned, we’ve only ever released two proper full-length albums, and then just a whole bunch of 14-song EPs,” explained band leader and primary songwriter Stephen Merritt. “My only regret with choosing to do a 50-track ‘memoir’ for each year I’ve been alive for our previous album was that I wasn’t at least 105 years old when I wrote it. So for this album, I figure we still need another 100 or so more songs before we can start the final mixdown. Half of the new tunes are going to be about my old cats, and then the rest about love, because if you ask me, that topic has not been covered nearly enough in pop music.”

A studio musician who requested to remain anonymous expressed frustration with Merritt’s writing style.

“I’m happy for the gig, but I really wish I was being paid hourly. Stephen is so exhaustingly prolific. Sometimes you’ll be chatting with him just about what you did that weekend but mentally he’s writing a song about deep sea diving suits,” explained the anonymous source. “Today I’ve spent the last seven hours learning to play glockenspiel for a song he wrote on the elevator ride up to the studio. How the hell are we supposed to be so twee when we’re all so exhausted?”

Similarly prolific indie rocker Robert Pollard of Guided by Voices discussed his often fractured relationship with Merritt.

“Yeah, me and Steve got into it back in the day. Sort of an indie pop arms race,” explained Pollard before momentarily taking a break to record and release a new solo record. “They’d release a new 74-song album, so we’d quickly pound out six LPs with increasingly unhinged song titles. They’d craft a majestic and sprawling rumination on relationships, and we’d get shitfaced. Which is maybe unrelated, but we did do that a lot. It got so bad that for most of 1997 I went everywhere holding a guitar and recording every sound I made using a hybrid sombrero/four track device.”

At press time, Pitchfork has placed its editorial team on temporary hiatus due to burnout from covering Merritt’s latest work.

Every Smashing Pumpkins Album Ranked

Smashing Pumpkins are a legendary band coming out of the Chicago music scene, and got us all hooked on the sound of the Big Muff pedal. Of course, by the time I could afford a Big Muff pedal, the Pumpkins had moved on to some sort of electronica/industrial band. They offer us whispers of the good old days now and then, teasing us with nostalgia and the hope that one day Billy could get the old Big Muff out again and blow our fucking minds.

11. Cyr (2020)

I really wish we could start this list off strong, but numbers being what they are, here we are at 11. And right now you’re saying to yourself, ‘Holy shit, the Smashing Pumpkins have how many albums?’ It seems that every now and then Billy forgets where he put his guitar and decides to make an album with a children’s keyboard from Toys-R-Us. This is the first of these albums we will encounter, and most definitely the worst. It doesn’t matter what kind of Pumpkins fan you are. You hate this album.

Play it again: “Adrennalynne”
Skip it: “Dulcet in E”

10. Monuments to an Elegy (2014)

This is the Smashing Pumpkins that is best listened to as a YouTube video in the background of your mindless Facebook scrolling. I’m just going to assume this was essentially a failed Zwan album that got repackaged by the record company as a Pumpkins disc just so they could clear out the unsold copies from a warehouse in South Jersey. It seemed like a good idea, but alas, it failed. The record company ended up burning the unsold copies which resulted in an ecological disaster of biblical proportions that up until now has mostly gone unnoticed among the piles of shit already scattered about the Philadelphia area.

Play it again: “One and All (We Are)”
Skip it: “Run2Me”

9. Zeitgeist (2007)

Zeitgeist is one of those words I kind of know what it means. It’s a word that guys like Billy Corgan and Moby use to make the rest of us feel like morons…remember that time Moby used the word insouciant? Yeah, that kinda thing. But jokes on them, I have a dictionary. Zeitgeist: the general intellectual, moral, and cultural climate of an era. I didn’t bother to look this up when the album came out. Then Billy used the word during a Joe Rogan interview and it seemed like Rogan knew what it meant. The idea of Joe Rogan understanding something better than I do terrified me, so I immediately looked the word up.

Play it again: “Starz”
Skip it: “That’s the Way (My Love Is)”

8. Oceania (2012)

And then there was one. Making an album with only one original member is a time-honored tradition in rock and roll. Sometimes a band really only needs that one person, like Mike Ness and Social Distortion. Sometimes the band is more about a core group that is necessary for it to work…even Axl Rose eventually figured that out. The Pumpkins seem to be the latter of the two. Yes, Billy writes the songs, and he can do all the guitar, bass, and vocal tracks by himself…but no matter how hard he tries, no matter how many drum machines he buys, there is only one Jimmy Chamberlain…and that has to piss Billy off so much. Bravo Jimmy…Bravo.

Play it again: “The Celestials”
Skip it: “Pinwheels”

Honorable Mention: Atum: A Rock Opera in Three Acts (2023)

I just recently entered “Cyr” into my Smashing Pumpkins discography and haven’t really made space for “Atum” yet…but hey, it’s the internet era, let’s give parts one and two a listen.
(84 minutes later)
22 songs…Billy, didn’t we talk about this? It’s hard to believe there are 11 more tracks left in this opera.

Play it again: “Hooray”… seriously, have you heard this?
Skip it: “Butterfly Suite”

 

 

7. Machina II/The Friends & Enemies of Modern Music (2000)

When Billy Corgan gets inspired, he writes a shit ton of songs. When Billy Corgan writes a shit ton of songs, he releases double albums. But really, there’s no shame in taking 30 songs and trimming it down to a lean 12 for the purpose of just getting to the fucking point. But alas, if I was asked to cut down the Machina I/II saga to a single disc, I honestly don’t know what I’d leave behind. Is every song necessary? Maybe. And that’s what is so irritating about it.

Play it again: “Cash Car Star”
Skip it: “Le Deux Machina”

 

6. Shiny and Oh So Bright, Vol 1 (2018)

FINALLY, the band is mostly back together. James Iha has returned. Jimmy is still alive. Darcy is…well, that’s not important right now. And after all that time apart the band finally crafts a fine album of…8 songs? I’m just going to fill in the story behind this one: Jimmy and James were so happy to be making music with Billy again that they tolerated his crap long enough to make 31 minutes of music. I mean, I know I said I wanted them to start trimming the fat, but Jesus, leave a little flavor on the bone.

Play it again: “Solara”
Skip it: “Knights of Malta”

5. Adore (1998)

For those of you familiar with the Pumpkins, this is the album you’re supposed to say is their best. I know, you really hated it when it came out because ‘hey, where’s Jimmy?’ Ultimately this album is what happens when a rockstar gets bored. Billy got all the big guitar rat-in-a-cage stuff out of his system and now he’s ready to lay down some roots, buy a Casio keyboard, and ruin his legacy for millions of fans.

Play it again: “Pug”
Skip it: “The Tale of Dusty and Pistol Pete”

 

4. Gish (1991)

“Gish” is not the reason you like the Smashing Pumpkins. You didn’t even know “Gish” was a thing until 1994. You bought this album because the local radio station was playing a song called “Drown” and you had to have it. You already owned “Siamese Dream,” and the record store only had one other Pumpkins album…”Gish.” You got the album home, put it in your boombox…and waited…and waited. An hour later, in a moment of pure rage, you looked at the track list only to find that “Drown” isn’t on this album you idiot. It’s actually on the “Singles” soundtrack, a movie you’ve never even seen, even though the movie poster was hanging on your dorm room wall.

Play it again: “Drown”
Skip it: “Daydream”

3. Mellon Collie and the Infinite Sadness (1995)

Double albums are the musical equivalent of a threesome. They’re usually the brainchild of the one person who’s least equipped to handle this sort of thing. I’m sure it started one evening with a semi-sober Corgan wearing a turtleneck and saying “You know what would be really hot…” The band went on to make 28 tracks of pure excess scattered across two CDs. It showcased the good, the bad, and yes, the ugly of everyone involved. And of course, the end result of all good double albums, much like a threesome, was a messy breakup and a mattress you will never get that smell out of. But, was it worth it? Probably. The album is heavy and soft, fast and slow, introspective and frivolous, it’s everything this band was capable of…good, bad, and ugly.

Play it again: “Where Boys Fear to Tread”
Skip it: “Take Me Down”

2. Machina/The Machines of God (2000)

I’m going to let you in on a little secret. If you really want to seem like an intellectual Pumpkins fan, just claim that “Machina” is really their best album. Cite its deeper lyrics, its binding concept, its varying texture, and that sweet ass riff at the beginning of “The Everlasting Gaze.” True Pumpkins fans will give you a simple nod to express their mutual understanding. Lesser Pumpkins fans will come at you like a cornered possum…either way, you will be both respected and feared.

Play it again: “The Everlasting Gaze”
Skip it: “Wound”

Honorable Mention: Pisces Iscariot (1994)

Ok, this compilation of outtakes and b-sides must have ‘Drown’ on it, right? Wrong. This collection of stuff not good enough to be on “Gish” and “Siamese Dream” has really only one song you actually want: a cover of “Landslide.” I’m not exactly sure, but it seems to me that Billy sang this song even higher than Stevie Nicks did. This is either a testament to Billy’s vocal range, or a testament to how much cocaine Nicks did in the ’70s which resulted in her husky yet feathery voice.

Play it again: “Drown”
Skip it: “Whir”

1. Siamese Dream (1993)

This is why you’re here right? You wanted to verify that “Siamese Dream” is #1. You wanted to make sure it wasn’t rated below “Adore” or god forbid “Machina II” just to get clicks. As you scrolled through this list, you actually became visibly stressed that I might play the wildcard and put this album at #2…or maybe even #3. Once you hit Adore at #4, you actually started to sweat. I can see it….you’re still not sure what my intention is right now. I’m in your head…at any moment, I could drop a compilation or a live album. I fucking own you right now.

Play it again: “Mayonnaise”
Skip it: “Sweet Sweet”

The 15 Greatest ‘90s Music Videos For People Who Still Say “Remember When MTV Actually Played Music?”

Back before MTV really hit its stride with “Teen Mom,” “Pimp My Ride,” and the consistently hilarious “Ridiculousness” they were just a small cable channel finding their way while playing videos set to music. Some of them were actually bonkers too. Here are the top 15 of the 1990s.

Weezer “Buddy Holly”

Only ‘90s kids will remember the episode of “Happy Days” where Weezer performed in front of a sold-out Arnold’s Drive-In. Back before Weezer became the Weezer we know today, they were the Weezer we knew in the ‘90s when they made memorable music videos with Spike Jonze. They should consider bringing back that winning formula to regain some credibility.

 

Nine Inch Nails “Closer”

This is what a music video would look like if A24 produced it. The vid featured an array of unsettling imagery starting with what appeared to be a disembodied human heart pumping steam out of its fully functioning aorta. “Closer” may not be the greatest video, but it’ll certainly stick with you in the same way childhood trauma does.

 

Beastie Boys “Sabotage”

If you’re going to make a music video, you might as well make the best one of all time. Beastie Boys did just that by parodying 1970s cop shows. The Boys starred as Nathan Wind, Alasondro Alegré, and Vic Colfari as Bobby, “The Rookie.” Perhaps not surprisingly, the Beastie Boys actually did their own stunts too. Iconic.

 

Jamiroquai “Virtual Insanity”

The special effects in this one were off the charts. Specifically, Jamiroquoi’s outlandishly large hat. Like, was it a CGI hat? Did they use practical effects to make it fit his cranium? No one quite knew how they did it. I guess we’ll never know. Also, the floor moved independently for some reason.

 

Nirvana “Smells Like Teen Spirit”

You know this one. It’s the video that brought music to the mainstream. The scene portrayed a high school pep rally gone haywire. Seemingly the only person of authority was the janitor played by a guy named Tony De La Rosa, who also reprised the role of Custodian #1 in Weird Al’s “Smells Like Nirvana” spoof. Typecasting was a real problem for ‘90s music video actors.

 

Björk “Human Behaviour”

Directed by Michel Gondry, this video featured a murderous Build-a-Bear that ended the life of a hunter just after consuming Björk herself. There were also a bunch of pupa Björks for some reason. It really showcased a more weird side to Björk, which she rarely displays publicly.

 

Snoop Dogg “Gin and Juice”

This one is just about having fun with a close group of 200 friends at your house party while the lame adults are away. And hey, Dr. Dre shows up two-thirds of the way through with booze and condoms. A true friend. In the ‘90s, you never knew when Dre was going to make an appearance in a video, like that time he surprised us all in that Lisa Loeb one.

 

Blind Melon “No Rain”

Lead singer Shannon Hoon sadly died far too early in his life, but his legacy lives on in the form of a 10-year-old girl dressed up as a bee. This music video also had a clear message: If you’re having trouble fitting in with the world because you want to wear a bumblebee costume in public, just find a random field of other people also dressed up as bumblebees and everything will be alright.

 

Busta Rhymes “Gimme Some More”

Director Hype Williams really knew the key to making a music video: Fisheye lens. And a lot of it. Not only does it look cool as hell, but it somehow draws you into a music video. In “Gimme Some More” it almost felt like Busta was rapping to you personally, which is exactly what you need to try to keep up with his nuclear rap speed.

 

Green Day “Basket Case”

This video was filmed in black and white, and color was added later. That’s why it looks so bright. It evidently makes several references to the film “One Flew Over the Cuckoo’s Nest.” Personally, I don’t remember the part of the movie where a band plays in front of a bunch of mental institution patients. Maybe it’s a deleted scene.

 

Soundgarden “Black Hole Sun”

Soundgarden was definitely trying to make a statement with this music video. It’s just unclear what that was supposed to be. Maybe something about the suburbs. Or maybe the people that were sucked into the sky were meant to be symbolic. Who knows. Either way, I think we can all agree the sunbathing woman with the reptilian tongue was pretty badass.

 

Green Jelly “Three Little Pigs”

This was probably the best fable-based song of the ’90s. The video featured stop-motion clay animation too. That shit rules. It was surprisingly pretty rare for a music video to use this style of animation. Tool did a bunch of them, but they were all creepy. And none of theirs were derived from nursery rhymes. Missed opportunity, Maynard James Keenan.

 

Tupac Shakur “California Love”

I think this is the video that inspired “Mad Max: Fury Road” (2015). It’s sick as hell too. Never been to California but the way the state is portrayed in this one makes me wonder if it’s all just sand and steampunk outfits. And would you look at that, Dr. Dre is in this one too. That guy’s everywhere.

 

Radiohead “Karma Police”

Hard to pick one great Radiohead video from this decade, but we’re going with this one. It featured a mysterious car with Thom Yorke riding in the backseat while chasing a man down a street before the guy lights the vehicle on fire. It begs the question: Was Thom the karma police? Was the man? What is a karma police?!

 

Reel Big Fish “Sell Out”

While other videos just showed bands playing their instruments under cool lighting, this one also did that but included a distinct narrative warning us about the dangers of making a lot of money from your art. The message was surprisingly effective because no one tried selling out for a few years after that.

 

Math Metal Bandmates Ask Guitarist to “Show His Work” After Playing New Riff

ARLINGTON, Va. — Math metal band Cosine recently ended a practice early after guitarist Clint Alfred refused to provide documentation for his latest riff, irritated sources confirmed.

“We have one rule as a band — ‘it’s a no, unless you show,’” said drummer Arnie Buckelmyer. “You can melt our faces off all you want, but unless you can exhibit the formula used to create said face-melting riff, we can’t move forward with it. And look, it’s not just about us, this is ultimately about Clint. Him showing us his work will build his critical thinking and communication skills. If we just let him wank mindlessly all over his fretboard, then who’s that really helping? It’s important to have the correct riff, but it’s even more important to show us how you got there.”

Frustrated with his bandmates’ request, Alfred powered down his three pedal boards, and left the practice space early.

“I understand their point, but I’d had a long day of being an accountant at the graph paper factory and I just wanted to shred,” said Alfred, while restringing his new 9-string microtonal guitar. “Besides, it wasn’t anything that difficult: seven open-D palm mutes in 7/8, into 13 Octatonic sweeps in B minor, then back into nine open palm mutes in 11/8. I mean, come on. I might as well be playing ‘Seven Nation Army’ on a kazoo.”

Ivar Andreassen, Professor of Polynomial Triads at the Oslo Institute of Djent Technology, believes any self-proclaimed math metal band should take documentation seriously.

“The most important piece of equipment in the practice space isn’t the amp, or the drum kit… it’s the whiteboard,” said Andreassen as his Multi-Modal Pinch Harmonics seminar was leaving the lecture hall. “You should be able to map out every move you make, step by step, so that others can follow and build off of your work. All the time, my students are asking why we need to show work. And to that I say, oh, if you don’t you’re going to end up playing Green Day covers in mama’s basement. That usually scares them straight.”

At press time, Alfred was spotted at a local coffee shop studying for a quiz his bandmates planned to give him during their next practice.

Top 1 Song That Mentions Placenta Falling to the Floor

So this was supposed to be a top 10 list, but after scouring AZLyrics, songlyrics.com, and genius.com we have only been able to come up with one single song that references placenta falling to the floor. So, without further ado, here is the top 1 song that references the placenta tumbling toward the ground.

1. Live – Lightning Crashes
We were actually surprised to find several songs that name-drop “placenta” but no song graphically illustrates the pain of childbirth quite like Lightning Crashes. We think that’s what it’s about anyway. We’re certain it has something to do with the circle of life and death but why mention the placenta at all otherwise?

Live has also been in the headlines lately as it seems they are going through a tumultuous time in their history, so it feels like an opportune time to remind people that they existed and that this song made it to number one on the US Mainstream Rock Billboard chart. People in 1994 could not get enough of this absolutely disgusting and depressing song.

Now, we don’t want people to think that this is some sort of anti-placenta propaganda. Our issue is with the ambiguous usage of the word in conjunction with the idea that it just falls to the floor during childbirth. Hell, we’re not even judging those who eat it! We do not, however, condone the act of eating placenta that has been dropped on a dirty hospital floor.

There you have it, a comprehensive list of all songs mentioning placenta falling to the floor, ranked in order for your sick enjoyment.

Everything We Know About MTV News Shutting Down

MTV News will be going off the air as Paramount Global, the parent company of CBS, Nickelodeon, Comedy Central, and Showtime cuts 25% of its workforce. Here’s everything we know so far:

MTV News has been in hot water ever since they falsely reported landing on the moon in 1987

The story was exposed as a hoax when truthers proved such a radical color scheme was impossible in the vacuum of space.

Tucker Carlson Can’t believe he’s already out of a job again

“You’re telling me I learned how to wear sunglasses for nothing?!”

Kurt Cobain Has been found dead

Cobain’s body was found in a house in Seattle home Friday morning, dead of an apparent self-inflicted gunshot blast to the head. He was 27.

Paramount Global CEO Bob Bakish’s heartfelt explanation that the company was “navigating a challenging and uncertain macroeconomic environment, and you see the impact of that on our financials, as the combination of peak streaming investment intersects with cyclical ad softness” brought tears and applause to all who heard it.

Some artists use words instead of brushes.

Paramount has emphasized that all music is to stop being eventful immediately.

“Just keep your heads down and play that wacky jazz, or, whatever.”

You won’t believe what Jesse Camp looks like today

And we still like him more than Dave Holmes.

Staffers can compete to keep their jobs by living together in one house where they stop being polite… and start getting real

What happens when 25% of a major conglomerate’s staff gets laid off and agrees to have their lives filmed?

If MTV News made coffee at home instead of buying fancy lattes, it would have been able to stay on the air for 17 more minutes

They add up over time!

Bill Clinton tries weed and can play the saxophone

He’s just like us, the young people.

Paramount rationalized you can stay just as informed by watching Tulsa King

All music fans really need to know is that Sylvester Stallone is loyal but dangerous.

The MTV News slot will be filled by more reruns of “Ridiculousness”

It’s time to take this whole YouTube thing down a peg.

You don’t need to rock the vote anymore

From here on out regular voting is acceptable

In the end, everyone agreed the Sum 41 breakup felt like a natural conclusion to the story of music

From the legend of Orpheus to “Fat Lip,” it’s been one hell of a run, music.

Kurt Loder will enter into a centuries long rest known as “The Lodersleep”

Until such a time that the Loderforce is recharged and he may rule again.

As promised, Jesse Camp!

Okay he pretty much looks the same. Older though! And still more appealing than Dave Holmes.

All remaining news outlets have felt “The Quickening”

There can be only one.

You are old

If you cared enough to click on this and have read this far you are at least 35.

 

Indie Band Has Changed Name Three Times Since Set Started

CALABASAS, Caif. – Local indie band, currently performing under the recent moniker Parkitect, were once again unable to stick with one consistent name throughout their 35-minute set, artily noncommittal sources confirmed.

“When we originally booked this show we were called ‘Belligerently Neutral.’ But a couple songs in we decided we liked ‘The Aquarium Rodriguez’ better, so we decided to start going with that,” explained drummer Kent Reynolds. “Then of course we changed the name again when our bass player mistakenly told the crowd we were called ‘Little Finger Guns’ and everyone just had to roll with it. There was a brief moment when we were called ‘Engine Engine,’ but that sounded dumb. Now we’re ‘Parkitect’ and, frankly, I have no recollection of how we ended up going with that.”

Show attendees are understandably confused by all this pointless bullshit.

“Not that I even really give a shit about this band, but I have no idea what the hell is going on here,” said showgoer Felicity Naymeyer. “The guitarist just said a name that isn’t the same as the one on the showbill and the drummer just used steel wool to scour a completely different name off of the bass drum after their second song. Thank fuck these guys will never be good enough for me actually want to see them again, because it would be damn near impossible to ever track them down.”

According to experts, indie bands have a history of spontaneously and frequently changing their name whenever they come up with something more twee.

“You have to understand—these aren’t common punk bands who will just come up with a name like ‘The Fartsuckers’ and stick with that for 22 years. The name is a major part of any indie band’s identity,” explained a rock historian who is clearly Phoebe Bridgers wearing a fake mustache. “Sure it can be a bit confusing to change the name multiple times in the same set, but what else do you expect them to do? Suddenly think of ‘Fragile Tissue Box Resting On a Wissinoming Windowsill’ and not use it immediately? I think not.”

At press time, a frustrated Reynolds was reapplying the The Aquarium Rodriguez stencil to his bass drum after the band decided to switch back to that one for a little while.