There will always be bands that hog the spotlight while others are left to snack on the meager scraps of glory. Unfortunately, while many of these bands may have seen some critical acclaim, they didn’t get quite the merch sales they deserved. That’s why we’re here to finally right that wrong in what we are sure will be a hugely influential list article. Here are the bands who achieved the credit and those who deserved so much more.
Who Got the Credit: The Dillinger Escape Plan
Who Deserved More: Botch
Let’s be honest. You discovered Botch after they broke up. You may have claimed to be a fan from the start, but deep down, you know “An Anthology of Dead Ends” was your portal into these mathcore pioneers. No matter your entryway, we can all agree: while The Dillinger Escape Plan went on to become the flagship band of the genre, Botch deserves more recognition than they got for their chaotic masterpieces. Oh, by the way, just like you were late to the band, the reunion shows are sold out too.
Who Got the Credit: Silverstein
Who Deserved More: Finch
While Silverstein’s debut studio album, “When Broken Is Easily Fixed,” clearly left its mark on the genre, let’s not overlook the sheer force of Finch just moments before. With their equally impressive EP and album, “Falling into Place” and “What It Is to Burn,” released in 2001 and 2002, respectively, Finch showcased their immense talent in the screamo genre. Honestly, we’re not even mad about Silverstein. Just maybe we could have been hearing more Finch and less Hawthorne Heights in the early aughts?
Who Got the Credit: Sleep
Who Deserved More: Bell Witch
Sure, Sleep’s “Dopesmoker” is the original iconic single-track doom metal album. But Bell Witch took it to the next level with their 83-minute masterpiece. Before you start arguing: It is undeniable that 83 minutes is longer than 63 minutes. And its listenability surpasses its stoner counterpart. Oh, and you don’t even have to EQ out the vocal track.
Who Got the Credit: LCD Soundsystem
Who Deserved More: The Faint
It’s time to set the record straight and recognize that Omaha legends, The Faint, truly ushered in this last era of dance-punk. They started the party in 1995, creating infectious beats, pulsating basslines, and synth-driven melodies that got our feet moving. While James Murphy later shamelessly rode the wave, we’ll always remember where the wave started (Nebraska, obviously). If this were the SATs: The Faint is to LCD Soundsystem as Bruce Springsteen is to John Cougar Mellencamp.
Who Got the Credit: Alexisonfire
Who Deserved More: Orchid
We loved Alexisonfire’s self-titled debut as much as anyone, but looking back, it’s hard not to see it as a more polished version of the raw energy Orchid brought to “Dance Tonight! Revolution Tomorrow!” This album holds a special place in our hearts as it brilliantly merges power violence and emo into a genre we wish we could say out loud more: “emoviolence.” The slow guitar intro of Orchid’s “I Am Nietzsche,” and build-up remind us later of Alexisonfire’s “Polaroids of Polar Bears,” culminating in an explosive distorted scream. Perhaps Amherst, MA, just didn’t have the same mass market appeal as a powerhouse like Ontario, Canada.
Who Got the Credit: Death Cab for Cutie
Who Deserved More: The Weakerthans
While Death Cab for Cutie may have captured the hearts of indie music lovers and The O.C. fans alike, it’s time we turn the spotlight on the brilliance of The Weakerthans. They finally answer the question… what if Death Cab for Cutie were even better? The Weakerthans’ introspective lyrics and heartbreaking songs about fictional cats deserve more than just a sip of appreciation from the indie coffee crowd. And sometimes, the underdogs leave the most profound impact of all. The only explanation for their lack of superstardom? It’s like we always say, these Canadian bands rarely receive the same level of credit as their American counterparts.
Who Got the Credit: Fleet Foxes
Who Deserved WAY More: My Morning Jacket
Here’s the deal: Fleet Foxes somehow managed to bask in the adoration of Pitchfork years after My Morning Jacket should have enjoyed it, simply by stepping into their souls and taking them for a joyride. We’re not saying their beards are counterfeit, but did the Fleet Fox folks catch a glimpse of Jim James’ majestic beard and attempt to grow their own or even strap one on? We just want to make it clear that My Morning Jacket was there first, sharing their lumberjack-esque indie folk long before. And let’s be real, we’re all tired of hearing “Winter Hymnal” on every winter-themed playlist, right? Give “Golden” a spin instead.