Every Underoath Album Ranked Worst To Best

Shalom. Tampa, Florida’s groundbreaking and popular act Underoath has been labeled with more adjectives in a religious and non-religious manner than most rock acts could ever pray for or complain about, but the best way that one could and should describe the band is with one word: Awesome. Yeah. Through various lineup changes for pretty much every instrument, the group has released nine full-length albums, several live ones, various retrospective compilations, and even a few greatest hits records. Also, in a feat unmatched by many others in the “scene” world, five-sixth of the band has been exactly the same since the band’s fourth and ever-so-popular 2004 record “They’re Only Chasing Safety.” You may be surprised (and chasing safety) to see where we rank that album and the eight other total full-lengths before/after below. Down, set, go:

9. “Act of Depression” (1999)

Let’s start at the beginning: Drummer/vocalist Aaron Gillespie is the only current member on Underoath’s debut LP “Act of Depression,” which truly lives by its title for the listener. The record strictly consists of long and confusing songs that cleverly have a total run-time of fifty-five minutes and fifty-five seconds, but that’s where the fun ends. Basically and bluntly, this lone 20th-century release for the band will likely never get placed on a “Best of the ‘90s” compilation album… And that’s ok as the band pretty much ruled the Warped Tour and Christian Rock world in the early aughts. Next!

Play it again: “Heart of Stone”
Skip it: “Watch Me Die”

8. Cries of the Past (2000)

“Cries of the Past” kicked off this century for Underoath on July 4, 2000, and is the act’s first album with current keyboardist Christopher Dudley. It’s not much better than its former, but we likely ranked the LP higher because Dudley added some atmosphere to a band that seemingly didn’t have any prior. Zing. Also, like “Act of Depression,” the band continued the tradition of overly complicated songs that go nowhere, but five songs at forty-two minutes and fifty-one seconds is even crazy for a Periphery album! It’s hard to be progressive without being progressive.

Play it again: “Giving up Hurts the Most”
Skip it: “Walking Away”

7. The Changing of Times (2002)

2002’s “The Changing of Times” is the band’s first truly polarizing album and it is the only pre-Spencer Chamberlain (more on him later) LP that we at The Hard Times have seen public love for; the universal consensus amongst all that have listened to Underoath’s expansive catalog is that the first two albums are better left unread. “The Changing of Times” is the group’s third effort, and it is good at times, but not great overall. Sorry. Shortly before the band solidified the majority of its lineup on its next and fourth release, guitarist Timothy McTague joined the band for this LP and vocalist Dallas Taylor exited shortly after it came out. Fun opinion: Dallas really came into his own with the Southern rock-influenced metalcore act Maylene and the Sons of Disaster, and if you don’t agree, you’re dead wrong. Sadly, he had a life-altering ATV accident in 2016. We’re all thinking of him and his family over here.

Play it again: “Never Meant to Break Your Heart”
Skip it: “814 Stops Today”

6. Voyeurist (2022)

This may or may not ruffle some rock and roll feathers, but “Voyeurist,” Underoath’s most recent full-length, just didn’t stick with us at our first listen or inspire many more afterward. Overall, it felt like a lower quality and inconsistent batch of songs, and is the first to showcase a semblance of patchiness since the album listed prior. Happily, the band closed “Voyeurist” with one of its better post-2010 songs “Pneumonia,” and is slowly but surely returning to all protein and no fat form on its two most recent follow-up singles from 2023: “Lifeline (Drowning)” and “Let Go.” Here’s to a solid (state) follow-up full-length!

Play it again: “Pneumonia”
Skip it: “Numb”

5. Ø (Disambiguation) (2010)

The album for the record titled with a character that isn’t easily attainable on Google Docs is both the band’s first and last without Aaron Gillespie on drums and vocals, and the only release with talented former Norma Jean drummer Daniel Davison on the skins. It is also very likely ranked higher here than you may have thought, as we at The Hard Times like to keep ya guessing and complaining. Admittedly Davison had big shoes to feel (Aaron eventually became the tour drummer for fucking Paramore for a bit), but Mr. Gillespie justifiably sang the act’s and Davison’s praises on this 2010 LP. That form of solidarity from a then-former band member isn’t what one often sees with a public relationship change and it was quite nice to hear about, as the kind words showcased some solidarity that one doesn’t often see with former members in division.

Play it again: “In Division”
Skip it: “Reversal”

4. Erase Me (2016)

After a not-so-long split from 2013-2015, Underoath released a comeback album via Fearless Records with both drummer/vocalist Aaron Gillespie back in the habit and an “F Bomb” front and center for all to gasp at. Jesus. In addition (or division), the band also said goodbye to the Cornerstone label and simply became a band filled with some Christians. Moses. This album may have turned some dissonance lovers off with its high-quality radio rock, but we’re all here for a mainstream audience digging good music. It has to start somewhere.

Play it again: “Rapture”
Skip it: “In Motion”

3. They’re Only Chasing Safety (2004)

Post-hardcore and screamo bands were at their respective peaks for success in 2003 and 2004 so this album came out at the perfect time…. And what a storm it was. The band had three new members for this huge LP: Guitarist James Smith (who just left the band earlier this year; like we alluded to earlier, he’s the only one to do so since this record), bassist Grant Brandell, and new vocalist/screamer formerly of This Runs Through, Spencer Chamberlain. Admittedly, Spencer’s screams here weren’t in tip-top form, but he only got better and better at such for their latter releases; keep scrolling down, dear reader. Still, this album was truly the band’s breakout and contains several undeniable singles that the band still plays regularly. Fun opinion (part deux): If the single “Reinventing Your Exit” was released on a major label in 2004, the then-young-and-aspiring Underoath would’ve been a much, much bigger mainstream rock band.

Play it again: “Reinventing Your Exit”
Skip it: “The Blue Note” (instrumental)

2. Define the Great Line (2006)

Our two favorite UO albums sometimes shift from number one to two and vice-versa, but regardless of which one you prefer of the final two listed here, 2006’s “Define the Great Line” was their biggest game-changer sonically and critically. Debuting at number two on the Billboard Charts is no small feat, especially for an album that was deliberately created in a brutal, rough-around-the-edges, and non-mainstream manner. Our punk rock hearts respect the fuck out of this. To whom it may concern, for this release and the one listed below in the gold medal slot, we recommend a front-to-back listen sans skips. Don’t @ us.

Play it again: “Everyone Looks So Good From Here”
Skip it: Don’t. Jesus insists you listen to the whole thing.

1. Lost in the Sound of Separation (2008)

Although there weren’t too many “hit singles” on 2008’s “Lost in the Sound of Separation,” the record contained eleven heavy-in-the-best-way experimental songs that should NOT be slept on. Relisten to it now and read on. Ok? Good. Aaron Gillespie went out in style on this release, which showcased his chaotic drumming in a manner that is unrivaled by most in the “scene” or outside of it. Also, it’s badass that the last words of track one, “Breathing In A New Mentality” are, “Let me start again.” Clever, clever.

Play it again: “The Created Void”
Skip it: Don’t (Part Deux)

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