BURLINGTON, Vt. — Local attendees at the Champlain Americana Festival struggled to determine whether bluegrass quintet Green Label Blues hailed from deep in the Appalachian Mountains or from Brooklyn, confirmed sources who “could really go either way on this one.”
“On the one hand, these guys definitely know their stuff. I mean, no wonder they got a headlining slot, they’re crushing it up there,” said audience member Stellan Wright. “And the banjo player [Christine O’Neil] is playing faster than that kid in ‘Deliverance.’ No way she learned that anywhere outside of West Virginia. On the other hand, I’m pretty sure the guitarist [Adam Wolfe] is wearing American Apparel jeans, so that definitely makes you wonder. And is that a pack of cigarettes rolled into his sleeve? That’s a bit much. My biggest suspicion came during the jug solo. It was sick, but the guy used a Carlo Rossi bottle; no way that thing’s ever seen a drop of real moonshine. There’s a good chance it’s just hipsters cosplaying as hillbillies.”
Green Mountain Blues’ tour manager Buck Freehold was unable to shed any light on the matter.
“I couldn’t care less where these guys are from,” Freehold said while adjusting his bolo tie. “I saw them play a little bar in Utica last year and, even though I don’t have any experience in the music industry, I convinced them to let me be their manager. They’re as naive as the day is long; I mean, I somehow manage to get a 50% cut of everything they make, and they don’t bat an eye. They get mainstage gigs at festivals, move a ton of merch, and usually don’t make a mess when they spit their tobacco juice, so who gives a shit where they started out? That being said, I actually think they’re from rural Oregon. Or maybe Silver Lake. And yet I think they have Midwestern accents. Your guess is as good as mine.”
Music-Ethnocologist Dr. Mary Hartwell confirmed that most fans have a hard time appreciating bands if they can’t identify where they’re from.
“As my last peer-reviewed article explains, Geographic Poserism is very real,” Hartwell explained. “Back in the late ‘80s, you could be playing death metal on par with ‘Altars of Madness,’ but if you weren’t from the greater Tampa area, you might as well have been doing Poison covers. If you want to succeed in a niche genre, your zip code is a lot more important than your songwriting.”
At press time, the mystery persisted as Wright realized that the band’s percussionist [Bill “Scooter” McGraw] was playing an actual drum kit instead of a washboard.
