The 15 Greatest ‘90s Music Videos For People Who Still Say “Remember When MTV Actually Played Music?”

Back before MTV really hit its stride with “Teen Mom,” “Pimp My Ride,” and the consistently hilarious “Ridiculousness” they were just a small cable channel finding their way while playing videos set to music. Some of them were actually bonkers too. Here are the top 15 of the 1990s.

Weezer “Buddy Holly”

Only ‘90s kids will remember the episode of “Happy Days” where Weezer performed in front of a sold-out Arnold’s Drive-In. Back before Weezer became the Weezer we know today, they were the Weezer we knew in the ‘90s when they made memorable music videos with Spike Jonze. They should consider bringing back that winning formula to regain some credibility.

 

Nine Inch Nails “Closer”

This is what a music video would look like if A24 produced it. The vid featured an array of unsettling imagery starting with what appeared to be a disembodied human heart pumping steam out of its fully functioning aorta. “Closer” may not be the greatest video, but it’ll certainly stick with you in the same way childhood trauma does.

 

Beastie Boys “Sabotage”

If you’re going to make a music video, you might as well make the best one of all time. Beastie Boys did just that by parodying 1970s cop shows. The Boys starred as Nathan Wind, Alasondro Alegré, and Vic Colfari as Bobby, “The Rookie.” Perhaps not surprisingly, the Beastie Boys actually did their own stunts too. Iconic.

 

Jamiroquai “Virtual Insanity”

The special effects in this one were off the charts. Specifically, Jamiroquoi’s outlandishly large hat. Like, was it a CGI hat? Did they use practical effects to make it fit his cranium? No one quite knew how they did it. I guess we’ll never know. Also, the floor moved independently for some reason.

 

Nirvana “Smells Like Teen Spirit”

You know this one. It’s the video that brought music to the mainstream. The scene portrayed a high school pep rally gone haywire. Seemingly the only person of authority was the janitor played by a guy named Tony De La Rosa, who also reprised the role of Custodian #1 in Weird Al’s “Smells Like Nirvana” spoof. Typecasting was a real problem for ‘90s music video actors.

 

Björk “Human Behaviour”

Directed by Michel Gondry, this video featured a murderous Build-a-Bear that ended the life of a hunter just after consuming Björk herself. There were also a bunch of pupa Björks for some reason. It really showcased a more weird side to Björk, which she rarely displays publicly.

 

Snoop Dogg “Gin and Juice”

This one is just about having fun with a close group of 200 friends at your house party while the lame adults are away. And hey, Dr. Dre shows up two-thirds of the way through with booze and condoms. A true friend. In the ‘90s, you never knew when Dre was going to make an appearance in a video, like that time he surprised us all in that Lisa Loeb one.

 

Blind Melon “No Rain”

Lead singer Shannon Hoon sadly died far too early in his life, but his legacy lives on in the form of a 10-year-old girl dressed up as a bee. This music video also had a clear message: If you’re having trouble fitting in with the world because you want to wear a bumblebee costume in public, just find a random field of other people also dressed up as bumblebees and everything will be alright.

 

Busta Rhymes “Gimme Some More”

Director Hype Williams really knew the key to making a music video: Fisheye lens. And a lot of it. Not only does it look cool as hell, but it somehow draws you into a music video. In “Gimme Some More” it almost felt like Busta was rapping to you personally, which is exactly what you need to try to keep up with his nuclear rap speed.

 

Green Day “Basket Case”

This video was filmed in black and white, and color was added later. That’s why it looks so bright. It evidently makes several references to the film “One Flew Over the Cuckoo’s Nest.” Personally, I don’t remember the part of the movie where a band plays in front of a bunch of mental institution patients. Maybe it’s a deleted scene.

 

Soundgarden “Black Hole Sun”

Soundgarden was definitely trying to make a statement with this music video. It’s just unclear what that was supposed to be. Maybe something about the suburbs. Or maybe the people that were sucked into the sky were meant to be symbolic. Who knows. Either way, I think we can all agree the sunbathing woman with the reptilian tongue was pretty badass.

 

Green Jelly “Three Little Pigs”

This was probably the best fable-based song of the ’90s. The video featured stop-motion clay animation too. That shit rules. It was surprisingly pretty rare for a music video to use this style of animation. Tool did a bunch of them, but they were all creepy. And none of theirs were derived from nursery rhymes. Missed opportunity, Maynard James Keenan.

 

Tupac Shakur “California Love”

I think this is the video that inspired “Mad Max: Fury Road” (2015). It’s sick as hell too. Never been to California but the way the state is portrayed in this one makes me wonder if it’s all just sand and steampunk outfits. And would you look at that, Dr. Dre is in this one too. That guy’s everywhere.

 

Radiohead “Karma Police”

Hard to pick one great Radiohead video from this decade, but we’re going with this one. It featured a mysterious car with Thom Yorke riding in the backseat while chasing a man down a street before the guy lights the vehicle on fire. It begs the question: Was Thom the karma police? Was the man? What is a karma police?!

 

Reel Big Fish “Sell Out”

While other videos just showed bands playing their instruments under cool lighting, this one also did that but included a distinct narrative warning us about the dangers of making a lot of money from your art. The message was surprisingly effective because no one tried selling out for a few years after that.

 

Math Metal Bandmates Ask Guitarist to “Show His Work” After Playing New Riff

ARLINGTON, Va. — Math metal band Cosine recently ended a practice early after guitarist Clint Alfred refused to provide documentation for his latest riff, irritated sources confirmed.

“We have one rule as a band — ‘it’s a no, unless you show,’” said drummer Arnie Buckelmyer. “You can melt our faces off all you want, but unless you can exhibit the formula used to create said face-melting riff, we can’t move forward with it. And look, it’s not just about us, this is ultimately about Clint. Him showing us his work will build his critical thinking and communication skills. If we just let him wank mindlessly all over his fretboard, then who’s that really helping? It’s important to have the correct riff, but it’s even more important to show us how you got there.”

Frustrated with his bandmates’ request, Alfred powered down his three pedal boards, and left the practice space early.

“I understand their point, but I’d had a long day of being an accountant at the graph paper factory and I just wanted to shred,” said Alfred, while restringing his new 9-string microtonal guitar. “Besides, it wasn’t anything that difficult: seven open-D palm mutes in 7/8, into 13 Octatonic sweeps in B minor, then back into nine open palm mutes in 11/8. I mean, come on. I might as well be playing ‘Seven Nation Army’ on a kazoo.”

Ivar Andreassen, Professor of Polynomial Triads at the Oslo Institute of Djent Technology, believes any self-proclaimed math metal band should take documentation seriously.

“The most important piece of equipment in the practice space isn’t the amp, or the drum kit… it’s the whiteboard,” said Andreassen as his Multi-Modal Pinch Harmonics seminar was leaving the lecture hall. “You should be able to map out every move you make, step by step, so that others can follow and build off of your work. All the time, my students are asking why we need to show work. And to that I say, oh, if you don’t you’re going to end up playing Green Day covers in mama’s basement. That usually scares them straight.”

At press time, Alfred was spotted at a local coffee shop studying for a quiz his bandmates planned to give him during their next practice.

Top 1 Song That Mentions Placenta Falling to the Floor

So this was supposed to be a top 10 list, but after scouring AZLyrics, songlyrics.com, and genius.com we have only been able to come up with one single song that references placenta falling to the floor. So, without further ado, here is the top 1 song that references the placenta tumbling toward the ground.

1. Live – Lightning Crashes
We were actually surprised to find several songs that name-drop “placenta” but no song graphically illustrates the pain of childbirth quite like Lightning Crashes. We think that’s what it’s about anyway. We’re certain it has something to do with the circle of life and death but why mention the placenta at all otherwise?

Live has also been in the headlines lately as it seems they are going through a tumultuous time in their history, so it feels like an opportune time to remind people that they existed and that this song made it to number one on the US Mainstream Rock Billboard chart. People in 1994 could not get enough of this absolutely disgusting and depressing song.

Now, we don’t want people to think that this is some sort of anti-placenta propaganda. Our issue is with the ambiguous usage of the word in conjunction with the idea that it just falls to the floor during childbirth. Hell, we’re not even judging those who eat it! We do not, however, condone the act of eating placenta that has been dropped on a dirty hospital floor.

There you have it, a comprehensive list of all songs mentioning placenta falling to the floor, ranked in order for your sick enjoyment.

Everything We Know About MTV News Shutting Down

MTV News will be going off the air as Paramount Global, the parent company of CBS, Nickelodeon, Comedy Central, and Showtime cuts 25% of its workforce. Here’s everything we know so far:

MTV News has been in hot water ever since they falsely reported landing on the moon in 1987

The story was exposed as a hoax when truthers proved such a radical color scheme was impossible in the vacuum of space.

Tucker Carlson Can’t believe he’s already out of a job again

“You’re telling me I learned how to wear sunglasses for nothing?!”

Kurt Cobain Has been found dead

Cobain’s body was found in a house in Seattle home Friday morning, dead of an apparent self-inflicted gunshot blast to the head. He was 27.

Paramount Global CEO Bob Bakish’s heartfelt explanation that the company was “navigating a challenging and uncertain macroeconomic environment, and you see the impact of that on our financials, as the combination of peak streaming investment intersects with cyclical ad softness” brought tears and applause to all who heard it.

Some artists use words instead of brushes.

Paramount has emphasized that all music is to stop being eventful immediately.

“Just keep your heads down and play that wacky jazz, or, whatever.”

You won’t believe what Jesse Camp looks like today

And we still like him more than Dave Holmes.

Staffers can compete to keep their jobs by living together in one house where they stop being polite… and start getting real

What happens when 25% of a major conglomerate’s staff gets laid off and agrees to have their lives filmed?

If MTV News made coffee at home instead of buying fancy lattes, it would have been able to stay on the air for 17 more minutes

They add up over time!

Bill Clinton tries weed and can play the saxophone

He’s just like us, the young people.

Paramount rationalized you can stay just as informed by watching Tulsa King

All music fans really need to know is that Sylvester Stallone is loyal but dangerous.

The MTV News slot will be filled by more reruns of “Ridiculousness”

It’s time to take this whole YouTube thing down a peg.

You don’t need to rock the vote anymore

From here on out regular voting is acceptable

In the end, everyone agreed the Sum 41 breakup felt like a natural conclusion to the story of music

From the legend of Orpheus to “Fat Lip,” it’s been one hell of a run, music.

Kurt Loder will enter into a centuries long rest known as “The Lodersleep”

Until such a time that the Loderforce is recharged and he may rule again.

As promised, Jesse Camp!

Okay he pretty much looks the same. Older though! And still more appealing than Dave Holmes.

All remaining news outlets have felt “The Quickening”

There can be only one.

You are old

If you cared enough to click on this and have read this far you are at least 35.

 

Indie Band Has Changed Name Three Times Since Set Started

CALABASAS, Caif. – Local indie band, currently performing under the recent moniker Parkitect, were once again unable to stick with one consistent name throughout their 35-minute set, artily noncommittal sources confirmed.

“When we originally booked this show we were called ‘Belligerently Neutral.’ But a couple songs in we decided we liked ‘The Aquarium Rodriguez’ better, so we decided to start going with that,” explained drummer Kent Reynolds. “Then of course we changed the name again when our bass player mistakenly told the crowd we were called ‘Little Finger Guns’ and everyone just had to roll with it. There was a brief moment when we were called ‘Engine Engine,’ but that sounded dumb. Now we’re ‘Parkitect’ and, frankly, I have no recollection of how we ended up going with that.”

Show attendees are understandably confused by all this pointless bullshit.

“Not that I even really give a shit about this band, but I have no idea what the hell is going on here,” said showgoer Felicity Naymeyer. “The guitarist just said a name that isn’t the same as the one on the showbill and the drummer just used steel wool to scour a completely different name off of the bass drum after their second song. Thank fuck these guys will never be good enough for me actually want to see them again, because it would be damn near impossible to ever track them down.”

According to experts, indie bands have a history of spontaneously and frequently changing their name whenever they come up with something more twee.

“You have to understand—these aren’t common punk bands who will just come up with a name like ‘The Fartsuckers’ and stick with that for 22 years. The name is a major part of any indie band’s identity,” explained a rock historian who is clearly Phoebe Bridgers wearing a fake mustache. “Sure it can be a bit confusing to change the name multiple times in the same set, but what else do you expect them to do? Suddenly think of ‘Fragile Tissue Box Resting On a Wissinoming Windowsill’ and not use it immediately? I think not.”

At press time, a frustrated Reynolds was reapplying the The Aquarium Rodriguez stencil to his bass drum after the band decided to switch back to that one for a little while.

Best Heavy Metal Music Videos to Show Your Kids Once the Court Allows You to See Them

Heavy Metal and music videos have a long history of going together. With the attention-grabbing visuals of their album covers and energetic stage performances, it only makes sense to try to bring them out in video form. Let’s push the mullet hair from our eyes and get a better view of the cream of the crop for metal music videos.

10. Anthrax “Madhouse”

From Quiet Riot’s “Metal Health” to Iron Maiden’s “Piece of Mind, “being in a straight jacket is an ’80s metal staple. These rockers are getting locked up for being too wild! Ironically, in 1981 Ronald Reagan repealed major funding for mental institutions. Maybe Ronald Reagan hated the mental institutions because he wanted to free all those Metalheads. Either that or he was a dick, who knows for sure. Anthrax’s “Madhouse” is easily the best when it comes to music videos in the genre.

9.  Rammstein “Sonne”

Rammstein’s videos can be a mix of grotesque, artsy, silly, violent, fetishistic, and unapologetically German. If one image can capture all of that, it would be the band getting spanked by a giant Snow White in the music video for “Sonne.” Why this isn’t playing on all the screens at Disney World I’ll never understand. The music video also warns of the dangers of snorting gold so it can be praised for its anti-drug message.

8. Twisted Sister “We’re Not Gonna Take It”

There are a lot of great genres when it comes to different metal music videos and now it’s time to look at the “Fuck You Dad” genre. The father in the beginning skit of this does such a great job you can see the spit flying from his mouth as he yells each word. The son first attacks him with the power of guitar, once again teaching us that guitars are dangerous weapons capable of robbing banks. The son then transforms into Dee Snider. This either means that the child was Dee Snider in disguise waiting to make his move or that Dee Snider is a creature created when mixing rock music with bad parents. Good art is known to be open to interpretation.

7. Candlemass “Bewitched”

Music videos do not need to be high budget to work. There are plenty of great music videos shot with grainy footage of a band hanging out in a graveyard or forest. No band does a better job with this than the Swedish Doom metal band Candlemass. The long funeral intro does a great job winding up to the singer popping out of the coffin like a Jack-in-the-box. The singer gives it all in his physical performance as he constantly points at the audience. Maybe it’s a Swedish thing, but it’s kinda rude to point at people the way he does. I guess rock stars don’t care whose toes they step on.

6. Korn “Freak On A Leash”

This music video starts off in a well-animated world. What of? Children playing on a creepy night of course because this is a Korn song. Flashes of a hopscotch court keep overlaying the video like it’s the Tree of Life in the intro for Evangelion. Then a cop does the most cop thing he could do and has his gun go off. We then see the bullet travel the world into another Korn poster which is riddled with bullets because apparently, this happens a lot. We then learn that this animated world is taking place in a teenager’s Korn poster where the bullet flies out of. You think Judas Priest was badass for robbing a bank with guitars? Imagine if they robbed a bank with Korn posters because these things are dangerous.

5. High On Fire “Fertile Green”

The visual designs used are fantastic. A man riding a motorcycle is one of the most boring troupes used in metal music videos but this one manages to use it just the right amount. Also, another horny one over here. At least I’d assume so when he walks between the legs of the giant pubic bush of marijuana to meet the many-armed sexy weed creature who blows smoke into his face. I’m actually worried for the guys of High On Fire for combining horny with weed too much. Eventually, you’re going to cross wires and start getting aroused every time you see a joint.

4. Rob Zombie “Dragula”

Before anything else, let’s be clear. If you hear this song at a wrestling match, you know the wrestler about to walk into the ring is a good one. Throwing every cool effect possible, it makes one forget that it’s just Rob Zombie standing still in front of a green screen waving his arms. The collection of stock footage used works surprisingly well with Zombie’s 60’s acid flashback nightmare vibes. Some people might nitpick, “The song is named after Grandpa Munster’s Drag-U-La despite the fact that Mr. Zombie is seen driving something more similar to the family’s Munster Koach car.” Sadly yes, but Robbie Z has yet to respond to any of my complaint letters.

3. Plasmatics “The Damned”

You know you’re in for a treat when the music video has to warn you not to try this at home. The music video has one simple premise. Wendy O. Williams rides on top of a school bus and then drives it into a wall of televisions. Saying it out loud doesn’t even spoil things because it never gets old to watch. Wendy’s vocals are always so screeching and coarse. It’s a shock that her regular voice doesn’t sound like Marge Simpson. She also puts bombs on the bus so it blows up. Not much to say, it’s metal as fuck. It makes you miss the days of CRT Televisions because driving through a wall of flat screens just isn’t as cool to try. Trust me, I know. It’s people like myself who caused this video to have a do not attempt warning.

2. Dio “Holy Diver”

Almost went with Dio’s “Last In Line” because it features Dio using a lightsaber to kill a group of video game-enslaving borg, but this somehow manages to be better. It’s Dio as a sword-wielding barbarian. This music video is the closest anyone has gotten to bringing a metal album cover to life. So many nerdy metalhead teens must’ve imagined themselves in this video with their Renn Faire swords over the last 40 years. I hope the rats in the video knew they were a part of something special.

1. Judas Priest “Breaking The Law”

Judas Priest’s music video for “Breaking The Law” is built on one simple concept. What if your music was so badass that you could rob a bank with it? Cheesy, sure, but there’s nothing wrong with cheese when done right. “Dog Day Afternoon,” “Heat,” “Point Break,” none of those movie bank robberies can hold the gravitas of Rob Halford screaming the lyrics at his hostages. The big reward in the bank’s safe is their own album going gold because music is the real treasure here. This music video might be the reason parents feared that dang guitar music so much. The next time you see someone playing Priest on guitar, watch out where they’re pointing that thing.

Every The Damned Album Ranked

The Damned are sort of like punk rock’s perpetual cautionary tale. The landscape of the modern punk scene likely wouldn’t exist without them, and yet through the band’s constant shooting-themselves-in-the-footery they never quite seemed to get their due. And every time it seems like they are finally able to pull out of the tailspin, Captain Sensible takes his dick out in front of Grandma again and we’re right back where we were before. Here’s our definitive ranking of every Damned album.

Honorable Mention: Darkadelic (2023)

I wanted to wait until after “Darkadelic” came out before writing this review so I could include it in this ranking. But then I listened to it last Friday and I was like… “Whoa.” Bottom line, it’s just too soon to make a definitive placement for it – but go check it out anyways.

Play on repeat: “Beware of the Clown”
Skip it: “Girl I’ll Stop at Nothing”

 

 

 

11. So, Who’s Paranoid? (2008)

Is that a rhetorical question? Because not me. I have seen through the bullshit. If you wanna take this album’s title as a sincere query then I would guess it was whoever produced this bland, monotonous slog, who was likely afraid that any hint of excitement might alert an unseen secret police to their presence. Who was this mystery producer? What was their imagined crime? Suppose we’ll never know, ‘cause there’s no way I’m going to listen to this drag again looking for clues.

Play on repeat: “Perfect Sunday”
Skip it: “Maid For Pleasure”

10. Anything (1986)

The Damned kinda have a habit of reinventing their sound about once every three years. In one way it’s very impressive to have that kind of musical elasticity – in another way, you end up with “Anything” and are forced to listen to low-rent ABBA for forty minutes. I suppose you could make an argument for it if that’s your thing, but if you’re mostly a fan of Triple D era Damned then it’s safe to give this one a miss.

Play on repeat: “In Dulce Decorum”
Skip it: “Alone Again Or”

 

9. Grave Disorder (2001)

Personally, I enjoy this record. It is fun and in a way reminds me of the Groovie Ghoulies if they were Britpop. But held up to a lot of other Damned albums it just can’t hold its own with that style. So, yeah, I’m not sure what that leaves “Grave Disorder” as. “Unfortunately enjoyable,” maybe?

Play on repeat: “Democracy?”
Skip it: “She”

 

 

 

8. Not of This Earth (1995)

I genuinely forgot that this record exists. So I listened to it again before writing this and my consensus is: pretty good. Yeah, dude. A lot of the songs still preserve that original lineup edge (despite being like nineteen Damned lineups down the road) and the songs don’t feel as samey as their more pop-oriented albums. Still, the fact that I didn’t even remember it until bringing up Wikipedia to check release dates means I can’t really go higher than here in the ranking. Sorry, that’s my bad.

Play on repeat: “Shut It”
Skip it: “Never Could Believe”

7. Phantasmagoria (1985)

Anyone else get the feeling like Dave Vanian might really be a Dracula? I mean, that would be fucking cool if he was, but, like that’s true of a lot of people. I’m saying he’s the guy who might legit just be a goddamn vampire. Also, don’t ever spill holy water on this album or it will burst into flames and a part of your soul is forever lost. Pretty cool how they worked that into the production.

Play on repeat: “There’ll Come a Day”
Skip it: “Trojans”

 

 

6. Music For Pleasure (1977)

“Music For Pleasure” was released roughly nine months after the band’s previous album and oh boy does it show. We’ll just let this one be an example of “strike while the iron is hot” not always being the best career advice. That being said, there’s nothing sonically wrong when compared with triple D – this is just more of the same, albeit feeling a bit less inspired. But particularly when put up against “Black Album” or “MGE,” this one just doesn’t have the stuff.

Play on repeat: “Idiot Box”
Skip it: “Politics”

5. Evil Spirits (2018)

Here we have the later-era dark horse inclusion high in the list. “Evil Spirits” feels like it came out of nowhere, much in a way a spooky ghost will suddenly appear before whispering something to you like “fear the alleycat” before disappearing into a nearby aviary. I’ll call this a well-deserved comeback for the band after a few so-so offerings, and if you gave up on the Damned years ago, this album certainly demands your appreciation.

Play on repeat: “Evil Spirits”
Skip it: “We’re So Nice”

 

4. Strawberries (1982)

I wanted to make this entry just a picture of Dave Vanian singing while wearing the pirate shirt from “Seinfeld” with his hair done up exactly like Bride of Frankenstein but I was told “no, James, you actually have to write something.” So anyways there it is – now stop reading and go look up that picture immediately.

Play on repeat: “Dozen Girls”
Skip it: “Bad Time For Bonzo”

 

 

 

3. The Black Album (1980)

“The Black Album” rests on that perfect liaison between the sneering punk rock of the early Damned and the ethereal goth rock the band later consumed like the heart of an undead concubine. And they did it phenomenally. Most bands are lucky if they ever even get one truly great album out of a lifetime of struggle and dedication in the fickle and thoughtless music industry. The Damned have three, and this is the third.

Play on repeat: “Wait For the Blackout”
Skip it: What part of “great album” don’t you understand?

2. Damned Damned Damned (1977)

This is the second. Also, it’s the only truly great record that had the classic lineup. And if you really still don’t see what set the Damned apart from other early UK punk bands, then compare this album’s cover to The Clash and see how it’s like fucking night and day. Triple D is punk without ego. It’s the true embrace of the weird and the rebellious, and above all, it’s just fucking fun. As any true Damned fan knows this was the first full-length punk record from any UK punk band and the cover art is a goddamn pie fight. Suck on that with all your seriousness and political shit, Joe Strummer.

Play on repeat: “New Rose”
Skip it:

1. Machine Gun Etiquette (1979)

And here’s the first. This is everything that was great about the early Damned except that, without Brian James serving as musical director, everyone finally got to do their own thing. Captain got to play guitar, Dave went full nosferatu, and Rat Scabies successfully lobbied to change his name to Hamster Healthy-Skin. Truly it was a golden age of the Damned.
But the main thing is the shift in songwriting. The collaborative effort is apparent and the album does show some maturity, but thankfully the band doesn’t stray too far from what made them fun in the first place.

Play on repeat: “Melody Lee”
Skip it: …really?

Member of Opening Band Now Standing in Audience Like Some Common Peasant

CHARLOTTE, N.C. — Following Ramming Speed’s opening set last night at Uncle Ditty’s Harmony Lounge, the drummer for the band was seen wallowing beneath the stage with the rest of local rabble during the headlining band’s set, staff at the venue confirmed.

“I was making my way through the crowd and all of a sudden I noticed a guy who was a bit sweatier than everyone else and I realized it was the drummer for the opening band,” said show attendee Maya Navarro, who was one of the less than three dozen people at the venue. “I couldn’t believe it, he was just standing there like a completely normal guy. He wasn’t in some super special VIP area, he was just standing next to the bar like any other loser that bought a ticket to the show. It blew my mind, I even saw him use a drink ticket and then leave a pretty decent tip. Rockstars really are just like us.”

The drummer for Ramming Speed, Jax Vincent, was all too eager to comment on his descent from the stage to the floor following their opening set.

“I know it was but mere minutes ago when it was I who was being worshiped on that stage,” remembered Vincent wistfully and perhaps with a sense of grandeur. “I was perched on the summit of Olympus, dispensing musical food to satiate the hunger of the creatively-starved audience. Then I descended down to the PBR-stained floors of the venue with everyone else to experience the moment with the common folk. Everyone kept their distance from me though. They were probably just intimidated.”

Local scene veteran and self-described “show etiquette expert” Caspian Lockwood was able to shed some light on the presence of the opener in the audience.

“This is not the end of a shift at the town factory where you can just simply punch out when you’re done,” explained Lockwood. “To rise through the ranks to become a headliner, the openers have to put in the hours in the audience with the rest of the paying fans as support. Not only do you have to be present, you have to make sure that the headlining band sees you watching them, lest they think you’re a dick who decided to fuck off early.”

At the conclusion of the show, Vincent was witnessed standing by his band’s merch table twirling his drumsticks and approaching people with a Sharpie unsolicited, offering to sign autographs.

If “A Clockwork Orange” Is So Disturbing Why Am I Letting My Sister’s Kids Watch It?

I wish my sister would stop complaining about my babysitting skills and start thanking me for exposing her kids to classic cinema that students pay thousands of dollars to study at bullshit schools like NYU. If “A Clockwork Orange” is so damn disturbing why the hell would I let my beloved niece and nephew watch it?

Helicopter parents like Diane and her beta husband Glen are the absolute worst. Instead of just appreciating their much needed date night, they prefer to say hurtful things to me like “Stop feeding our kids so much beef jerky,” “Don’t let them pet your snake,” and, “What would possess you to let them watch a movie that was banned in the UK for decades because it depicted graphic violence?!” God, shut up already.

Alex and his droogs made a CGI cameo in Space Jam 2, so it’s fine.

I dunno, maybe I don’t want their twins to turn out to be a couple of losers whose only film knowledge is Chip ‘N Dale Rescue Rangers. Perhaps I’d rather hang out with a couple of dope ass kids who aren’t too chicken shit to try something outside their comfort zone because I think they’re more mature than their parents give them credit for. It’s not like they’re fucking babies anymore, they’re almost seven. Time to let them grow up.

They act as if I’m forcing their kids to do crazy shit like helping me roll my blunts. I already tried that and despite their tiny fingers, which you’d think would be perfect for this particular task, they had no aptitude for it.

I guess it’s easy for my sister to ignore the fact that because of me and this movie, her children are huge fans of Beethoven’s 9th Symphony, but I’m not gonna hold my breath for an apology. At the end of the day it’s really just about me spending quality time with my two special little droogies, who I better go check on since it shouldn’t take that long for two kids to turn on a propane BBQ.

Punks React: Trump Found Liable for Sexual Abuse and Defamation

A New York jury found former President Donald Trump liable for sexually abusing and defaming writer E. Jean Carroll. As a result, Trump has been ordered to pay Carroll $5 million in compensatory and punitive damages. We took to the streets to see what punks thought about the verdict.

Greg Steven, Bartender

“I don’t think the verdict went far enough. The only form of punishment I accept is complete castration.”

Shane McGovern, Mechanic

“There was always something about Trump I didn’t like, I couldn’t quite put my finger on it. I guess it was his pattern of abusive behavior that he openly admitted to multiple times.”

Hanna Fendie, Tattoo Artist

“Finally, the Mueller Report worked.”

Freddie Danvers, Unemployed Libertarian

“I bet the liberal media is going to spin this to make Trump somehow look bad.”

Micah Jennings, Etsy Shop Owner

“I prefer Presidents who don’t sexually abuse people. One day I hope to get a president who doesn’t.”

April Truman, Office Assistant

“This is only going to make his base angrier and worse to be around at Thanksgiving. Something I didn’t think was possible.”

James Stedman, Applebee’s Server

“This makes me wonder how many other powerful rich white men are total shitheads.”

David Junie, Intern

“I’ve been saying this for a long time, we need to believe women. Unless it’s my ex-girlfriend, please don’t listen to anything she has to say.”

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