Intro that doubles as the small print: You may ask and then subsequently remark, “What the heck is Muse doing here? They’re not punk, and they aren’t funny at all.” Well, you inquired in a totally unoriginal way, and then said a bunch of words that unintentionally double as scorching garbage, so we’re doing something right, you fools! Anyway, England’s Royal Ambassadors known as Muse have been an entity for nearly thirty years, and have the falsetto/index finger scars to prove it! Also, the band has nine incredible studio albums, and various compilation/box sets/EPs/soundtrack appearances. Below is our handy-dandy, objectively perfect ranking of said LPs sprinkled with an unhealthy balance of smug and righteousness. As the band’s frontman Thom Yorke once said in their hit “Bitter Sweet Symphony” from their oft-overlooked “Be Here Now” LP, “Woo-hoo! I got my head checked.”
9. Simulation Theory (2018)
First off: This album is really, really good front-to-back. Second off/the dark side: We can’t rank ‘em all last, first, or even fifth, as there are no ties here, and no crying in baseball. Sorry. 2018’s “Simulation Theory” and its subsequent grandiose tour both feature a lot of diversity, positive ‘80s throwbacks that musically shout out “Tron,” general rockage that would make Tom Morello smile, and catchy-ass melodies for the most bitter of bitter bitter bitters. Still, this album had and has the least amount of replay value of the bunch. If you disagree, and we know that at least some or all you will, get up and fight, just not anyone that you’re stronger than. Fun footnote: Once you make it through the full record, dig down, and check out the alternate reality, UCLA Bruin Marching Band, and even acoustic gospel version of these eleven songs; no pressure.
Play it again: “Thought Contagion”
Skip it: “Get Up and Fight”
8. Will of the People (2022)
Even though the title track of this potentially overlooked album in the age of oversaturation echoes the now canceled svengali/cult leader/fashion icon/author Marilyn Manson’s biggest hit “A Beautiful Mind,” “Will of the People,” Muse’s most recent and ridiculously, ridiculously diverse full-length album, is NOT their worst album by a one shot. Fact? Opinion! It’s slightly better than its predecessor, and a tad bit worse than the band’s debut. Fact? Liberation! Anyway, two of Muse’s best song titles, and it must be said on record, not best songs, are featured here: the dark like the day “You Make Me Feel Like It’s Halloween,” and the light like the night “We Are Fucking Fucked.” The album cover showcasing both an homage to “Planet of the Apes” and a bastardized version of Mount Rushmore would make a good t-shirt at the La Brea Tar Pits gift shop as well.
Play it again: “Compliance”
Skip it: “Euphoria”
7. Showbiz (1999)
Prove yourself: “Showbiz” haters will say that it sounds exactly like Radiohead, especially the band’s earlier, more rocking, and less hipster-y stuff, and its lovers will likely say exactly the same, but will still have an affinity for it… Despite being partially optimistic and in limbo, what a freaking let down with no surprises! Still, regardless of whether you’re in lust, faith, or dreams with Muse’s lone studio album from Prince’s favorite year AND last century, you can’t deny that it’s their first one! Well, you can, and many of you plebs will, but you shouldn’t. There’s something in the water (does not compute) and we’re not optimistic. Back to 1999’s “Showbiz”: Musicians and “musicians” reading here, just check out the intro from the tune in our “play it again” section; it’s nasty in a WWF way and not in a spoiled and crusty one.
Play it again: “Muscle Museum”
Skip it: “Hate This and I’ll Love You”
6. The 2nd Law (2012)
Panic station in the form of a caps-lock inquiry sans grammar: “HOW DID THIS ALBUM GET RANKED HIGHER THAN SHOWBIZ WTF AM I DUMB WA WA WA?” To that, we respond with normal syntax because we have at least a second-grade reading ability and/or a bachelor’s degree in English from an accredited university that we didn’t get into because of our parents’ connections: Make your own damn list, animals. Another opinion worth mentioning that may inspire violence on your end: “Survival,” the band’s song from the fucking Olympics, is the band’s catchiest and most aurally pleasing single, and you can find it at track number five on 2012’s “The 2nd Law.” We will hopefully not perish on that hill. While haters will say that Muse made a shitty EDM album, true fans know that the band blends genres better than most, and that this album is stadium worthy.
Play it again: “Prelude” right into “Survival” (tracks 4-5 are a one-two punch of epic grandeur; yeah)
Skip it: “Big Freeze”
5. Drones (2015)
“Drones,” another Muse album that you likely missed due to you being a dumbass, is their best album post-2009, and it is easily the band’s hardest rocking effort in their expansive and expensive catalog. You may not think that that is much of a compliment, but the band released four full-lengths after 2009, and all of them were good in their own way, and better than you in all. Don’t @ us if you disagree, but also please @ us if you do. Also, drill sergeants are scary, and Hoobastank also let us know the same on their oft-undiscussed 2006 LP “Every Man For Himself;” at least we’re moving forward. In a random seemingly pretentious but not really random or pretentious annotation to end this section, Muse singer/guitarist/pianist/deity Matt Bellamy shares a co-write with composer Giovanni Pierluigi da Palestrina on this album’s closing/title track. (Have) mercy!
Play it again: “Dead Inside”
Skip it: “Aftermath”
4. The Resistance (2009)
WE could be wrong, we CAN’T be wrong: 2009’s “The Resistance” is Muse’s most successful album, and it truly shows in its eleven fantastic songs that take each listener on a Space Mountain-esque peak-and-valley adventure minus the vomit. The band started this LP with a high-quality one-two-three punch featuring three of its four singles and also pulled a Coheed and Cambria comic book-worthy one-two-three kick in sonic AF glory with the closers. Like C&C lead singer Zach de la Rocha once sang/screamed/rapped/alluded to on Circa Survive’s “Vheissu,” one literally needs an overture to cross-pollinate, and will subsequently beg the bugs for redemption. Back to “The Resistance:” The band self-produced this effort, and sometimes when groups do such, the production suffers in the egotistical worst way, but not here! No, no, no. In closing and opening, the following three albums have zero “skip it” tracks!
Play it again: “United States of Eurasia (+Collateral Damage)”; we like parentheses
Skip it: “I Belong to You (+Mon Cœur S’Ouvre a Ta Voix); we hate parentheses but we like semi-colons
3. Black Holes and Revelations (2006)
Revelation sans a black hole: This 2006 LP is definitely the one that shot Muse into the stratosphere stateside in a then-modern form of The British Invasion, and we U.S. Americans will take it with an extra side of saturated fats! Recorded at FIVE different studios, which at first glance makes it look like an ‘80s hair metal record without the lobster, cocaine, escargot, and champagne budget, “Black Holes and Revelations” is the band’s first full-length to be put into the famous-even-to-famous-people Queen category, and you can take that smart posit however you want, just tip your bartender and stop drooling. Also, it’s difficult to find an album closer as revered, hummable, powerful and grandiose as “Knights of Cydonia,” which the band also epically starts some shows with as well. In closing, the drumming on this album from Dominic Howard needs far more fanfare; it’s utterly supermassive here.
Play it again: “Knights of Cydonia”
Skip it: pass
2. Origin of Symmetry (2001)
Muse’s second album “Origin of Symmetry” is in second place here, and you know we’re right whilst feeling good about this placement even if you don’t; if you don’t, don’t. Hot take alert: If tracks 1-5, five of the best sequential songs of all time, were repeated as tracks 6-10, citizen erased the original 6-11, and then the album just stopped, it would’ve been the winner here. Yep! Anyway, 2001 was a great year for mainstream rock with Jimmy Eat World’s “Bleed American,” Incubus’ “Morning View,” and System of a Down’s “Toxicity” and Muse’s sophomore effort here can effortlessly hang with all of the above in a non-awkward manner. Still, we still can’t figure out why “Origin of Symmetry” connected with SO many outside of America, yet didn’t here when it came out. Basically, it was a futurism grower-not-a-shower in the states. Better late than never, eh? Don’t answer that!
Play it again: “New Born”
Skip it: passed
1. Absolution (2003)
This is the story of a girl who cried a river and drowned the whole world: Bass guitar fans in the know bow down to Chris Wolstenholme in every way, and especially on his work on “Absolution,” but rock heads should make this 2003 LP their protective blanket for the upcoming apocalypse, which Muse politely asked for in typical European fashion. Absolutely. Absolution-ly. Absolut Vodka. Anyway, If Muse released just one album as is, this one should be it. The small print that should be larger, bolded and italicized: There is not a second wasted on Muse’s third LP, which normally is strictly given to those with a hairy tummy, but this one somehow appeals to the bare-chested! In fact, it does so endlessly! To close this piece out, we like it when bands have “Intro” and “Interlude” tracks. Dive into “Absolution,” and give us your heart and your soul!
Play it again: “Hysteria”
Skip it: past