Every Song on Ceremony’s “Rohnert Park” Ranked by How Likely We Are to Hurt Ourselves When They Play It Live

Ceremony will be playing their 2010 record “Rohnert Park” from front to back for the first and last time this Saturday at a sold out show in Los Angeles, and we here at The Hard Times just so happen to have an exclusive variant of that record on sale now (Click here to order yours before they are gone forever).

To celebrate this momentous occasion we are ranking every track on the album by how likely we are to be injured when they play it live. To all the purists reading, we are breaking up track one into two songs and the secret song will be separated out so there will be 15 songs total. For context, we used to be pretty spry in a bit, our stage dives went deep, our headwalking skills were unrivaled. But time humbles us all, and as we try to recapture our youth we are very likely to end up with a sprained ankle, strained calf, or even a slipped disc.

Let’s dive into each song starting with which ones are safe, and ending with the songs that will cause bodily harm we are no longer suited to handle.

15. “Into the Wayside Part I”

There isn’t much to this intro at all. It will set up a genuine sense of menace and anticipation in the crowd for the 40 seconds it plays, but we will remain injury-free for sure. Even the guy who wore his old Expire hoodie won’t be causing any trouble at this point.

14. “Into the Wayside Part II”

The outro to the album is a low-key melody played over some sort of news report. At this point nobody had heard Ceremony sound anything like this, Ross is actually singing instead of screaming, and it was an indication of what Ceremony would soon become. But for now, nobody is piling on top of us, there is some gentle swaying, we can deal with gentle swaying, it’s actually kind of nice.

13. “Into the Wayside Part II”

Of the three “Wayside” songs this has the most potential for injury because of the squealing guitar solo. Also, the story being told in the background is kind of gross, if they have that guy telling the story live on stage someone might try to mosh when he talks about his neighbor’s head being squished by a door.

12. The Doldrums (Friendly City)

Here is a general rule of thumb when it comes to Ceremony, if the song is longer than three minutes then you are basically safe. This track will be a welcome rest for the crowd. At this point everyone will be catching their breath and thinking “I didn’t use to get this winded at shows, I need to eat better and exercise more.” The weakest of the group will move away from the front of the stage at this point and call it a night.

https://open.spotify.com/track/66ViZnxnua1DjCAq10rxPt?si=cd530a949c03428c

11. Open Head

Ok here we go, no more singing, it’s all screaming from here on out. “Open Head” is the slowest of the bunch when it comes to the heavier songs. It even has something resembling a sing-along at the end of the song that might cause a pileup. This could lead to someone’s Vans Slip-On kicking us in the face, but we are going to assume everyone has gained 20 pounds since this album came out and it’s simply harder to lift people up.

10. “Terminal Addiction”

This song starts with a bit of a tribute to the Rick Ross song “Hustlin'” and is still a relatively safe song. It’s another mid-tempo song about drug use and addiction. But everyone at the show is in that phase of their life where they are trying to drink less, smoke less, and do less cocaine, so singing along to this one won’t be as satisfying. The worst thing that could happen to us during this song is someone dumps out their beer and it splashes on us.

9. “Back in ’84”

The last song on this list that has any parts that could be considered “mid-tempo.” The difference between this song and the others on the album is the fact there are legit fast parts that are going to cause the crowd to come alive. However, the fast parts are just going to inspire everyone to do that crouched, mini-circle pit thing that happens, it looks stupid as hell and nobody is getting hurt.

8. “Moving Principle”

The third longest song on the album clocking in at 2:33 is right in the middle of the pack. The sheer length of the song is the most dangerous aspect. People will be moving, people will be singing along, and we will have our head on a swivel. Every song from here on out has an element of danger, and we aren’t sure how slippery the venue floor will be, but we aren’t ruling out a bruised tailbone if we slip on some spilled beer.

7. “Don’t Touch Me”

The intro will get a circle pit started and we will be compelled to join. But we aren’t dumb, the safest part of a circle pit is in the center. We will stand there, trying to pretend we aren’t fatigued from being pushed around. We don’t want anyone to see our lower back is on fire, we are just going to point our finger and sing along and hope the circle pit doesn’t collapse in on us.

6. Secret Track 

According to Wikipedia, and basically nowhere else, this secret song is called “In the Land of Lawmen and Lawwomen” and the reason it isn’t ranked higher is the fact most people never took the time to skip to the hidden track so it will seem unfamiliar. It’s a rager, people will want to go nuts, but also Ceremony has been playing for nearly 30 minutes at this point. Everyone is going to be tired and thinking “This was fun, I should go to more shows” and then think “But staying home is so much easier.” (Skip to the 8-minute mark)

5. “M.C.D.F.”

Everyone is having “fun” now. Singing along, going nuts, trying our best to remember the lyrics. And you know everyone even started studying for the show by listening to the album on repeat a few times as a refresher. There is a great chance someone runs across the pit and dives at our knees during this song, which sucks, because ours knees were already hurting because of the walk from the parking lot.

4. “Nigh to Life”

If this song was earlier in the setlist it would be ranked even higher. But it comes right after two other absolute gems that are guaranteed to cause bodily harm. By the time we get to “Nigh to Life” people might need a breather, but we also might have well-rested people subbing in. Either way, we have a water bottle taped to both of our legs because we aren’t going to risk getting dehydrated and passing out now.

3. “All the Time”

We are not looking forward to this song. We are getting late in the set, if we are still healthy at this point then we are spitting in God’s eye by remaining active in the pit. This is the song where the husky stage potato finally sprouts legs and decides to come out of stage dive retirement and of course, he will land directly on us, it always happens.

2. “The Pathos”

This song is classic Ceremony. Angry, fast, and then it has the part in the middle where everything slows down. People will be hurt. That’s as close to a breakdown as Ceremony will allow. Before this song begins we’ll be dialing 911 on our phone, and within 15 seconds we are sure an ambulance will need to be dispatched to help us.

1. “Sick”

This song actually breaks the rules because it’s nearly 3-minutes long, it’s the first real song on the album, and everyone in attendance might be too injured to continue watching the band play. As soon as the vocals hit everyone will come alive to sing along about things they are sick of. By the time this is over we will be nursing multiple bruised ribs and wishing we were 25 again. (Skip to :40)

Photo via Youtube

Go order your copy of “Rohnert Park” from our store, limited to 300 on this EXCLUSIVE orange vinyl you won’t find anywhere else:

/**/

Folk Punk Gig Delayed While Mom Uses Drum Set to Cook Dinner

NEW HAVEN, Conn. — A basement performance from local blues-based folk punk act 6 Millionth Cigarette has been postponed due to the drummer’s mother needing his entire makeshift kit to prepare dinner, sources confirmed.

“Damn it to hell I had all my pots and pans set up perfectly, and she had to go and ruin it all for the sake of a casserole or somethin’! All that’s left is the stolen welcome mat I’ve used as a drum rug since last Halloween! I tell ya, I got half a mind to put my snare drum in the dishwasher as revenge. She’ll hate that, since it’s cast iron, ya see?” said 6 Millionth Cigarette drummer Wilson “Milky” Wallis in an obviously affected southern twang, despite growing up in central Connecticut. “Seriously, this is giving me flashbacks to the time we couldn’t play because someone was using my hi-hat to complete their Johnny Appleseed costume.”

Wallis’ mother Nadine took time out of her cooking to offer a curt rebuttal before clearing everyone in her vicinity out of her way.

“If he wanted to start his show on time, well, then he should put that Williams Sonoma giftcard he got for Christmas to good use and buy his own cookware! Simple as that. Plus, he has a perfectly good substitute right there in the corner of the pantry,” said the mother of four, motioning toward a dust-covered pristine 7-piece Gretsch kit with the price tags still dangling on them in the kitchen corner. “The stew only needs about an hour to simmer. He can have everything back after that, but so help me if he plays them without washing them first. I mean, come on, son, that’s bad both hygienically AND acoustically!”

The crowd gathered at the gig was annoyed, but eyebrows were raised devilishly over the prospect of free food.

“Forced to choose between the two? I’d take a home-cooked meal over a bunch of rich white kids drunkenly fumbling their way through another set of Howlin’ Wolf covers any day. And I’m saying that as a fan,” said door person Archie Eccleston-Dambers, while tucking a monogrammed napkin into the collar of his homemade 6 Millionth Cigarette t-shirt in hopeful anticipation. “Keep this between us, but if those pans come back with a little cobbler or even some chili residue stuck to them, I’m gonna shoot my shot and offer to help him set up to try to get a quick fingerful. I haven’t eaten since breakfast.”

At press time, Wallis’ father was still scratching his head wondering what happened to the propane tank off his grill, which is currently being used as his son’s drum stool.

How Come a Post About the Thing I’m Most Proud of Gets 3 Likes, but a Picture of My Dumb Kid Gets Like 100?

Day in and day out, I’m grinding away on new music. And I’m not one of those guys who bangs out a quick riff, tosses some lyrics on it, and clicks Upload. I’m methodical. It takes me a whole week to drop a new banger! So how come my creation, the thing I’m most proud of, gets 3 likes, but a quick blurry pic of me and my snotty toddler gets like 100?!

Don’t even get me started on show promo! Social media is supposed to be this one stop shop to drop the show flyer on all my friends and family. This should save me from printing them and posting them in coffee shops and laundromats like some gross promoter! But those get 3 likes too! It should be… Upload flyer, flyer gets 100 likes, then boom! Full venue. What am I supposed to do, add the kid to the band?

I am not adding my dumb kid to my band.

Why is everyone so proud that I had a kid? I’ve been a musician for like 15 years, but to make this kid, all I had to do was finish inside my girlfriend! That’s even less work than reaching into my side table, opening a condom wrapper, and putting on the condom. Heck, even pulling out is one less thrust. It’s out, then just not back in! This is why Gen-Z is so lazy. You’re all doling out praise for doing nothing!

I’m no conspiracy theorist, but I have a theory. I think algorithms favor bullshit family stuff because it keeps people on their app. A pic of my dumb 3 year old is blasted out to more people, but a click on my song takes them over to Bandcamp. My show flyer is even worse! It takes them off of their phones to leave their homes and enjoy live music! I’m competing with Meta for everyone’s attention, and my bad for thinking my own friends and family would pick me over Zuckerberg!

The only reason I joined social media was to promote shows and brag about my accomplishments. (Something I’ve learned… Adding the word “grateful” takes your humble brags to a whole new level.) But now I guess I just need to use these apps for what they were meant for. Bullshit life events like birthdays and kids! Holy hell, I just had the best idea! I’ll use a pic of my kid’s birthday as my next flyer!!! Just him blowing out his candles with the show info on it! Take that, Zuck!

House of Pain Finally Apologizes for Role “Jump Around” Played in “Mrs. Doubtfire” Divorce

SAN FRANCISCO — Early ‘90s hip-hop group House of Pain offered an overdue apology for the substantial influence their song “Jump Around” had over the 1993 “Mrs. Doubtfire” divorce, sources confirmed.

“This apology is a long time coming, we’ll be the first to admit it. We’d like to extend our sincere and utter regret over the contribution ‘Jump Around’ made toward the sudden dissolution of the marriage of Daniel and Miranda Hillard,” said House of Pain leader Everlast, before literally packing it up and packing it in. “The song we wrote was simply too much of a crazy jam that it was inevitable that playing it at a child’s party had no other outcome than a sudden divorce. Oh how we’d love to share the blame with the pony eating the birthday cake, or even Robin Williams’ shoes scuffing the dining room tabletop, but it would only be in vain. We are, from the bottom of our hearts, genuinely sorry.”

Among the attendees of the long-awaited briefing was Matthew Lawrence, now 44, whose character’s birthday caused the initial uproar.

“On behalf of myself, and my on-set siblings Mara Wilson and Lisa Jakub, I cautiously accept this apology. Though many of our real, actual parents are still happily married, divorce, even when fictional, is hardest on us children. Looking back, as soon as I heard that opening-verse record squeal of ‘Jump Around,’ even at my young age, I knew something harrowing was on the horizon,” said Lawrence, with a shudder. “We didn’t need a foyer full of barnyard animals to tell us that. All three of us felt it in our bones. In fact, I understand why Sally Field refused to attend this function. It’s still too raw a subject, she’s hated parties like this ever since.”

Fellow co-star Euphegenia Doubtfire offered her thoughts on the matter after one of her many nanny shifts.

“Aye, the separation ‘twas such a shame for the wee ones, if memory serves. High time those one-hit wonders offered their sympathies,” cooed a wry Doubtfire, while pointing at something in the distance as she adjusted her dentures. “I suppose now that they’ve done the right thing, I can now stop trying to kill those Irish rogues in ‘run by fruitings’ outside their LA homes. With this put to rest, my only lingering regret from the movie was not ever having any scenes with the late Mr. Williams, who seemed like such a wonderful fellow. Our paths just never seemed to align on the call sheet, a pity I have to this very day.”

The press conference, which culminated in an impromptu performance of the song in question, got way too out of hand and unfortunately caused nine more divorces.

The Top 20 Punk Albums That Turn 20 This Year Even Though I Remember Listening to Them in High School and There’s No Way That Was Already 20 Years Ago, Was It?

2004 was a dry year for big-name punk releases. With the start of the Iraq War in 2003, every respectable punk band shoved an album through production to show their fans that they, too, hated George Bush. The scene overall slowed down; bands known for rapid-fire lyrics embraced a more melodic sound as a wave of Myspace emo kids began to publicly challenge the definition of “punk.” But 2004 had plenty of standout releases. These are the 20 best punk albums that turn 20 this year:

Only Crime “To the Nines”

It’s difficult to imagine that a supergroup made up of members from Good Riddance, Descendents/ALL, Bane, and Hagfish would release a subpar album for their debut, and Only Crime did not disappoint with “To the Nines.” This is melodic hardcore at its most crowd-pleasing. Not too hot, not too cold, not too melodic, not too hardcore. And featuring several band members to make you ask yourself “where do I know that guy from?”

Zeke “‘Til the Livin’ End”

As much speed-metal as it is punk, “‘Til the Livin’ End” is for when you crave an all-out auditory assault. If a stranger recommended a band, Zeke would be the one you should check for fentanyl before you try it. Despite being known for their balls-to-the-wall 20-minute albums, Zeke dragged this one out to a staggering 31 minutes, the longest in their catalog by an enormous margin.

 

Ten Foot Pole “Subliminable Messages”

Dennis Jagard is back to show off just how nasally his voice can be. This southern California native pushed the pop-punk whine to such an extent on this album that casual listeners might mistake it for a NOFX B-side at first. “Subliminable Messages” is another great album about how hard life can be when you grow up skateboarding in the suburbs.

 

Pulley “Matters”

Hailing from the same Los Angeles suburb as Ten Foot Pole, and fronted by their original singer, Pulley’s “Matter” brings a similar brand of SoCal skate punk, but with more metal influence. Singer Scott Radinsky spent 11 years splitting his time between touring punk bands and pitching in Major League Baseball. His 2002 retirement from baseball provided the free time to focus exclusively on Pulley. And eventually also his career coaching in MLB. This is a man terrified of sitting still.

Social Distortion “Sex, Love and Rock ‘N’ Roll”

You may remember this as the album that had “Reach For the Sky” on it and not much else, but it’s an enjoyable way to spend some time, even if every song sounds exactly the same. It has a bit less outlaw country vibe, as Mike Ness was able to get it out of his system during a 1999 purge that gave us two solo albums.

 

The Vandals “Hollywood Potato Chip”

The Vandals were issued a cease and desist by Variety magazine for copyright infringement on this album cover. Being sued by a major publication is always punk and it was a legal battle that stretched nearly eight years. Anyway, The Vandals are always The Vandals and this album showcases The Vandals.

 

Distemper “XV”

This Russian group started as a typical sounding hardcore band in the early ’80s before transitioning to ska-punk in the mid-’90s, presumably after the end of the Cold War finally exposed them to Western music. “XV” is a high-energy album that relies mostly on the guitars to let you know you’re listening to ska, but if you don’t believe them, they have the trumpets to back it up.

 

Flogging Molly “Within a Mile of Home”

This was when the Celtic-punks in Flogging Molly realized they could be more Celtic than punk and still wow crowds with the sheer number of people on stage at their shows. The driving, chaotic energy of their first two albums still lies under the surface here, but with better sound mixing so the drums complement the other dozen musicians, rather than taking center stage.

 

Tiger Army “III: Ghost Tigers Rise”

This is admittedly one of Tiger Army’s tamer albums. They’ve cooled off a bit since “II: Power of Moonlight.” Or they’re possibly worn out from lugging a stand up bass around on tour for five years? Either way, this is a more mellow listen than their first two albums. Singer Nick 13 made a point, however, to include that megaphone vocal effect on a few tracks to remind you that yes, this is a psychobilly album.

 

Sum 41 “Chuck”

Despite being the band’s highest-charting album at the time, Chuck is mostly forgotten by people who think that Sum 41 only ever wrote songs about parties and skateboarding. In this departure from their earlier pop punk albums about parties and skateboarding, Deryck Whibley shows that even at an alleged 5’4”, he can confidently hold his own as a hardcore vocalist.

 

A Wilhelm Scream “Mute Print”

You know that scene in “Robin Hood: Men in Tights” when Prince John is talking to Latrine about her name and he says “Wait, you changed it to Latrine?” and she replies “Yeah, it used to be Shithouse.” Well, that’s a similar thing with A Wilhelm Scream since they were originally known as Smackin’ Isaiah, it’s a good change and a good album.

 

Authority Zero “Andiamo”

Did you ever wish your favorite skate punk band had way more reggae influence, but not quite as much as Sublime? That’s “Andiamo. “Jason Devore fires off vocals at machine gun speed but still slows it down through melodic sections with ease. Whatever you want to call this genre that Authority Zero has concocted from punk, surf rock, reggae, and melodic hardcore, they are the best that has ever done it.

 

Descendents “Cool to Be You”

Milo’s celebrated return from eight years in the biochemistry lab showed us that there was still space in the punk scene for albums that had comic guys on the cover. Despite attempting twice to quit punk rock and pursue a career in science, Milo chose to be the nerd in a room full of punks, rather than the punk in a room full of nerds.

 

Strung Out “Exile in Oblivion”

“Exile in Oblivion” features a wider range and more complexity than hometown neighbors Ten Foot Pole and Pulley released the same year. Seriously, this is the third skate punk band from Simi Valley, Ca on this list. What the fuck was going on in Simi Valley? Strung Out reached their goal with “Exile” of not being purely punk or metal enough to fit neatly into one fanbase. It lives on in the CD player of your friend from high school who really likes Strung Out.

The Casualties “On the Front Line”

This album marks the moment when their production quality stepped up. Finally they sounded less like an ’80s DIY hardcore band, and more like a ’90s DIY hardcore band. “On the Front Line” was released in both English (2004) and Spanish (2005). “En la Linea del Frente” is faithful to the sound and pacing of the original English language album in a way that only Shakira had successfully pulled off before this.

 

Lars Frederiksen & the Bastards “Viking”

You know that Lars Frederiksen and the Bastards logo you recognize from shirts and patches at shows? That’s not from this album, it’s from the other one. Most of the lyrics are about crime and violence, with one notable exception when he’s joined by Tim Armstrong on the slower “My Life” to sing about banging groupies for reasons that aren’t clear to the listener.

 

Rise Against “Siren Song of the Counter Culture”

Tim McIlrath wants you to know, from the second this album starts, that you are about to be screamed at for the next 40 minutes. Lyrics focus on themes of apathy in society, as McIlrath had not yet tapped into the political rage that only a vegan straightedge punk can properly muster. The only real negative about this album are the mandatory-for-the-era screamo breakdowns stuffed into nearly every song.

 

My Chemical Romance “Three Cheers For Sweet Revenge”

You can admit you like this album, it’s ok. At the time we all mocked MCR and their legions of buckle-clad fans at the Warped Tour. But like it or not, the band that publicly presented as Emo stands next to Blink 182 as the ambassadors of the early 2000s pop punk scene. This was the album of choice for millions of self-proclaimed punks who wanted to annoy their parents when they blasted it and screamed along to “I’m Not Okay (I Promise)”

Green Day “American Idiot”

Green Day decided they were finally respected enough to get weird with this one. “American Idiot” was marketed as a modern rock opera. They used that term unironically and none of us tried to stop them. Your friend who rocked a mohawk with his T-Mobile Sidekick was secretly listening to this on his headphones while he denounced Greenday for not being “real” punks anymore.

 

Bad Religion “The Empire Strikes First”

This is punk perfection from start to finish. And since Bad Religion didn’t rush to release this anti-war masterpiece in 2003 like their peers, they were able to include the timely “Los Angeles is Burning” about the fires that tore through the city late that year. This song saw the most commercial success from the album, while also earning the distinction of being the first song in punk history to mention jacaranda trees by name.

Music News: No Values 2024 Lineup – Its the biggest punk festival this year

Music News: The No Values 2024 festival is looking like it will be one of the biggest festivals this year, let alone being the biggest punk festival.

The festival takes place on Saturday, June 8th at Pomona Fairplex in Pomona, CA, and tickets will be going on sale Friday, February 23rd at 11 AM PT.

Headliners The Misfits (the original lineup) and Social Distortion are already decent names, but when you factor in the likes of Bad Religion, Sublime, Suicidal Tendencies and Black Flag, it looks that bit more intriguing.

Not only that, but there are some great newer acts on the bill, including Ceremony, Joyce Manor, Scowl, Soul Glo, Turnstile, Viagra Boys and MSPAINT.

Read More: Bands Like Propagandhi: Who To Listen To If You Love The Punk Legends

Music News: The No Values 2024 Lineup

Here is the current confirmed lineup for No Values 2024 (A-Z via BrooklynVegan):

  • Agent Orange
  • Bad Religion
  • Black Flag
  • Ceremony
  • Cro-Mags
  • Fear
  • Fidlar
  • Fishbone
  • Hepcat
  • Iggy Pop
  • Jello Biafra (DJ Set)
  • Joyce Manor
  • L7
  • MISFITS
  • Mourning Noise
  • MSPAINT
  • Power Trip
  • Scowl
  • Shattered Faith
  • Social Distortion
  • Soul Glo
  • Steve Ignorant
  • Sublime
  • Suicidal Tendencies
  • T.S.O.L.
  • The Adicts
  • The Adolescents
  • The Aquabats
  • The Bronx
  • The Damned
  • The Dead Milkmen
  • The Dickies
  • The Dillinger Escape Plan
  • The Exploited
  • The Jesus Lizard
  • The Lawrence Arms
  • The Selecter
  • The Skeletones
  • The Vandals
  • Turnstile
  • Untouchables
  • Viagra Boys

Read More: Bands Like NOFX: Who To Listen To If You Love The Punk Legends

The Hard Times Real News: I live in the UK, I’m very jealous

Yes, The Hard Times have a real music news section now, but you don’t need to freak out.

Make sure you check out more of the content we have via our /realnews/ section and if you happen to be a pro wrestling or combat sports fan you can check out my site FightFans.

Read More: Metallica Album Covers Ranked (From Worst To Best)

 

Music News: Gwen Stefani Reveals No Doubt Song That Makes Her “Nearly Throw Up”

Music News: Ska punk icon Gwen Stefani has revealed the No Doubt that apparently nearly makes her throw up in her mouth.

Speaking on the Audacy Check-In podcast, Stefani revealed that she can’t quite stomach singing ‘Ex-Girlfriend’ live anymore.

“If I do Ex-Girlfriend’ even when I say it, I almost throw up in my mouth because… it’s just like, ‘Oh my God’. It just brings you right back” Stefani revealed (via Billboard).

Read More: Bands Like NOFX: Who To Listen To If You Love The Punk Legends

Music News: Gwen Stefani Talks Throwing Up

‘Ex-Girlfriend’ comes from No Doubt’s fourth album Return of Saturn, and the line “I kinda always knew I’d end up your ex-girlfriend” was about her relationship with Bush frontman Gavin Rossdale.

The couple got married in 2002 but divorced in 2015, so clearly the song has taken on a new meaning for her this time around.

No Doubt are set for a big ‘reunion’ show at Coachella, but it has not been confirmed if they will be doing anything further beyond that.

Read More: Metallica Album Covers Ranked (From Worst To Best)

The Hard Times Real News: Bathwater makes me feel a bit sick

Yes, The Hard Times have a real music news section now, but you don’t need to freak out.

Make sure you check out more of the content we have via our /realnews/ section and if you happen to be a pro wrestling or combat sports fan you can check out my site FightFans.

Also, if you REALLY like pro wrestling then check out my new book on CM Punk’s time in AEW!

Music News: Dave Grohl Releasing a Bad Brains Cover for Record Store Day

Music News: Sublime Teases Release of New Music

Ska Punk legends Sublime are reuniting, with Sublime with Rome now no longer active, Bradley Nowell’s son Jakob will be taking his dad’s place in the iconic ska punk band.

Speaking to SPIN, bass player Bud Gaugh revealed that there is a very good chance that we will be seeing new music released from the band at some point:

“We’ll see how it goes from the rehearsals, but I’m pretty certain we’re gonna see some music coming out with this project.”

Music News: Sublime Reunion Could Bring New Music

Sublime were originally active between 1988 and 1996 before frontman Bradley Nowell tragically died from a heroin overdose at the age of 28.

With the inclusion of Bradley’s son Jakob in the band going forward, it’s clear that the prior legal issues of using the name ‘Sublime’ are no longer there, seeing as it was Bradley’s estate threatening legal action that caused ‘Sublime with Rome’ to become the name of the band for many years.

Jakob said during the SPIN interview that he felt like he had to join the band: “I’m sorry, but without one of the original members of the band, that’s not Sublime. It’s something totally different. And if Eric wants to do Sublime with Bud, and they want me to sing in the band, I felt like I had this custodial duty to pay my respect and homage.”

Considering how tragic it was for the band to lose Bradley at such a young age, seeing his son take up the mantle is pretty cool.

The Hard Times Real News: Are you a Badfish too?

Yes, The Hard Times have a real music news section now, but you don’t need to freak out.

Make sure you check out more of the content we have via our /realnews/ section and if you happen to be a pro wrestling or combat sports fan you can check out my site FightFans.

Read More: Metallica Album Covers Ranked (From Worst To Best)

AT&T Outage Forces Commuters to Listen to Something Called ‘Beefman and The Stroker Morning Show’

DALLAS — Cellular giant AT&T’s massive outage caused disruption to vital services and prevented customers from listening to their preferred podcasts and music during their morning commutes, which forced many to turn to terrestrial radio, confirmed multiple distraught sources.

“It was traumatizing,” said customer Helena Midge. “I began my drive like any other day, ready to listen to ‘My Favorite Murder’ or ‘Doughboys’—but my phone wouldn’t connect. I tapped ‘Try Again’ over and over until I realized something was seriously wrong. In a pinch, I’ll usually settle for NPR, but they were having a pledge drive. Eventually I landed on this horrible morning zoo show and was absolutely mortified. I had no idea wack shit like this still existed. They spent 20 minutes trying to coerce a female caller to take her top off—on the radio! Eventually, I poured my latte into the car stereo and drove the rest of the way listening to the pleasant sound of frying electronics.”

The outage proved to be a boon for increasingly irrelevant morning zoo crew shows.

“Oh my god, the numbers went through the roof,” said Ronnie “Schizo” Trout, producer of the  “Beefman and The Stroker Morning Show.” “For a little while, it was like the good old days, where you knew that almost every one of the cars out there on the highway were tuned in to hear Beefman and The Stroker work their magic. It didn’t hurt that we had one of our classic ‘Wettest Fart’ contests on deck. That bit always kills. And The Stroker was on fire with his sound effects—diarrhea splashes, boner boings, Borat drops. The man’s a true artist.”

Nicole Rafferty, Customer Care Senior Vice President at AT&T, issued a video statement apologizing for the disruption.

“I am humbly asking for our customers’ patience and forgiveness as we work to restore full capacity,” said Rafferty while spraying a server rack with a fire extinguisher. “We here at AT&T feel your pain. Remember, we use the service as well, so our lives are also affected. For instance, on my train ride in this morning, I was forced to listen to a Jason Mraz album I had downloaded to my phone years ago for some reason, probably by accident while I was drunk.”

At press time, several 55-gallon drums of mayonnaise were seen being wheeled into the Beefman studio, fueling speculation the duo were planning on reviving their controversial ‘Naked Geriatric Porn Star Mayo Wrestling’ bit amid renewed interest in the show.

The Top 10 Punk Sub-Genres We’re Pretty Sure Spotify Invented to Screw With Us

Punk music has evolved and expanded over the years. There are now hundreds of subgenres that all fit within the extended family of punk rock. Curious Spotify users can search these genres and the app will generate a playlist on the fly to explore. But the Spotify algorithm is not without its faults. In this era of AI-generated song descriptions and hashtag-obsessed classifications, we’ve witnessed the appearance of new subgenres at a rate that seems suspicious.

Spotify has always been obsessed with classifying and labeling music. Their algorithm is like that one friend who only listens to hardcore and has a qualifying reason that everything else is not “real” punk. Every song must be placed neatly into a genre, even if a new one has to be invented to make it happen.

These punk sub-genres represent the most egregious fabrications that Spotify pulled out of its AI ass this year to see if we were paying attention:

Cowpunk

What do the Dwarves, Tiger Army, and Social Distortion have in common? According to Spotify, they’re all “cowpunk” bands, whatever the hell that is. Is it maybe what you get when a punk band brings in a little blues/Americana sound? There’s really no way to know. Oh there’s some Face To Face in here too? This genre is clearly an inside joke that we just aren’t “in” enough to get. Good one Spotify.

Crunkcore

No, no, no. This is not a thing. Adding synth and drum loops does not make a new punk genre, no matter what Spotify tells us. Nobody who includes Hollywood Undead or 3OH!3 in a list of punk bands should be trusted. And considering that most of the songs in this playlist are from various “Punk Goes…” compilations, it’s clear that this is a genre invented for cover bands, if it even exists.

Minneapolis Punk

The Spotify algorithm clearly learned about Extreme Noise Records and assumed that something was exciting enough up in Minnesota to justify a new genre. While Minneapolis does have a thriving punk scene, we need to draw a line in the sand here. And on this side, we don’t assign new genres to every Midwestern city with a few hundred thousand residents. No thank you, next.

Goblincore

Hey, Spotify? This Pinterest-derived interior design style is definitely not a new punk genre. Just admit that you didn’t really get Days N Daze, and you got confused. They’re not quite crust punk, not quite folk punk, and that’s fine with the rest of us. We don’t need another made up music genre every time your algorithm hears a washboard. Can’t we please just listen to “Flurry Rush” without being harassed by your weird playlist suggestions?

Shibuya Punk

There is nothing that could defend the existence of this as a so-called music genre. The phrase “Shibuya Punk” exists only in niche corners of the internet where nerds discuss Japanese rollerblading games from Sega Dreamcast. And even then, they’re talking about the visual aesthetic, not the soundtrack. This was an algorithm fuckup, right Spotify? Because hey, it has “punk” in the name, just like the music!

Nintendocore

This is a vague label for any song with chiptunes mixed in. The singer from metalcore group Horse The Band used this word one time as a joke in an interview, and to this day they’re still trying to get their fans to stop using it to describe them. But Spotify wants us to believe this is something more than a regrettable joke, it’s a brand new punk sub-genre! Fuck off. That’s not how this works.

Anti-Folk

This is Spotify’s pretend genre for groups who for some reason won’t admit they make folk-punk music. Arguing that a particular band is folk-gone-punk instead of punk-gone-folk is like debating if blueish-green is different from greenish-blue. Who gives a shit? We’ve allowed this streaming giant’s frivolous misinformation to distract us from the very real conversation about how little they pay the artists on their platform.

Millennial Punk

C’mon Spotify. Don’t try to rebrand late-’90s/early-’00s pop punk and alternative rock radio like this. Nobody is falling for it. “Millennial Punk” just sounds like we’re all playing Taboo and we can’t use the word “pop” this round. “Oh yeah, I used to have such bad taste in high school. All I ever listened to was Millennial Punk, haha.” Please just respect pop punk’s wishes and call it by its preferred name. Unwanted nicknames like these aren’t cool, man.

Angry Workout

This is melodic hardcore and songs people listened to in order to get pumped when serving in Iraq 20 years ago. It’s the exact same playlist from start to finish. Here is another attempt by Spotify to take a very real punk sub-genre and call it whatever horseshit they felt like in the moment. Not everything needs an edgy reboot to stay relevant. Just let the classics be classics without rebranding, please. We’re begging you.

Obscure

Calling a punk band “obscure” is pointless and redundant. Everybody knows that once a punk band achieves mainstream success, they are no longer considered punks. They are sellouts or posers, depending who you ask. This invented genre of “Obscure Punk” is an offense to hard-working punks everywhere, and we wholeheartedly reject any claims of its existence. Sorry Spotify, science doesn’t care if you believe in it.